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Wir danken Dir, Gott, BWV 29 01. "Sinfonia in D major" Trio sonata in B flat major, Wq. 161/2 02. "I. Allegro" 03. "II. Adagio ma non troppo" 04. "III. Allegretto" Adagio and Fugue KV 404a 05. "Adagio e dolce (after Sonata No.3 in D minor, BWV 527 by Johann Sebastian Bach)" 06. "Fugue - Allegro (after 'The Art of Fugue', BWV 1080 by Johann Sebastian Bach)" Wir danken Dir, Gott, BWV 29 07. "Aria 'Hallelluja, St?rk' und Macht' (transcription for four instruments)" Himmelsk?nig, sei wilkommen, BWV 182 08. "Sinfonia in G major" Gott soll allein mein Herze haben, BWV 169 09. "Aria 'Gott soll allein mein Herze haben'" Schwingt freudig euch empor, BWV 36 10. "Aria 'Auch mit ged?mpften, schwachen Stimmen' (transcription for four instruments)" Ein ungef?rbt Gemüthe, BWV 24 11. "Aria 'Ein ungef?rbt Gemüthe' (transcription for four instruments)" Sonate sopr'il Soggetto Reale, BWV 1079 12. "I. Largo" 13. "II. Allegro" 14. "III. Andante" 15. "IV. Allegro" 16. "Vor deinen Thron tret ich hiermit, BWV 668 (transcription for four instruments)"
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.. J.s. Bach |
 | Beschreibung: | Johann Sebastian Bach has made the reputation of Café Zimmermann ever since the ensemble was formed in 1999. This new recording presents the music of the Leipzig Kantor from a different angle, that of the notebooks in which musicians wrote down pieces and movements they particularly liked. This recording brings together works composed by Bach in the late 1740s which may be described as intimate in character, including the famous trio sonata from his Musical Offering. The Baroque idiom of this 'experimental' sonata is contextualized by the innovative style developed by his son Carl Philipp Emanuel in one of his own trio sonatas. A number of arias by J. S. Bach are also presented here with exclusively instrumental forces. Under the direction of violinist Pablo Valetti and harpsichordist Céline Frisch, the ensemble even ventures into Mozartian territory with the Aria and Fugue K404a, taken from two pieces by Bach that Mozart himself had annotated and arranged in his own musical notebook. Finally, a chorale that Bach was particularly fond of, a three part fugue played here by harpsichord and flute. Carl Philipp Emanuel had it printed at the end of his father's musical testament, The Art of Fugue: 'Before thy throne I now appear'., Runningtime: 00:00:00, Design, Artwork: Valérie Lagarde, Ensemble: Café Zimmermann, Flute: Karel Valter, Harpsichord: Céline Frisch, Liner Notes: Nicolas Derny, Liner Notes [English Translation]: John Thornley (3), Liner Notes [German Translation]: Susanne Lowien, Photography By: Aurélien Gaillard, Photography By: Margherita Pupulin, Photography By: Petr Skalka, Producer, Edited By, Mastered By: Aline Blondiau, Violin: Pablo Valetti, Violoncello: Petr Skalka, Composed By: Johann Sebastian Bach, Composed By: Carl Philipp Emanuel Bach, Composed By: Johann Sebastian Bach, Composed By: Wolfgang Amadeus Mozart, Composed By: Johann Sebastian Bach, Composed By: Wolfgang Amadeus Mozart, Composed By: Johann Sebastian Bach, Composed By: Johann Sebastian Bach, Composed By: Johann Sebastian Bach, Composed By: Johann Sebastian Bach, Composed By: Johann Sebastian Bach, Composed By: Johann Sebastian Bach, Composed By: Johann Sebastian Bach, Labelcode ALLP766.2 (ALPHA 766), Phonographic Copyright (p) Café Zimmermann, Phonographic Copyright (p) Alpha Classics, Phonographic Copyright (p) Outhere Music France, Copyright (c) Alpha Classics, Copyright (c) Outhere Music France, Recorded At Temple Saint Jean, Mulhouse |  | Herstellernummer: |
ALPHA766 |
 | Details zur Produktsicherheit
Verantwortliche Person für die EU:
OUTHERE SA Rue de l\'Épargne 29, 1000 Brüssel, BE info@outhere-music.com |  |
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