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Quartett für Klavier und Streichtrio Nr. 2 g-moll op. 45 01. "1. Allegro molto moderato" 02. "2. Allegro molto" 03. "3. Adagio non troppo" 04. "4. Adagio non troppo" M?lodies op. 23 Nr. 1-3 (Trois m?lodies, bearb. für Klavier und Streichtrio von D. Z?llner) (Auszug) 05. "Nr. 2 Notre Amour" 06. "Nr. 1 Les Berceaux" M?lodies op. 7 Nr. 1-3 (Trois m?lodies, bearb. für Klavier und Streichtrio von D. Z?llner) (Auszug) 07. "Nr. 1 Apr?s un r?ve" M?lodies op. 46 Nr. 1-2 (Deux m?lodies, bearb. für Klavier und Streichtrio von D. Z?llner) (Auszug) 08. "Nr. 2 Clair de lune" M?lodies op. 58 Nr. 1-5 (Cinq m?lodies de Venise, bearb. für Klavier und Streichtrio von D. Z?llner) (Auszug) 09. "Nr. 1 Mandoline" Quartett für Klavier und Streichtrio Nr. 1 c-moll op. 15 10. "1. Allegro molto moderato" 11. "2. Scherzo: Allegro vivo - Trio" 12. "3. Adagio" 13. "4. Finale: Allegro molto"
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Ak 2020 |
 | Beschreibung: | If a chamber music ensemble can stand together in the same lineup for 25 years, it must be doing something right. The Faure Quartett can be assumed to be doing so: As one of the world's leading piano quartets, the four musicians are at the zenith of chamber music, touring the world's most important venues and breaking down musical boundaries with their recordings. Their Pop Songs album was followed by Mussorgsky's Pictures at an Exhibition and Rachmaninov's etudes-Tableaux in 2018, which have never been heard so rousingly before. On the occasion of the 25th anniversary of it's foundation, the quartet turns it's attention to a composer who is at the same time both long overdue and right now perfectly fit to be recorded properly: Gabriel Faure. The Faure Quartet has fond memories of these phases of self-exploration and laying the foundations of a piece. The quartet was able to afford the luxury of independent maturity and managed to transform the apparent shortcoming of such a fixed instrumentation into a quality. It is not a trio that treats itself to a pianist, neither is it a string quartet that gives one violin a temporary leave of absence, and nor is it a piano soloist who enhances inherent keyboard timbres by augmenting these with a few extra string players. It remains an ensemble that takes itself seriously in it's particularity and benefits from the qualities of four characters who can stand up to each other even over long stretches of time. And it is a team that does not see itself as too superior not to practice the same thing over and over again until a point is reached at which an invisible boundary is crossed, one that leads from mere interpretation to actual embodiment., Runningtime: 00:00:00, Arranged By [Arr.]: Dietrich Zöllner, Cello: Konstantin Heidrich, Composed By: Gabriel Fauré, Design: Büro Dirk Rudolph, Edited By [Editing], Mixed By [Mix], Mastered By [Master By]: Benedikt Schröder, Edited By [Editing], Mixed By [Mix], Mastered By [Master By]: Thomas Bößl, Ensemble: Fauré Quartett, Executive-Producer: Marcus Heinicke, Liner Notes: Ralf Dombrowski, Liner Notes [English Translation]: Graham Lack, Photography By [Photos]: Ben Wolf (2), Piano [Klavier]: Dirk Mommertz, Product Manager: Maximilian Sieghardt, Viola: Sascha Frömbling, Violin [Violine]: Erika Geldsetzer, Labelcode BLN301422.2 (0301422BC, 0301422BC), Phonographic Copyright (p) Berlin Classics, Phonographic Copyright (p) Edel Germany GmbH, Copyright (c) Berlin Classics, Copyright (c) Edel Germany GmbH, Manufactured By Optimal Media GmbH, Printed By Optimal Media GmbH |  | Herstellernummer: |
0301422BC |
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