Bisherige Auswahl:
keine Auswahl
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Bemerkungen / Titelliste: |
1. RE LA SOL MI FA SOL (03:09) 2. TRIONFO DE BACCO E ARIADNA (06:27) 3. OSTINATO VO SEGUIRE (02:40) 4. L AMORE L` SOL MI FA REMIRARE (02:47) 5. DILLA DAL AQUA (01:59) 6. UN CAVALIER DI SPAGNA (01:26) 7. CALATA ALLA SPAGNOLA (01:39) 8. VENERE VERA LA SCHIUMA, CANTO AD LYRAM (02:12) 9. ROMANESCA - CHI VUOL BEVERE - PESARO MS, (04:32) 10. BEN VENGA MAGGIO (02:38) 11. MILLE REGRETZ (01:42) 12. L AMORE MI FA SOLAZZARE (00:02) 13. INGENIO MUSICALE (03:39) 14. NON E TEMPO D ASPETTARE (02:15) 15. TANT QUE VIVRAY (02:49) 16. J ATTENDS SECOURS - VIOLA ORGANISTA (01:36) 17. J ATTENDS SECOURS - VIRGINAL (01:42) 18. L AMOUR, LA MORT ET LA VIE (02:56) |
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.. Leonardo Da Vinci |
 | Beschreibung: | To Renaissance court of Ludovico Sforza, the Duke of Milan, arrived an eccentric thirty year old man from Florence. It was 1482. He was a mathematician, anatomist, philosopher, constructor, astronomer... But not many people know, that he was also a musician. One of his 16th century biographers wrote, that the Sforzas hired Leonardo not as a painter nor architect, but - what might surprise us - as a musician and a party organizer of impeccable manners. Leonardo called music a worse sister of painting, because a painting lasts forever and music has no material form. It exists only in the moment of the performance, moreover - it dies in the moment of the birth. That's why music couldn't stand comparison to architecture or sculpture. None of Leonardo's musical compositions survived, but apart from many drawings and fragments of treatises, in his notebooks there are also rebuses and... musical riddles, all written in mirror reflection. In at least 18 riddles, Leonardo da Vinci used musical notation. These musical "games" were not only notes, but they created sentences, because according to solmisation, a method created by Guido of Arezzo, every note has it's own name - 'ut' (later replaced by a much easier to pronounce 'do'), 're', 'mi', 'fa', 'sol', 'la', 'si'. When put into shape, with decoded meaning of the text, they turn out to be incredibly powerful, hypnotic and nostalgic melodies. The present release presents music inspired by Da Vinci's enigmas., Runningtime: 00:00:00, Alto Vocals [Alto]: Malwina Borkowicz, Cornett: Gustavo Gargiulo, Cornett, Instruments [Pommers], Recorder [Recorders]: Agnieszka Szwajgier, Ensemble: ALTA Early Music Ensemble, Guest, Keyboards [Viola Organista]: S?awomir Zubrzycki, Instruments [Pommers], Recorder [Recorders], Percussion: Agnieszka Mazur, Lira da Braccio: Agnieszka Obst, Lute [Lutes]: Maria Wilgos, Lute [Lutes]: Witold Wilgos, Percussion: Wojciech Lubertowicz, Soprano Vocals [Soprano]: Aleksandra Joanna Hanus, Trombone: Piotr D?browski (3), Viola da Gamba: Karolina Szewczykowska, Virginal: Marco Vitale, Arranged By: Gustavo Gargiulo, Composed By [After (...) Rebus]: Leonardo Da Vinci, Arranged By: Gustavo Gargiulo, Lyrics By [Poem Of (...), Music After "Aria Di Firenze"]: Lorenzo il Magnifico, Composed By: Bartolomeo Tromboncino, Arranged By: Gustavo Gargiulo, Composed By [After]: Leonardo Da Vinci, Composed By: Francesco Patavino, Composed By: Francesco Patavino, Composed By: Joan Ambrosio Dalza, Arranged By: Gustavo Gargiulo, Lyrics By [After Verses Of]: Angelo Poliziano, Arranged By: Gustavo Gargiulo, Lyrics By [Text By (...) (Orfeo)]: Angelo Poliziano, Lyrics By [Text By]: Angelo Poliziano, Composed By: Josquin Des Prés, Arranged By: Gustavo Gargiulo, Composed By [After (...) Rebus]: Leonardo Da Vinci, Arranged By: Gustavo Gargiulo, Composed By [After]: Leonardo Da Vinci, Composed By: Marchetto Cara, Composed By: Claudin de Sermisy, Composed By: Pierre Attaignant, Composed By: Claudin de Sermisy, Composed By: Claudin de Sermisy, Composed By: Clément Janequin, Labelcode AYRO7.2 (AY-CD07) |  | Herstellernummer: |
AYCD7 |
 | Details zur Produktsicherheit
Verantwortliche Person für die EU:
Bertus Musikvertrieb Bertus Musikvertrieb Akeleibaan 59, 2908 KA Capelle aan den Ijssel, NL service@bertus.com |  |
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