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Weitere Produkte von Byzantium |
| Bemerkungen / Titelliste: |
1.1 Seashore1.2 About You1.3 Deborah1.4 Whitch1.5 Venetia Ii1.6 You1.7 Fly1.8 Ladyfriend1.9 Are You Seeing1.10 Emma's Saga1.11 The Morning After The Night Before1.12 The Seagull And The Sailor1.13 Ooh1.14 What Is Happening1.15 I Love You1.16 Deborah (Alt. Version)1.17 I Am A Stranger To My Life1.18 Fly (Alt. Version)1.19 It Was An Easy Legend1.20 Seashore (Alt. Version)1.21 No More Love2.1 Pomme2.2 What Is Happening2.3 I Am A Stranger To My Life2.4 Come Fair One2.5 Baby I Hear You Calling Me2.6 Trade Wind2.7 Into The Country2.8 Lady Friend2.9 Why Or Maybe It's Because2.10 Morning Love2.11 This Time I Won't Let You Go2.12 Thank God3.1 What A Coincidence3.2 My Season's Changing With The Sun3.3 Show Me The Way3.4 I'll Always Be Your Friend3.5 October Andy3.6 Something You Said:3.7 A Trilogy3.8 Part One: Something You Said3.9 Part Two: I Can See You3.10 Part Three: Morning4.1 Flashing Silver Hope4.2 Cowboy Song4.3 Feel It4.4 I'll Just Take My Time4.5 Surely Peace Will Come To Those Who Try4.6 If You Wanna Be My Girl4.7 Oh Darling4.8 Move With My Time4.9 Alright Now4.10 It Could Be Better4.11 You Made Me Stand Up Straighter4.12 I'd Still Love To Have You Around5.1 Gypsy Man5.2 Every Day's The Same5.3 High Time5.4 October Andy5.5 Halfway There5.6 It Could Be Better5.7 Small World5.8 Flashing Silver Hope5.9 This Time Around5.10 A Day Like This |
 | | Anzahl der Tonträger: |
5 |
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0/frei - Inoffizieller Begriff für "weltweit".
1 - USA, Kanada und US-Außenterritorien
2 - West- und Mitteleuropa (einschließlich französische Überseegebiete und Grönland), Südafrika, Ägypten und Naher Osten, Japan
3 - Südostasien, Südkorea, Hongkong, Indonesien, Philippinen, Taiwan
4 - Australien, Neuseeland, Mexiko, Zentralamerika, Südamerika
5 - Russland und andere Länder der ehemaligen UdSSR, Osteuropa, Indien und andere Länder Asiens, Afrika (außer Ägypten und Südafrika)
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8 - Internationales Territorium, zum Beispiel in Flugzeugen oder auf Schiffen
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frei/0 - Inoffizieller Begriff für "weltweit".
A/1 - Nord- und Südamerika (ohne französische Überseegebiete), Japan, Korea, Taiwan, Hongkong und Südostasien
B/2 - Europa (einschließlich französische Überseegebiete und Grönland, ohne Russland), Naher Osten, Afrika, Ozeanien
C/3 - Indien, Nepal, China, Russland, Zentral- und Südasien
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| | Extra-Infos: |
.. Anthology 1969-75 |
| | Beschreibung: | UK five CD set. Evolving from the line-up that had recorded the highly-regarded Ora LP in 1969, Byzantium recorded two early Seventies albums - Byzantium and Seasons Changing, both featuring future Ian Dury MD Chaz Jankel - for the A&M label. After leaving A&M, the band self-financed the 1974 Live/Studio album in an effort to attract new representation before splitting the following year. Although they received relatively little attention from the music industry at the time, Byzantium's progressive rock-based combination of musical eclecticism, strong harmonies and timeless song writing have belatedly attracted an audience, with collectors now paying significant sums to acquire original vinyl pressings of their recordings. Assembled with the help and approval of the band, Halfway Dreaming: Anthology 1969-75 is the first-ever Byzantium compilation. It includes all three albums that were released at the time, together with a further set of 1974/75-era live material, various studio out-takes and, as a considerable bonus, an extended version of the Ora album. Housed in a stylish clamshell box, this essential 5-CD package features a lavish 32-page booklet containing a new 4000 word essay on the band and numerous previously unpublished photos. It's the definitive document of a band who fell through the cracks at the time but have subsequently come to be regarded by many as an integral part of the early Seventies British underground scene., Runningtime: 00:00:00, Acoustic Guitar: Jamie Rubinstein, Acoustic Guitar: Mick Barakan, Acoustic Guitar [6-String], Electric