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 01. Ensemble Pianoforte "Sonate Nr. 100" 02. Tamminga, Liuwe "Virgo Maria" 03. Odhecaton "Ave, stella matutina" 04. Odhecaton "Ave Domina Sancta Maria"
Missa Galeazescha (Auszug) 05. Odhecaton "Introitus: Ave, Virgo gloriosa" 06. Odhecaton "Gloria: Ave, salus infirmorum" 07. La Pifarescha "Toujours bien"
Missa Galeazescha (Auszug) 08. Odhecaton "Credo: Ave, decus virginale" 09. Tamminga, Liuwe "La Martinella"
Missa Galeazescha (Auszug) 10. Odhecaton "Offertorium: Ave, sponsa verbi summi" 11. Tamminga, Liuwe "Tota pulchra es"
Missa Galeazescha (Auszug) 12. Odhecaton "Sanctus: O Maria" 13. Odhecaton "Ad elevationem: Adoramus te, Christe" 14. La Reverdie "L'homme banni"
Missa Galeazescha (Auszug) 15. Odhecaton "Agnus: Salve, mater salvatoris" 16. Odhecaton "Christi mater, ave" 17. Odhecaton "Ave, pulcherrima Regina"
Missa Galeazescha (Auszug) 18. Odhecaton "Deo Gratias: Virginis Mariae laudes" 19. Tamminga, Liuwe "Ave Maria gratia plena" 20. Ensemble Pianoforte "Etzliche Punctenn aus einer Sonade" 21. Odhecaton "Mater digna Dei" 22. Ensemble Pianoforte "Sonate Nr. 6"
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| | Beschreibung: | During the reign of Duke Galeazzo Maria Sforza (1444-76), Milan experienced an extraordinary musical era. In the 1470s, the Duke set out to form a 'famous and worthy choir', recruiting a 'goodly number of singers from beyond the Alps and from various countries'. He soon assembled a musical ensemble that boasted some of the most celebrated musicians in the Franco-Flemish polyphony of the day, from Italy and beyond. The Duke brought into being a new kind of polyphonic mass, a cycle of motets called missales to replace the traditional ordinarium, with texts attributing special importance to the worship of Our Lady of Grace and Mercy, much beloved by the Sforza family. A masterpiece of the genre is the so-called Missa Galeazescha for five voices, composed by Loyset Compère and performed here by an ensemble inspired by the impressive size of Galeazzo Maria Sforza's cappella. This recording brings together four vocal-instrumental groups., Runningtime: 00:00:00, Advisor: Denis Grenier, Bass Vocals: Giovanni Dagnino, Bass Vocals: Sergio Foresti, Conductor: Paolo Da Col, Countertenor Vocals: Alessandro Carmignani, Countertenor Vocals: Raoul Le Chenadec, Cover, Photography By: Benozzo Gozzoli, Design [Graphic]: Mirco Milani, Edited By, Engineer: Matteo Costa, Ensemble: La Pifarescha, Ensemble: La Reverdie, Ensemble: Odhecaton (2), Liner Notes: Agnese Pavanello, Liner Notes [Translated By]: Allison Zurfluh, Liner Notes [Translated By]: Sylvie Favalier, Mastered By: Fabio Framba, Organ: Liuwe Tamminga, Producer: Silvia Piccolo, Producer [Artistic Director]: Giovanni Sgaria, Tenor Vocals: Fabio Furnari, Tenor Vocals: Paolo Fanciullacci, Tenor Vocals: Vincenzo Di Donato, Composed By: Heinrich Lübeck, Composed By: Gaspar Van Weerbeke, Composed By: Gaspar Van Weerbeke, Composed By: Alexander Agricola, Composed By: Loyset Compère, Composed By: Johannes Martini, Composed By: Loyset Compère, Composed By: Johannes Martini, Composed By: Loyset Compère, Composed By: Alexander Agricola, Composed By: Loyset Compère, Composed By: Alexander Agricola, Composed By: Loyset Compère, Composed By: Gaspar Van Weerbeke, Composed By: Alexander Agricola, Composed By: Loyset Compère, Composed By: Loyset Compère, Composed By: Heinrich Lübeck, Composed By: Gaspar Van Weerbeke, Composed By: Heinrich Lübeck, Labelcode ARC436.2 (A 436), Recorded At Chiesa San Pietro Belluno, Recorded At Basilica of San Petronio, Bologna, Phonographic Copyright (p) Outhere Music France, Copyright (c) Outhere Music France | | | Herstellernummer: |
A436 |
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