Wen-Sinn Yang

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veröffentlicht: 10.02.2015

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Sales Rank:	Nr. 14 in Gitarre Nr. 30232 in Klassik

Stil:	Gitarre

Artikel Nr.:	1899340490

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Sonate Nr. 2 für Gitarre und Klavier

01. Halász, D?bora "1. Allegro moderato"

02. Halász, D?bora "2. Saudoso"

03. Halász, D?bora "3. Ritmado"

04. Halász, Franz "Alma brasilieira"

05. Halász, Franz "Dan?a brasileira"
Petite Suite

06. Halász, Franz "1. Pastoral"

07. Halász, Franz "2. Toada"

08. Halász, Franz "3. Frevo"

09. Halász, Franz "Toccata em ritmo de samba Nr. 1"

10. Halász, Franz "Saudade (bearb. für Gitarre von Laurindo Almeida)"

11. Halász, Franz "Toccata em ritmo de samba Nr. 2"
Sonate für Violoncello und Gitarre

12. Halász, Franz "1. Allegretto comodo"

13. Halász, Franz "2. Adagio"

14. Halász, Franz "3. Con spirito"

15. Halász, D?bora "Moto cont¡nuo Nr. 1"

16. Halász, D?bora "Negaceando"

17. Halász, D?bora "Canhoto"

18. Halász, D?bora "Vaidosa Nr. 1"

19. Halász, D?bora "Capoeirando"

20. Halász, D?bora "Trapaceando"

21. Halász, D?bora "Manhosamente"

22. Halász, D?bora "Batuque"

23. Halász, D?bora "Toccata"

Anzahl der Tonträger:

Beschreibung:

His parents, Italian immigrants to Brazil, named Radamés Gnattali after the male lead in Verdi's Aida, and his mother began to teach him the piano at the age of six. But even though he did become a highly skilled pianist, performing Tchaikovsky's piano concerto in B flat at Rio de Janeiro's Teatro Municipal at the age of 23, it was as a composer (and arranger) of music of a distinctly Brazilian cast that he would make his name. Gnattali developed an individual style, which today might be called cross-over, by infusing inflexions of popular music into a classical framework, over a fluid harmonic technique. Jaunty rhythms and striking melodic lines appear in a wholly uncontrived manner: they formed his everyday working material, as an arranger of popular music for record companies and radio stations. When composing concert music Gnattali usually did so for musicians that he collaborated with in popular music, such as the guitarist Laurindo Almeida, as well as for himself. A large production includes works for a great variety of scorings, but for this disc Franz and Débora Halász have chosen to present chamber and solo works for guitar and piano, inviting the cellist Wen-Sinn Yang to join in for the composer's Sonata for guitar and cello. As reflected in some of the titles, Brazilian dance forms (samba, batuque, choro) play an important role in this music, which for a long time was disregarded by a musical establishment suspicious of it's great fluency and popular appeal; music which in every bar expresses the soul of Brazil - Alma brasileira., Runningtime: 00:00:00, Cover: Franz Halász, Edited By: Débora Halász, Edited By: Franz Halász, Edited By: Johannes Müller (2), Engineer: Johannes Müller (2), Executive-Producer: Robert Suff, Liner Notes: Fabio Zanon, Liner Notes [Translated By]: Horst A. Scholz, Liner Notes [Translated By]: Jean-Pascal Vachon, Mixed By: Matthias Spitzbarth, Photography By: Sedat Özyilmaz, Producer: Débora Halász, Producer: Johannes Müller (2), Producer: Marcelo Amaral, Typography, Layout: Andrew Barnett, Classical Guitar: Franz Halász, Piano: Débora Halász, Classical Guitar: Franz Halász, Classical Guitar: Franz Halász, Classical Guitar: Franz Halász, Classical Guitar: Franz Halász, Classical Guitar: Franz Halász, Classical Guitar: Franz Halász, Cello: Wen-Sinn Yang, Classical Guitar: Franz Halász, Piano: Débora Halász, Piano: Débora Halász, Piano: Débora Halász, Piano: Débora Halász, Piano: Débora Halász, Piano: Débora Halász, Piano: Débora Halász, Piano: Débora Halász, Piano: Débora Halász, Labelcode BIS2086SACD (BIS-2086 SACD), Copyright (c) BIS Records AB, Phonographic Copyright (p) BIS Records AB, Recorded At Hochschule für Musik und Theater München

Herstellernummer:

BISSACD-2086

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Alma brasileiraFranz Halasz / Deborah Halasz / Wen-Sinn Yang

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