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Ergebnis einschränken:
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| Bemerkungen / Titelliste: |
Messe A-Dur BWV 234 01. Blaz¡ková, Hana "Kyrie" 02. Blaz¡ková, Hana "Gloria" 03. Blaz¡ková, Hana "Domine Deus" 04. Blaz¡ková, Hana "Qui tollis peccata mundi" 05. Blaz¡ková, Hana "Quoniam tu solus sanctus" 06. Blaz¡ková, Hana "Cum Sancto Spiritu"
Messe F-Dur BWV 233 07. Blaz¡ková, Hana "Kyrie" 08. Blaz¡ková, Hana "Gloria" 09. Blaz¡ková, Hana "Domine Deus" 10. Blaz¡ková, Hana "Qui tollis peccata mundi" 11. Blaz¡ková, Hana "Quoniam tu solus sanctus" 12. Blaz¡ková, Hana "Cum Sancto Spiritu"
Messe a-moll 13. Matsui, Aki "Kyrie" 14. Matsui, Aki "Gloria"
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| | Anzahl der Tonträger: |
1 |
| | Extra-Infos: |
Bach Collegium Japan |
| | Beschreibung: | By Bach's time, the traditional forms of church service had been fundamentally altered by the Reformation, and in German churches Latin had yielded to the country's own language. To an extent, however, the Latin mass text did remain in use in Protestant church music - in particular the Kyrie and Gloria sections. Albeit incomplete, this form of mass setting was termed 'Missa'; nowadays the pieces are often referred to as 'Lutheran Masses'. Bach's famous Mass in B minor, later expanded into a complete mass, began it's existence as a work of this kind, and four other examples from Bach's pen have survived. The recent release of the Missae in G minor and G major (BWV 235 and 236) caused the reviewers in Gramophone and Fono Forum to eagerly look forward to the sequel, and Bach Collegium Japan and Masaaki Suzuki have not kept them waiting. Like their companion works, the two Lutheran Masses recorded here make extensive use of earlier compositions by Bach and include reworkings of arias and choruses from cantatas, but each of the four masses also has it's own unmistakable artistic profile. The most telling detail on the present disc is the instrumentation, where Bach's choice of flutes in BWV 234 and of horns and oboes in BWV 233 contributes to the individual character of each work. In his task of supplying the music for church services Bach also performed music by other composers, among them Marco Gioseppe Peranda whose Kyrie-Gloria mass closes the disc. Born in 1625, Peranda trained in Rome, and was active in the Dresden Hofkapelle from the 1650s until his death in 1675. Copies in Bach's hand of parts of Peranda's splendidly contrapuntal Missa in A minor exist, and it is likely that Bach performed the work during the latter part of his Leipzig period., Alto Vocals [Choir]: Chiharu Takahashi, Alto Vocals [Choir]: Hiroya Aoki, Alto Vocals [Choir]: Naoko Fuse, Alto Vocals [Choir]: Robin Blaze, Alto Vocals [Choir]: Tamaki Suzuki, Bass Vocals: Dominik Wörner, Bass Vocals: Peter Kooij, Bass Vocals [Choir]: Chiyuki Urano, Bass Vocals [Choir]: Daisuke Fujii, Bass Vocals [Choir]: Dominik Wörner, Bass Vocals [Choir]: Peter Kooij, Bass Vocals [Choir]: Toru Kaku, Bass Vocals [Choir]: Yusuke Watanabe, Bassoon: Kiyotaka Dohsaka, Bassoon: Yukiko Murakami, Countertenor Vocals: Robin Blaze, Directed By: Masaaki Suzuki, Engineer [Instrument Tuning]: Akimi Hayashi, Engineer [Sound]: Hans Kipfer, Engineer [Sound], Mixed By: Matthias Spitzbarth, Ensemble: Bach Collegium Japan, Executive-Producer, Edited By: Robert Suff, Flute [Traverso II]: Liliko Maeda, Flute [Traverso I]: Kiyomi Suga, Horn [Corno II]: Thomas Müller (4), Horn [Corno I]: Olivier Picon, Liner Notes: Klaus Hofmann (3), Liner Notes [English Translation], Layout, Typography: Andrew Barnett, Liner Notes [French Translation]: Jean-Pascal Vachon, Lute: Shizuko Noiri, Oboe [II]: Yukari Maehashi, Oboe [I], Soloist: Masamitsu San-no-miya, Organ: Masato Suzuki (5), Painting [Cover]: Pieter Saenredam, Photography By [Back Cover]: Marco Borggreve, Producer, Mixed By: Thore Brinkmann, Soprano Vocals: Aki Matsui, Soprano Vocals: Hana Bla?íková, Soprano Vocals: Joanne Lunn, Soprano Vocals [Choir]: Aki Matsui, Soprano Vocals [Choir]: Eri Sawae, Soprano Vocals [Choir]: Hana Bla?íková, Soprano Vocals [Choir]: Joanne Lunn, Soprano Vocals [Choir]: Minae Fujisaki, Soprano Vocals [Choir]: Yoshie Hida, Tenor Vocals: Gerd Türk, Tenor Vocals: Katsuhiko Nakashima, Tenor Vocals: Yusuke Fujii, Tenor Vocals [Choir]: Gerd Türk, Tenor Vocals [Choir]: Hiroto Ishikawa (2), Tenor Vocals [Choir]: Katsuhiko Nakashima, Tenor Vocals [Choir]: Satoshi Mizukoshi, Tenor Vocals [Choir]: Takayuki Kagami, Tenor Vocals [Choir]: Yosuke Taniguchi, Tenor Vocals [Choir]: Yusuke Fujii, Viola: Akira Harada, Viola: Hiroshi Narita (2), Viola: Mika Akiha, Viola: Mina Fukazawa, Violin [II]: Akira Harada, Violin [II]: Ayaka Yamauchi, Violin [II]: Azumi Takada, Violin [I]: Paul Herrera, Violin [I]: Yuko Araki (2), Violin [I], Soloist, Concertmistress [Uncredited]: Natsumi Wakamatsu, Violoncello: Hidemi Suzuki, Violoncello: Toru Yamamoto, Violone: Seiji Nishizawa, Violone: Takashi Konno, Composed By: Johann Sebastian Bach, Composed By: Johann Sebastian Bach, Composed By: Marco Giuseppe Peranda, Labelcode BIS2121SACD (BIS-2121 SACD), Phonographic Copyright (p) BIS Records AB, Copyright (c) BIS Records AB, Recorded At Kobe Shoin Women's University, Japan | | | Anzahl der Titel: |
14 |
| | Herstellernummer: |
BISSACD-2121 |
| Details zur Produktsicherheit
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Apple Inc.
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