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Disc 01
 01. "Bags' Groove (Instrumental) (March 7, 1967 First Set)" 02. "Back Door Man (March 7, 1967 First Set)" 03. "My Eyes Have Seen You (March 7, 1967 First Set)" 04. "Soul Kitchen (March 7, 1967 First Set)" 05. "All Blues (Instrumental) (March 7, 1967 First Set)" 06. "Get Out Of My Life Woman (March 7, 1967 First Set)" 07. "When The Music's Over (March 7, 1967 First Set)" 08. "Close To You (March 7, 1967 Second Set)" 09. "Crawling King Snake (March 7, 1967 Second Set)" 10. "I Can't See Your Face In My Mind (March 7, 1967 Second Set)" 11. "People Are Strange (March 7, 1967 Second Set)" 12. "Alabama Song (Whisky Bar) (March 7, 1967 Second Set)" 13. "The Crystal Ship (March 7, 1967 Second Set)"
Disc 02
01. "Moonlight Drive (March 7, 1967 Third Set)" 02. "Summer's Almost Gone (March 7, 1967 Third Set)" 03. "Unhappy Girl (March 7, 1967 Third Set)" 04. "Woman Is A Devil / Rock Me Baby (March 7, 1967 Third Set)" 05. "Break On Through (To The Other Side) (March 7, 1967 Third Set)" 06. "Light My Fire (March 7, 1967 Third Set)" 07. "The End (March 7, 1967 Third Set)" 08. "My Eyes Have Seen You (March 10, 1967 First Set)" 09. "Soul Kitchen (March 10, 1967 First Set)" 10. "I Can't See Your Face In My Mind (March 10, 1967 First Set)" 11. "People Are Strange (March 10, 1967 First Set)" 12. "When The Music's Over (March 10, 1967 First Set)"
Disc 03
01. "Money (March 10, 1967 Second Set)" 02. "Who Do You Love (March 10, 1967 Second Set)" 03. "Moonlight Drive (March 10, 1967 Second Set)" 04. "Summer's Almost Gone (March 10, 1967 Second Set)" 05. "I'm A King Bee (March 10, 1967 Second Set)" 06. "Gloria (March 10, 1967 Second Set)" 07. "Break On Through (To The Other Side) (March 10, 1967 Second Set)" 08. "Summertime (Instrumental) (March 10, 1967 Third Set)" 09. "Back Door Man (March 10, 1967 Third Set)" 10. "Alabama Song (Whisky Bar) (March 10, 1967 Third Set)" 11. "The End (Partial) / Let's Feed Ice Cream To The Rats (March 8 Or 9, 1967)"
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| | Beschreibung: | Three CDs. The Doors were a few months away from stardom in March 1967 when they played five sparsely attended shows at a small club in San Francisco called The Matrix. These uninhibited performances would have been fleeting if not for Peter Abram, who co-owned the pizza parlor-turned-nightclub with Jefferson Airplane founder Marty Balin. An avid recordist, Abram taped concerts at The Matrix regularly and his recordings of The Doors, made between March 7-11, 1967, spawned one of the band's most storied bootlegs. Today, Abram's original recordings have been remastered by Bruce Botnick, The Doors' longtime engineer/mixer, for official release., The Doors were a few months away from stardom in March 1967 when they played five sparsely attended shows at a small club in San Francisco called The Matrix. These uninhibited performances would have been fleeting if not for Peter Abram, who co-owned the pizza parlor-turned-nightclub with Jefferson Airplane founder Marty Balin. An avid recordist, Abram taped concerts at The Matrix regularly and his recordings of The Doors, made between March 7-11, 1967, spawned one of the band's most storied bootlegs. At long last, all known Matrix recordings, sourced entirely from Abram's original master recordings, will be released on September 8. Bootlegs of The Matrix shows have circulated among fans for years and were popular despite the poor audio quality of most copies. The sound began improving in 1997 when the first two songs from The Matrix shows were officially released on The Doors: Box Set. Even more performances followed in 2008 on Live at the Matrix 1967; regrettably, it was discovered soon after that all the recordings were sourced from third-generation tapes, not the originals. Today, Abram's original recordings have been remastered by Bruce Botnick, The Doors' longtime engineer/mixer, for official release. The vinyl version of LIVE AT THE MATRIX 1967: THE ORIGINAL MASTERS includes all 37 songs from the shows sourced from the master tapes. Except for 15 songs released in 2017 and 2018 as Record Store Day exclusives, most of the newly upgraded live recordings are making their debut in the collection, including eight that have never been featured on any of the previous Matrix releases. It's easy to understand the enduring appeal of these vintage performances by Jim Morrison, Ray Manzarek, Robby Krieger, and John Densmore. Recorded only a few months before «Light My Fire» propelled the band to worldwide success, the tapes capture The Doors playing a wide range of songs, including several from their self-titled debut, like «Break On Through,» «Soul Kitchen,» and «The End.» They also performed half the songs destined for the group's soon-to-be-recorded second album, Strange Days, including early performances of «Moonlight Drive» and «People Are Strange.» 