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Weitere Produkte von Ars Nova |
| Bemerkungen / Titelliste: |
1.1 Pavan for My Lady (Fall, Winter, Summer and Spring)1.2 General Clover Ends a War1.3 Enacte: Le Messe Notre Dame1.4 And How Am I to Know1.5 Enacte: Dancer1.6 Album in Your Mind1.7 Zarathustra1.8 Fields of People1.9 Automatic Love1.10 I Wrapped Her in Ribbons (After Ibiza)1.11 Song to the City1.12 March of the Mad Duke's Circus2.1 Sunshine and Shadows2.2 I Was Once2.3 Temporary Serenade2.4 She Promises Everything2.5 Well, Well, Well2.6 You Had Better Listen2.7 Round Once Again2.8 Walk on the Sand2.9 Rubbish2.10 Please Don't Go Now |
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2 |
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| | Beschreibung: | Esoteric Recordings is pleased to announce the release of a new re-mastered 2 CD anthology featuring all of the recordings by the American Psychedelic / Progressive band ARS NOVA released by Elektra & Atlantic records in 1968 and 1969. Formed in New York City in 1967 by two former students from the Mannes College musical conservatory, Wyatt Day (guitar, keyboards, vocals), Jon Pierson (trombone, vocals) and Maury Baker (drums). The line-up was expanded by the addition of Jonathan Raskin (bass, backing vocals, guitar) and Giovanni Papalia (lead guitar). After spending some time rehearsing in rural Vermont, the band added Bill Folwell to their ranks on double bass and trumpet. Coming to the attention of manager Arthur Gorson (who also managed Phil Ochs and Judy Collins) the band secured an audition for Jac Holzman's Elektra label and secured a contract soon after. The band's self-titled debut album was recorded at Sunset Sound studios in Los Angeles and was produced by Paul Rothchild (noted for his work with The Doors, Love et al). The ARS NOVA album was certainly ground-breaking for it's use of unconventional instrumentation and for taking influences from the worlds of rock, ethnic and classical music. One fan of the album was ROY WOOD of British band THE MOVE (who would record a cover of Ars Nova's Fields of People on their 1970 album Shazam!) ARS NOVA was issued in 1968 to much critical acclaim, but the band's line-up made it difficult for the music to translate well on the concert stage. Appearances opening for The Doors failed to boost the band's fortunes and the initial line-up of the band broke up soon afterwards. With Jonathan Raskin joining the band Rhinoceros, Day and Pierson gathered together a new line-up featuring Sam Brown (lead guitar), Joe Hunt (drums and percussion), Art Koening (bass), Jimmy Owens (trumpet) and Warren Bernhardt (keyboards). This revamped version of Ars Nova would record their final album, the equally imaginative SUNSHINE & SHADOWS, for Atlantic Records in late 1968 in New York City. The album release was inexplicably delayed for nearly a year by Atlantic Records and any momentum gained by further critical praise was lost. Increasing management problems also took their toll and Ars Nova disbanded soon after the release of SUNSHINE & SHADOWS. This two-disc set gathers together all the recordings made by ARS NOVA for Elektra and Atlantic and has been newly re-mastered from the original first generation master tapes and features an illustrated booklet with new essay., Runningtime: 00:00:00, Artwork [Bas Relief And Life Masks]: Gene Szafran, Artwork [CD Package]: Meriel Waissman, Bass: Art Koenig, Bass Trombone, Lead Vocals: Jon Pierson, Bass Trombone, Vocals: Jon Pierson, Bass, Guitar, Vocals: Jonathan Raskin, Coordinator [Additional]: Vicky Powell, Cover, Design Concept, Art Direction [1st album]: William S. Harvey, Design [Sunshine & Shadows Original Album]: The Graffiteria, Drums, Percussion: Joe Hunt, Engineer [Audio Direction and Engineer]: Brooks Arthur, Engineer [Audio Engineering]: John Haeny, Executive Producer [Production Supervisor]: Jac Holzman, Guitar, Vocals: Wyatt Day, Keyboards: Warren Bernhardt, Lead Guitar: Giovanni Papalia, Lead Guitar: Sam Brown (2), Liner Notes [Original for "Sunshine And Shadows"]: Jon Borgzinner, Liner Notes, Compiled By, Coordinator: Mark Powell, Percussion, Organ: Maury Baker, Photography By: Joel Brodsky, Producer: Ars Nova (3), Producer: Arthur Gorson, Producer: Paul A. Rothchild, Producer [Associate]: Herbie Lovelle, Producer [Production Supervisor]: Jerry Schoenbaum, Remastered By: Paschal Byrne, Rhythm Guitar, Piano, Organ, Vocals: Wyatt Day, Trumpet: Jimmy Owens, Trumpet, Double Bass [String Bass], Vocals: Bill Folwell, Words By, Music By: Wyatt Day, Music By: Wyatt Day, Words By: Greg Copeland, Words By, Music By: Wyatt Day, Words By: Jon Pierson, Words By, Music By: Wyatt Day, Music By: Maury Baker, Words By: Jon Pierson, Words By, Music By: Wyatt Day, Words By, Music By: Wyatt Day, Music By: Wyatt Day, Words By: Greg Copeland, Music By: Wyatt Day, Words By: Greg Copeland, Music By: Wyatt Day, Words By: Greg Copeland, Written-By: Gail Collins, Written-By: Wyatt Day, Written-By: Wyatt Day, Written-By: Greg Copeland, Written-By: Wyatt Day, Written-By: Gail Collins, Written-By: Wyatt Day, Written-By: Wyatt Day, Written-By: Jimmy Owens, Written-By: Wyatt Day, Written-By: Wyatt Day, Written-By: Wyatt Day, Written-By: Wyatt Day, Labelcode ESOT9481183.2 (QECLEC22711), Record Company Cherry Red Records Ltd., Phonographic Copyright (p) WEA International Inc., Copyright (c) Cherry Red Records Ltd., Manufactured By Key Production, Recorded At Century Sound Studios, Remastered At The Audio Archiving Company, Licensed From Warner Music UK Ltd., Pressed By MPO | | | Anzahl der Titel: |
22 |
| | Herstellernummer: |
QECLEC22711 |
| Details zur Produktsicherheit
Verantwortliche Person für die EU:
tonpool Medien GmbH
Im Klint 12, 30938 Burgwedel, DE
info@tonpool.de | |
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