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Oratoria ? 6 per la Nascit? del Redentore (Auszug) 01. "Di quei che vanta l'aurora" La conersione di Maddalena (Auszug) 02. "Dell favellar divino... Sinch? ridon le rose" I Crocefisso per Grazia (Auszug) 03. "Ecco qui l'incomprensibile" La Maddalena ai piedi di Christo (Auszug) 04. "Sinfonia" La conersione di Maddalena (Auszug) 05. "Cor imbelle a due nemici" La Maddalena ai piedi di Christo (Auszug) 06. "Omai spezza quel nodo... Pompe inutili" La conersione di Maddalena (Auszug) 07. "S s, rislovo col mio dolore" Oratoria ? 6 per la Nascit? del Redentore (Auszug) 08. "Tu dormi o Figlio... Figlio mio, se nel pensiero" La conersione di Maddalena (Auszug) 09. "Sinfonia" La sepoltura di Christo (Auszug) 10. "Del Nazareno non era in seno" La Maddalena ai piedi di Christo (Auszug) 11. "Deh, s'un tempo percossa... In lagrime stemprato" Ges? al Sepolcro (Auszug) 12. "Giovanni, ah tu del Figlio... Del campo il bel fiore" La Resurrezione HWV 47 (Oratorium in 2 Teilen) (Auszug) 13. "Ouvertüre" 14. "Se Maria dunque spera... Ho un non so che nel cor" 15. "Se impassibile, immortale" La Santissima Annunziata (Auszug) 16. "Stesa a pie' del tronco amaro... Mortali a voi consegno... Nella patria dei contenti"
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Works By Antonio Caldara A.o. |
 | Beschreibung: | On her second PENTATONE album Maria & Maddalena, star soprano Francesca Aspromonte explores the Two Marys in oratorios by Lulier, Bononcini, Leopoldo I d'Asburgo, Caldara, Perti, Handel and Scarlatti, partly in new editions, documenting the extremely bloom of the genre in the years around 1700. She performs these works together with violinist Boris Begelman as well as the seasoned players of I Barocchisti under the baton of the eminent Diego Fasolis. Traditionally seen as two feminine opposites, with far-reaching moral implications, Aspromonte brings the Virgin Mary and Mary Magdalene together as two beautiful and strong women who turned their lives upside down by making the choice to dedicate themselves completely to an ideal. Her interpretation of these exceptional pieces explores all the emotions of the Two Marys, constituting a fascinating and profoundly moving portrait of what it means to be a woman. Francesca Aspromonte first appeared on PENTATONE with Prologue (2018), a conceptual programme in which she presents various prologues of early-Baroque operas. Boris Begelman, I Barocchisti and Diego Fasolis all make their PENTATONE debut., Runningtime: 00:00:00, Conductor: Diego Fasolis, Orchestra: I Barocchisti, Soprano Vocals: Francesca Aspromonte, Violin [Solo]: Boris Begelman, Composed By: Giovanni Lorenzo Lulier, Composed By: Giovanni Bononcini, Composed By: Leopold I, Composed By: Antonio Caldara, Composed By: Giovanni Bononcini, Composed By: Antonio Caldara, Composed By: Giovanni Bononcini, Composed By: Giovanni Lorenzo Lulier, Composed By: Giovanni Bononcini, Composed By: Giacomo Antonio Perti, Composed By: Antonio Caldara, Composed By: Giacomo Antonio Perti, Composed By: Georg Friedrich Händel, Composed By: Georg Friedrich Händel, Composed By: Georg Friedrich Händel, Composed By: Alessandro Scarlatti, Labelcode PNTA5186867.2 (PTC 5186 867), Phonographic Copyright (p) PentaTone Music B.V., Copyright (c) PentaTone Music B.V. |  | Herstellernummer: |
PTC5186867 |
 | Details zur Produktsicherheit
Verantwortliche Person für die EU:
Pentatone Music B.V. Prinses Marielaan 10 C, 3743 JA Baarn, NL info@pentatonemusic.com |  |
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