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 | | Beschreibung: | On Your Future Our Clutter, The Fall and Mark E Smith are standing tall with a glint in their eye. The album, like the band's current line'up, is lean and fast. The Fall at their forward moving, bone shaking best. Smith, rarely deluded about the virtues of musicians, can testify to the results audible on the record: 'I love this band, it's the best I've ever had, I suppose I would say that but there you are.' Album opener O.F.Y.C Showcase fuses M60 motorik with drag racing riffs as Smith shouts the album's title with delirious intent. A few bars in and the sound of white heat in the studio is palpable. Hot Cake, Chino, and Funnel of Love are all recent highlights of the band's live shows; taut and spare, stretched and pummelled into shape by Eleni Poulou's keyboard distortions and interventions. Smith has famously called The Fall country 'n' northern. Cowboy George is Morricone 'n' northern. Twanging guitars leave trails in the dust as peyote shamen make an appearance in the saloon bar. That at any rate is the disorienting effect of hearing Smith's narration of 'a story I was told / of unseen knowledge, unseen hills, unseen footage, and unseen facts.' At nearly eight minutes long Y.F.O.C. / Slippy Floor is a contemporary Fall epic. After two minutes of Smith, bass and drums, the band at their most hotwired and raucous, escalate into mangled euphoria. And, once hell has officially broken loose, decide to stop. Then a dissolve into tape hisses, answering machine spectres and tapping hands. Your Future Our Clutter concludes with Weather Report 2. Smith, revisiting the voice he used to such effect on Extricate's Bill is Dead, sings with mournful tenderness. It's hard not to associate the lyrics with Smith's recent spell of wheelchair bound incapacitation: 'I watched Murder She Wrote, at least five times / The cast deserved to die.' In the unlikely event that Smith was after any sympathy, it would be for having to put up with daytime TV and nothing else. Slowly mutating into a dark electronic pulse, the sound is stately and eerie, echoing Smith's observation that 'The whirlpools grow wider and wider'. As the pulses start to quicken and blow fuses, Smith leans in close to the microphone and delivers a whispered coda: 'You don't deserve rock 'n' roll', Runningtime: 00:00:00, Artwork [Cover Art]: Mark Kennedy (7), Artwork [Cover Art]: Safy Etiel, Bass Guitar: Dave Spurr (2), Drums, Percussion: Keiron Melling, Engineer, Recorded By: Ross Orton, Engineer, Recorded By: Russell Fawcus, Guitar: Peter Greenway, Keyboards, Bass, Backing Vocals: Eleni Poulou, Lead Vocals: Mark E. Smith, Mastered By: Chris Potter, Mixed By: Ross Orton, Post Production: Ross Orton, Producer: Mark E. Smith, Producer: Ross Orton, Producer: Ross Orton, Producer [Additional Production], Recorded By [Additional Recordings]: Tim Robbins (2), Producer, Engineer: Simon 'Dingo' Archer, Written-By: Mark E. Smith, Written-By: Dave Spurr (2), Written-By: Mark E. Smith, Written-By: Mark E. Smith, Written-By: Peter Greenway, Written-By: Eleni Poulou, Written-By: Mark E. Smith, Written-By: Peter Greenway, Written-By: Dave Spurr (2), Written-By: Mark E. Smith, Written-By: Eleni Poulou, Written-By: Keiron Melling, Written-By: Mark E. Smith, Written-By: Peter Greenway, Written-By: Dave Spurr (2), Written-By: Mark E. Smith, Written-By: Charlie McCoy, Written-By: Kent Westberry, Written-By: Eleni Poulou, Written-By: Mark E. Smith, Labelcode DOMI245.2 (WIGCD245), Manufactured By Sound Performance, Phonographic Copyright (p) Domino Recording Co. Ltd., Copyright (c) Domino Recording Co. Ltd., Published By Minder Music Ltd., Published By EMI Music Publishing Ltd., Recorded At 6DB Studios, Recorded At The Chairworks, Mixed At McCall Sound Studios, Mastered At Electric Mastering | | Details zur Produktsicherheit
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Believe Digital GmbH
Im Mediapark 6B, 50670 Köln, DE
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Kunden, die dieses Produkt gekauft haben, haben auch Folgende gekauft
 Martin Siberok - 19.08.2010 Ah yes, that's a familiar sound! The Fall have never produced easy and digestible music, and they still aren't. Even in the late '70s, the band was pr...
|  | Katherine Baltrush - 05.08.2010  While The Fall have never attained more than cursory recognition on a world stage, they do have a loyal and devoted cult following that has carried th...
| | | Daniel Holloway - 27.07.2010 Band mates and line ups come and go but one thing is constant within The Fall and that is Mark E Smith and his unremitting mission to challenge the cu...
| | Jim Dunn - 15.06.2010  The Fall came out of Manchester, England in the mid-’70s. While other seminal bands from the period headed off to superstardom or obscurity, The Fall ...
| | | Cameron - 09.06.2010 On “Cowboy George”, a track midway into the new album by Manchester post-punk legends the Fall, metallic, galloping guitars and thundering drum proces...
| | | Bernardo Rondeau - 03.06.2010 Mark E. Smith knows a thing or two about clutter. With an unwieldy and fascinatingly erratic discography, the sole original member of The Fall has con...
| | | Valentina D'Aliesio - 28.05.2010 If anything, this release may be one of the most impressive efforts in the U.K post-punk veterans' The Fall's discography. Their 28th album is an exce...
| | | James Lachno - 20.05.2010 The Fall are nothing if not prolific – this is their 28th studio LP since 1979 – but perhaps new record ‘Your Future Our Clutter’ marks a watershed fo...
| | | cloudspeakers - 17.05.2010 This shouldn’t be possible. The Fall should be long gone. After a lifetime of hard living and inter-band turbulence, Mark Smith should be retired, ran...
| | | Joe Davenport - 11.05.2010 The Fall don't give a fuck about fidelity. Mark E. Smith and company have never been afraid to put studio recordings next to pieces that were essentia...
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