Guitar, Lead Vocals: James Rubinstein, Arranged By: Byzantium (2), Art Direction: Mike Doud (2), Backing Vocals: Beverly Baxter, Backing Vocals: Chas Jankel, Backing Vocals: Mick Barakan, Backing Vocals: Robin Lamble, Backing Vocals: Robin Lamble, Backing Vocals: Robin Sylvester, Bass Guitar: Robin Lamble, Bass Guitar, Keyboards, Guitar [occasional], Backing Vocals [occasional]: Robin Sylvester, Bass Guitar, Vocals: James Rubinstein, Brass: Derek Wadsworth, Brass: Roy Young's Brass Section, Compiled By [& Annotated]: David Wells (2), Conductor, Arranged By [Strings, Brass]: Robin Sylvester, Congas, Cabasa: Frank Ricotti, Design: Nick Marshall (7), Design [& Layout]: Andy Morten, Drums: Stephen Corduner, Drums, Percussion: Stephen Corduner, Drums, Vocals: James Rubinstein, Electric Guitar: Chas Jankel, Electric Guitar: Mick Barakan, Electric Guitar [mostly lead]: Jon Weiss (2), Electric Guitar, Backing Vocals: Nico Ramsden, Electric Piano [Wurlitzer]: Robin Sylvester, Engineer: Ced Curtis, Engineer: Gregg Jackman, Engineer: Robin Sylvester, Engineer: Roy Thomas Baker, Engineer: Ted Fletcher, Engineer [Live Balance], Engineer [Head Roadie]: Martin Westwood, Engineer, Synthesizer: David Hentschel, Flute: Robin Lamble, Guitar: Chloe Walters, Guitar: Julian Diggle, Guitar: Mick Barakan, Guitar, Dulcimer: James Rubinstein, Guitar, Electric Piano: Chas Jankel, Guitar, Vocals: Jamie Rubinstein, Illustration: Bob Fowke, Illustration: Terry Pastor, Keyboards: Robin Sylvester, Lead Guitar: Chas Jankel, Lead Guitar: Mick Barakan, Lead Vocals: Chas Jankel, Lead Vocals: Mick Barakan, Lead Vocals: Nico Ramsden, Lead Vocals: Robin Lamble, Liner Notes [A letter to Heather Harrington, mixed with a middle eight as a commentary on the times]: James Rubinstein, Liner Notes [A poem for Pippa Driscoll set to music]: James Rubinstein, Liner Notes [An early recording of a song into which "Ooo" had been woven that later appeared on the first Byzantium album - Byzantium 1972. It features the first Byzantium line-up, although it hadn't been christened with that name yet]: James Rubinstein, Liner Notes [Came between Ora and Byzantium, was for Pippa Driscoll whilst she was in India, she did" ... see a wife for me, " we're still together after fifty years]: James Rubinstein, Liner Notes [For those of you who are familiar with the Byzantium archive, all these songs were recorded in the same way as the live side of our now legendary (so they tell us) Black & White album which was released in 1974. That is to say, these are all PA mixes recorded directly onto a Revox off the back of our Midas mixer. As such, the mix off the desk was not designed for tape, it was designed to supplement the sound that was coming off the stage for the benefit of the punters. As a result, it takes a while to adjust to the balance. The vocals are very up front and Mick's guitar, which would have been belting off the stage, is often not as far forward as we would like. That said, this is the real thing. No fudging, no fiddling, but live - just as it happened - warts and all (tracks: 1-9)]: James Rubinstein, Liner Notes [I love this song. Chloe Walters is one of the most truly original writers and genuinely gifted musicians I have ever come across. Robin - rhythm section]: James Rubinstein, Liner Notes [It was recorded three times in all, and this, the first, still sounds the best to me]: James Rubinstein, Liner Notes [Jon struts his stuff]: James Rubinstein, Liner Notes [Little gem written by Mick, recorded in the same series of sessions that produced "Thank God" and "This Time I Won't Let You Go" when I was working very closely with Mick before we joined up (rejoined in my case) with Byzantium. Mick sings, we both pick and strum]: James Rubinstein, Liner Notes [Love song to Pippa Driscoll whilst she travelled overland to India '72-'73]: James Rubinstein, Liner Notes [Malcom Haines took me to see Dave Brubeck something must have rubbed off!]: James Rubinstein, Liner Notes [One for Beverly Baxter, who also sings background. Robin's piano at the end]: James Rubinstein, Liner Notes [One of a number of songs written on Shippen Rock in Hope Cove - and if you'd been there, you would have seen why]: James Rubinstein, Liner