15 Sets of music over five nights at The Matrix gave the band time to indulge its love of the blues with extended covers of «I'm A King Bee» and «Crawling King Snake.» The Doors even delivered an instrumental version of «Summertime.» DOORS / LIVE AT THE MATRIX (1967) The Original Masters (3CD), Runningtime: 00:00:00, Administrator [Worldwide Publishing Administration]: Kim Stockemer, Administrator [Worldwide Publishing Administration]: Randall Wixen, Administrator [Worldwide Publishing Administration]: Wixen Music Publishing, Inc., Art Direction, Design: Fred Davis (3), Drums: John Densmore, Editor [Editorial]: Allison Boron, Editor [Editorial]: Sheryl Farber, Guitar: Robby Krieger, Keyboards: Ray Manzarek, Legal: David Byrnes (2), Legal: John Branca, Legal: Kelly Vallon, Legal: Ziffren Brittenham LLP, Liner Notes: Joel Selvin, Management [Associate Manager]: JAM, Inc., Management [Associate Manager]: Kenny Nemes, Management [Worldwide]: JAM, Inc., Management [Worldwide]: Jeffrey Jampol, Mastered By: Bernie Grundman, Mastered By: Bruce Botnick, Photography By: Bobby Klein (3), Product Manager: Alicia Yaffe, Project Manager [Project Assistance]: Chase Goldman, Project Manager [Project Assistance]: Susanne Savage, Recorded By: Peter Abram, Research [The Doors Archivist]: David Dutkowski, Supervised By [Art Supervision]: Lisa Glines, Supervised By [Project Supervision]: Patrick Milligan, Vocals: Jim Morrison, Written-By: Milt Jackson, Written-By: Chester Burnett, Written-By: Willie Dixon, Written-By: The Doors, Written-By: The Doors, Written-By: Miles Davis, Written-By: Allen Toussaint, Written-By: The Doors, Written-By: Willie Dixon, Written-By: Bernard Besman, Written-By: John Lee Hooker, Written-By: The Doors, Written-By: The Doors, Written-By: Bertolt Brecht, Written-By: Kurt Weill, Written-By: The Doors, Written-By: The Doors, Written-By: The Doors, Written-By: The Doors, Written-By: The Doors, Written-By: B.B. King, Written-By: Joe Josea, Written-By: The Doors, Written-By: The Doors, Written-By: The Doors, Written-By: The Doors, Written-By: The Doors, Written-By: The Doors, Written-By: The Doors, Written-By: The Doors, Written-By: The Doors, Written-By: Berry Gordy, Written-By: Janie Bradford, Written-By: Ellas McDaniel, Written-By: The Doors, Written-By: The Doors, Written-By: James Moore, Written-By: Van Morrison, Written-By: The Doors, Written-By: Dorothy Heyward, Written-By: DuBose Heyward, Written-By: George Gershwin, Written-By: Ira Gershwin, Written-By: Chester Burnett, Written-By: Willie Dixon, Written-By: Bertolt Brecht, Written-By: Kurt Weill, Written-By: The Doors, Labelcode 0349783591 (603497835911, R2 698484, 603497835911, 603497835911), Record Company Warner Music Group, Phonographic Copyright (p) Rhino Entertainment Company, Copyright (c) Rhino Entertainment Company, Manufactured For Rhino Entertainment Company, Marketed By Rhino Entertainment Company, Recorded At The Matrix, Mastered At Bernie Grundman Mastering, Glass Mastered At Sonopress, Glass Mastered At Sonopress, Glass Mastered At Sonopress"Live at the Matrix" ist ein fesselndes Live-Album der legendären Band The Doors und erscheint im CD-Format beim renommierten Label Rhino. Die Aufnahmen stammen aus dem März 1967 und zeigen die Band auf dem Höhepunkt ihrer Kreativität im berühmten Club The Matrix in San Francisco ? kurz bevor sie weltberühmt wurden. Fans erleben rohe und intime Versionen von Klassikern wie ?Light My Fire?, ?Break On Through (To the Other Side)? sowie selten gespielte Songs, die Jim Morrisons charismatische Bühnenpräsenz hervorheben. Der Hersteller Rhino steht für hochwertige Musikveröffentlichungen und setzt sich dafür ein, musikalische Meilensteine authentisch zu bewahren ? so klingt dieses historische Konzert heute noch genauso mitreißend wie damals. Mit Alben wie ?The Doors?, ?Strange Days? oder Hits wie ?Riders on the Storm? zählen The Doors bis heute zu den einflussreichsten Rockbands aller Zeiten. | | | Anzahl der Titel: |
37 |
| | Herstellernummer: |
0349783591 |
| Details zur Produktsicherheit
Verantwortliche Person für die EU:
Warner Music
Warner Music Group Germany Holding GmbH
Alter Wandrahm 14, 20457 Hamburg, DE
anfrage@warnermusic.com | |
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