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01. Davis, Carl "Curse of the Werewolf: I. Prelude" 02. Davis, Carl "Curse of the Werewolf: II. The Beggar" 03. Davis, Carl "Curse of the Werewolf: III. Servant Girl and Beggar" 04. Davis, Carl "Curse of the Werewolf: IV. Revenge and Escape" 05. Davis, Carl "Curse of the Werewolf: V. Baptism" 06. Davis, Carl "Curse of the Werewolf: VI. Pastoral" 07. Davis, Carl "Curse of the Werewolf: VII. Leon#s Assignation" 08. Davis, Carl "Curse of the Werewolf: VIII. A Deadly Transformation" 09. Davis, Carl "Curse of the Werewolf: IX. Leon Confronts the Horror" 10. Davis, Carl "Curse of the Werewolf: X. Leon Imprisoned" 11. Davis, Carl "Curse of the Werewolf: XI. Final Transformation" 12. Davis, Carl "Curse of the Werewolf: XII. Finale" 13. Royal Liverpool Philharmonic Orchestra "So Long at the Fair: Introduction - Sea Prelude - Carriage and Pair - Long Forgotten Melody - Carriage and Pair" 14. Royal Liverpool Philharmonic Orchestra "The Net: Love Theme" 15. Royal Liverpool Philharmonic Orchestra "The Prisoner: I. Prelude" 16. Royal Liverpool Philharmonic Orchestra "The Prisoner: II. The Prison" 17. Royal Liverpool Philharmonic Orchestra "The Prisoner: III. Cat and Mouse" 18. Royal Liverpool Philharmonic Orchestra "The Prisoner: IV. Cardinal and Interrogator" 19. Royal Liverpool Philharmonic Orchestra "The Prisoner: V. Mind Games" 20. Royal Liverpool Philharmonic Orchestra "The Prisoner: VI. Civil Unrest" 21. Royal Liverpool Philharmonic Orchestra "The Prisoner: VII. Solitary Confinement" 22. Royal Liverpool Philharmonic Orchestra "The Prisoner: VIII. The Dark" 23. Davis, Carl "The Prisoner: IX. The Confession" 24. Royal Liverpool Philharmonic Orchestra "The Prisoner: X. Last Meal" 25. Royal Liverpool Philharmonic Orchestra "The Prisoner: XI. Finale"
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 | Beschreibung: | The career of London-born composer Benjamin Frankel ranks among the most remarkable and diversified of the 20th century. A musically gifted child, he faced stern parental opposition to notions of a career in music and was apprenticed to a watchmaker, when he left school at fourteen. His gifts, however, came to the notice of the American pianist Victor Benham who persuaded his parents otherwise, and undertook to teach him, free of charge, for a period of two years, the last six months being in Germany. Although Frankel's formal training was as a pianist, he was also a talented violinist and, on returning to London, began playing for numerous dance bands, later to include those of Roy Fox, Fred Elizalde and Carroll Gibbons (The Savoy Orpheans). Apart from acquiring a reputation as a leading "hot jazz" fiddler, he was in demand as an arranger, most notably for Henry Hall and the BBC Dance Orchestra during the mid-1930s. Despite a busy working life, he continued formal studies with Orlando Morgan, at the Guildhall School of Music in London, on scholarships from the Worshipful Company of Musicians, during the years 1929-34. In 1934, Frankel entered films, ultimately scoring over a hundred, including The Seventh Veil, The Importance of Being Earnest, The Man in the White Suit, The End of the Affair, Night of the Iguana and Battle of the Bulge (nominated for Best Original Score at the 1966 Golden Globes). For much of the 1930s and 1940s, he was also heavily involved in musical theatre, as musical director or arranger, working for many famous names of the day, such as Noel Coward and C.B. Cochran., Runningtime: 00:00:00, Conductor: Carl Davis (5), Orchestra: Royal Liverpool Philharmonic Orchestra, Labelcode NXS8557850.2 (8.557850) |  | Anzahl der Titel: |
25 |
 | Herstellernummer: |
8557850 |
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