Notes [One of a series of themes Robin and I worked up as possible backgrounds for TV ads]: James Rubinstein, Liner Notes [One of the first songs I ever wrote. This was for Dany Fedida. It was subsequently recorded by Byzantium on their first A&M album]: James Rubinstein, Liner Notes [One of the titles that got left off the original album - Ora 1969. I can remember writing the lyric during a particularly boring school lesson]: James Rubinstein, Liner Notes [Robin and I did a complete reworking of this old chestnut in some down time at Tangerine Studios]: James Rubinstein, Liner Notes [Robin and I rework an out-take from the KPM sessions. Robin on guitar]: James Rubinstein, Liner Notes [Seafaring, and an ode to a frightening journey across Lyme Bay in the worst gale I ever encountered]: James Rubinstein, Liner Notes [The melody still holds up for me, as do most of the lyrics]: James Rubinstein, Liner Notes [The original recording of the opening track on the first Byzantium album]: James Rubinstein, Liner Notes [These Tangerine sessions were the last studio recordings made by the band. It was our last fling of the dice but Atlantic Records, who commissioned them, turned us down, and we played our last gig at the Roundhouse (the same venue as the band's very first performance) a month or so later]: James Rubinstein, Liner Notes [This should have been called "Beverly, but somehow it sounded wrong when sung in context, and so I changed it to Deborah, which was the name of her sister. I hadn't told Beverly this until putting these notes together! Oboe and violin were provided by Gordon and Jennie Hunt - no relation - respectively. Gordon has latterly become a renowned orchestral player]: James Rubinstein, Liner Notes [This version from the first KPM session was the best]: James Rubinstein, Liner Notes [This was for Beverly Baxter, give or take a bit of poetic license]: James Rubinstein, Liner Notes [This was for Carole Hindmarch. Julian extracts extraordinary quasi-sitar sounds from his legendary "Duffy"]: James Rubinstein, Liner Notes [Venetia Stanley-Smith used to sing with Beverly in Sweet Dreams]: James Rubinstein, Mastered By: Oli Hemingway, Mixed By: Robin Sylvester, Oboe: Gordon Hunt, Orchestra: Robin Sylvester, Organ: Chas Jankel, Organ [Hammond]: James Lascelles, Other [Duffy]: Julian Diggle, Pedal Steel Guitar: BJ Cole, Percussion: Beverly Baxter, Percussion: Nico Ramsden, Percussion, Backing Vocals [very occasional], Drum: Julian Diggle, Photography By: Ken Griffiths, Piano: Chas Jankel, Piano: Robin Lamble, Piano: Robin Sylvester, Piano, Organ: Nico Ramsden, Producer: Robin Sylvester, Producer: Stuart Taylor (2), Project Manager: David Wells (2), Project Manager: John Reed, Recorded By: Ced Curtis, Recorded By: Robin Sylvester, Recorded By: Ted Fletcher, Remastered By [Digital]: Mick Barakan, Remastered By [Digital]: Robin Sylvester, Slide Guitar: Nico Ramsden, Strings [Director]: David Katz, Synthesizer: Robin Sylvester, Tenor Saxophone: Alan Skidmore, Timpani: Frank Ricotti, Violin: Jennie Hunt, Violin: Robin Lamble, Vocals: Chas Jankel, Vocals: James Rubinstein, Vocals: Mick Barakan, Vocals: Robin Lamble, Vocals, Acoustic Guitar, Electric Guitar [occasional]: Jamie Rubinstein, Written-By: James Rubinstein, Written-By: Chloe Walters, Written-By: Robin Lamble, Written-By: Chas Jankel, Written-By: Mick Barakan, Written-By: Chas Jankel, Written-By: Robin Lamble, Written-By: Mick Barakan, Written-By: Chas Jankel, Written-By: Chas Jankel, Written-By: Mick Barakan, Written-By: Jamie Rubinstein, Written-By: Robin Lamble, Written-By: Mick Barakan, Written-By: Mick Barakan, Written-By: Mick Barakan, Written-By: Jamie Rubinstein, Written-By: Robin Lamble, Written-By: Jamie Rubinstein, Wr, Labelcode GRPF2918820.2 (CRSEGBOX082), Marketed By Cherry Red, Distributed By Cherry Red, Copyright (c) Grapefruit Records, Mastered At The Wax Works, Recorded At KPM Studios, Recorded At Tangerine Studios, Recorded At Trident Studios | | | Anzahl der Titel: |
65 |
| | Herstellernummer: |
CRSEGBOX082 |
| Details zur Produktsicherheit
Verantwortliche Person für die EU:
tonpool Medien GmbH
Im Klint 12, 30938 Burgwedel, DE
info@tonpool.de | |
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