Bemerkungen / Titelliste: |
Konzertparaphrase nach Powder her face (2009) 01. "1. (ohne Satzbezeichnung)" 02. "2. (ohne Satzbezeichnung)" 03. "3. (ohne Satzbezeichnung)" 04. "4. (ohne Satzbezeichnung)" 05. "Still sorrowing op. 7 (für Klavier) (1991/92)" 06. "Darknesse visible (für Klavier) (1992)" 07. "Blanca variations (für Klavier) (2015)" Traced Overhead op. 15 (für Klavier) 08. "1. Sursum" 09. "2. Aetheria" 10. "3. Chori" Mazurkas op. 27 Nr. 1-3 (2009) 11. "Nr. 1 Mazurka Nr. 1" 12. "Nr. 2 Mazurka Nr. 2" 13. "Nr. 3 Mazurka Nr. 3" 14. "Souvenir (für Klavier) (2018)"
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Anzahl der Tonträger: |
1 |
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Extra-Infos: |
Han Chen |
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Beschreibung: | Composer, conductor and pianist Thomas Ades has been described by The New York Times as 'among the most accomplished all-round musicians of his generation.' His 'Concert Paraphrase on Powder Her Face' reflects the glamor of the opera's subject in the grand manner of Liszt or Busoni, while 'Still Sorrowing' and 'Darknesse Visible' explore John Dowland's haunting lute works. Heard here in it's world premiere recording, competition piece 'Blanca Variations' is lyrical and flowing in character, and 'Traced Overhead' is a vivid description of ascent and flight. Ades captures and transforms Polish style in his 'Mazurkas,' and the spirit of Satie and Ravel in a 'Souvenir' from the film 'Colette.', Runningtime: 00:00:00, Composed By: Thomas Adès, Engineer [Assistant]: Teng Chen, Engineer, Editor: Ryan Streber, Liner Notes: Paul Conway (3), Piano: Han Chen, Producer: Han Chen, Producer: Ryan Streber, Labelcode NXS8574109.2 (8.574109), Phonographic Copyright (p) Naxos Rights Europe Ltd, Copyright (c) Naxos Rights Europe Ltd, Published By Faber Music, Recorded At Oktaven Audio, Glass Mastered At Arvato |
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Herstellernummer: |
8574109 |
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