Egmont
13,19 EUR
zzgl. Versand und Zoll
CD
Ondine
veröffentlicht: 09.08.2019
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Lieferung nach US in: 5-9 Werktagen (nur noch 1 Stück auf Lager)
Sales Rank: Nr. 1943 in Sonst.Chormusik
Nr. 33975 in Klassik
Stil: Sonst.Chormusik
Artikel Nr.: 2099122460

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Inhalt:

Bemerkungen / Titelliste: Egmont op. 84 (Ouvertüre und Musik zu Goethes Trauerspiel)
MP3 Audio jetzt kostenlos anhören 01. "Ouvertüre"
MP3 Audio jetzt kostenlos anhören 02. "Lied: Die Trommel gerühret"
MP3 Audio jetzt kostenlos anhören 03. "Zwischenakt 1"
MP3 Audio jetzt kostenlos anhören 04. "Zwischenakt 2"
MP3 Audio jetzt kostenlos anhören 05. "Lied: Freudvoll und leidvoll"
MP3 Audio jetzt kostenlos anhören 06. "Zwischenakt 3"
MP3 Audio jetzt kostenlos anhören 07. "Zwischenakt 4"
MP3 Audio jetzt kostenlos anhören 08. "Cl?rchens Tod"
MP3 Audio jetzt kostenlos anhören 09. "Melodram"
MP3 Audio jetzt kostenlos anhören 10. "Siegessymphonie"
Anzahl der Tonträger: 1
Beschreibung:This album by the Helsinki Baroque Orchestra playing on period instruments under the direction of Aapo Hakkinen includes Ludwig van Beethoven's (1770-1827) complete incidental music to Goethe's Egmont. Beethoven started to write the incidental music to Goethe's Egmont in the autumn of 1809. The recent experience of Napoleon's siege of Vienna, the Spanish uprising against the French, and the ubiquitous awareness of the hand of the oppressor inspired him to write music in which the drama develops into the musical vision of the Wars of Liberation. It was a commission from the management of the Imperial Court Theatre in Vienna, which in October 1809, oppressed by Napoleon on all sides, had turned again to Egmont, with a view to putting on a new production. Beethoven was tasked with providing the essential and indispensable music, which was however played only from the fourth performance of the new production in June 1810. Beethoven had recently become an ardent reader and admirer of Goethe. He had set Mignon's song Nur wer die Sehnsucht kennt four times in 1808 alone, and this had started an intense preoccupation with songs to Goethe texts. In a letter to Bettina von Arnim in February 1811 Beethoven writes: "My most sincere admiration... for Goethe... I am about to write to him myself about Egmont, for which I have written the music, which I did out of sheer love for his poetry...". What distinguishes Beethoven's Egmont are great dramatic emotion of style, tightly unified musical ideas, and an absolute determination to create a sense of the triumph of freedom as the Utopian dream of the whole of mankind. The overture, the only one of the ten numbers to be heard regularly today in the concert-hall, draws all these intentions together in concentrated form. It's meaning is revealed only in context, together with the interludes and the final musical episodes., Runningtime: 00:00:00, Booklet Editor: Joel Valkila, Composed By: Ludwig van Beethoven, Conductor: Aapo Häkkinen, Engineer [Assistant]: Anu Kähkönen, Executive-Producer: Reijo Kiilunen, Mixed By, Mastered By: Enno Mäemets, Narrator: Robert Hunger-Bühler, Orchestra: Helsinki Baroque Orchestra, Photography By: Adam Go?emberski, Photography By: Elena Zaucke, Photography By: Maarit Kytöharju, Photography By: Marco Borggreve, Photography By: Pia Clodi, Producer: Mikko Murtoniemi, Soprano Vocals: Elisabeth Breuer, Labelcode OND1331.2 (ODE 1331-2), Copyright (c) Ondine Oy, Phonographic Copyright (p) Ondine Oy, Recorded At Musiikkitalo, Mixed At Editroom, Mastered At Editroom
Anzahl der Titel: 11
Herstellernummer: ODE1331-2
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