Bisherige Auswahl:
keine Auswahl
Ergebnis einschränken:
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| Bemerkungen / Titelliste: |
: Symphony No. 82 In C Major, Hob. I:82 'L'Ours' (27:09)
: Symphony No. 83 In G Minor, Hob. I:83 'La Poule' (24:35)
: Symphony No. 84 In E Flat Major, Hob. 1:84 (26:45)
: Symphony No. 86 In D Major, Hob. 1:86 (27:03)
: Symphony No. 98 in B flat major, Hob. 1:98 (27:50)
: Symphony No. 103 In E Flat Major, Hob. I:103 'Drum Roll' (30:22)
: Symphony No. 87 In A Major, Hob. 1:87 (24:22)
: Symphony No. 88 In G Major, Hob. 1:88 'The Letter V' (20:04)
: Symphony No. 99 In E Flat Major, Hob.I:99 (28:32)
: Symphony No. 92 In G Major, Hob. I:92 'Oxford' (27:03)
: Symphony No. 91 In E Flat Major, Hob. 1:91 (25:55)
: Symphony No. 93 In D Major, Hob. I:93 (22:14)
: Symphony No. 94 In G Major, Hob. 1:94 'Surprise' (23:39)
: Symphony No. 96 In D Major, Hob. 1:96 'The Miracle' (21:30)
: Symphony No. 95 In C Minor, Hob. 1:95 (19:28)
: Symphony No. 97 In C Major, Hob. I:97 (25:38)
: Symphony No. 100 In G Major, Hob. I:100 'Military' (24:42)
: Symphony No. 104 In D Major, Hob. I:104 'London' (28:06)
: Symphony No. 101 In D Major, Hob. I:101 'The Clock' (26:47)
: Symphony No. 102 In B Flat Major, Hob.I:102 (23:54)
: Violin Concerto In D Major, Op. 61 (41:57)
: Symphonie Fantastique, Op. 14, H.48 (Épisode De La Vie D'un Artiste) (55:29)
: Pictures At An Exhibition (33:38)
12-13: Night On Bald Mountain (Allegro Feroce) (11:35)
: Symphony No. 7 In D Minor, Op. 70, B. 141 (36:24)
: Symphony No. 8 In G Major, Op. 88, B. 163 (37:07)
: Symphony No. 9 In E Minor, Op. 95, B. 178 'From The New World' (42:44)
: Violin Concerto In A Minor, Op. 53, B. 108 (33:57)
15-4: Romance In F Minor For Violin And Orchestra, Op. 11, B. 39 (14:03)
: Cello Concerto In B Minor, Op. 104, B. 191 (38:28)
16-4: Silent Woods, Op. 67 No. 5, B. 182 (5:30)
: L'Oiseau De Feu, K10 = The Firebird ? Ballet (1910) - Scenario By Michel Fokine After The Russian Fairy Tale (46:37)
: Le Sacre Du Printemps, K15 = The Rite Of Spring - Tableaux De La Russie Païenne = Pictures From Pagan Russia (Scenario By Nicolas Roerich And Igor Stravinsky) (34:53)
: Petrushka, K12 (1947 Version) - Scènes Burlesques En Quatre Tableaux = Burlesque In Four Scenes (Scenario By Alexandre Benois And Igor Stravinsky (33:51) |
| | Anzahl der Tonträger: |
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| | Beschreibung: | LIMITED EDITION. A meeting of minds in Amsterdam: the complete Philips recordings of Sir Colin Davis and the Concertgebouworkest made in the orchestra's acoustically optimal home and featuring classic accounts of Haydn, Berlioz, Dvorák and Stravinsky. Davis lends these readings rhythmic impetus and unassuming authority; the orchestra and audio engineers respond with sonic warmth and transparency. Colin Davis made his debut with the Concertgebouw in 1966, and conductor and orchestra quickly established a mutual affinity. Interviewed by Niek Nelissen for a new appreciation of their legacy on record, a Concertgebouw violinist recalls his 'typically British' humour in rehearsal. Davis gave the musicians of 'the orchestra a lot of freedom. He kept control in a good way, which made him popular with the orchestra.' It took another eight years for Davis and the Concertgebouw to make their first records together, but they made up for lost time. The albums of Beethoven's Violin Concerto (with Arthur Grumiaux) and the Symphonie fantastique of Berlioz were universally praised for their rhythmic impetus, and for the kind of unassuming authority that became a hallmark of Davis's conducting. In both cases, the new recordings superseded earlier versions by the same artists (Davis's LSO Berlioz, and Grumiaux's previous Beethovens with the Concertgebouw) not least because of the warmth and the transparency of the Philips recordings, made in the orchestra's acoustically optimal home. There followed, over the next eight years, a string of artistic and commercial successes. The Concertgebouw had not recorded much Haydn before, but Davis harnessed their richness of tone and supple responses, and trained it on Haydn's late symphonies with revelatory results. Even while period-instrument performers began to bring new perspectives to Haydn, Davis's lively sympathy showed itself in the buoyant rhythms, the cultivated eighteenth-century phrasing and the exuberance which always belongs to his symphonies. Together, they recorded the complete 'London' symphonies followed by the 'Paris', and this set also features a bonus of No. 84, which Davis recorded with the English Chamber Orchestra for L'Oiseau-Lyre in 1960. This is the first time all of Davis's Haydn symphony recordings with the Concertgebouworkest have been issued collectively. Equally acclaimed was a Dvorák series featuring the last three symphonies, the concertos for violin and cello (with Salvatore Accardo and Heinrich Schiff) and the Symphonic Variations. Throughout his long career, Davis took particular pleasure in bringing out the nostalgic side as well as the Czech-accented rhythms of Dvorák's music, just as his approach to Igor Stravinsky never lost it's cutting edge, as displayed here in Concertgebouw recordings of the three early Diaghilev ballets. While these recordings have rarely left the catalogue thanks to their popularity, hearing them together sheds new light on the remarkable idiomatic strength of the Concertgebouw/Davis partnership. Original couplings and covers have the ring of nostalgic authenticity, complemented by Niek Nelissen's new essay and many archive photographs of conductor and orchestra., Runningtime: 00:00:00, Labelcode ELOA4845277.2 | | | Herstellernummer: |
ELQ4845277 |
| Details zur Produktsicherheit
Verantwortliche Person für die EU:
Klassik Center
Dr. Rainer Kahleyss
Glöcknerpfad 47, 34134 Kassel, DE
info@klassikcenter-kassel.de | |
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