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01. "Mazeppa. Symphonic poem No. 6, S. 100" Sardanapalo (unfinished opera, S. 687) 02. "Act I, Scene I: Preludio" 03. "Act I, Scene I: 'Vieni! Risplendono festive faci' (Chorus of Concubines)" 04. "Act I, Scene I: 'Oh del tetto paterno' (Mirra)" 05. "Act I, Scene I: 'L'altera Ninive a te s'inchina' (Chorus of Concubines)" 06. "Act I, Scene II: 'Pi? lunga cura' (Mirra)" 07. "Act I, Scene II: 'Gi? pel piano' (Mirra)" 08. "Act I, Scene II: 'Sogno vano' (Mirra)" 09. "Act I, Scene II: 'Ahi! Nell'ansio rapimento' (Mirra)" 10. "Act I, Scene III: 'Nella tua stanza' (Sardanapalo, Mirra)" 11. "Act I, Scene III: 'Parla! Parla!' (Sardanapalo, Mirra)" 12. "Act I, Scene III: 'Sotto il tuo sguardo' (Sardanapalo, Mirra)" 13. "Act I, Scene IV: 'Mentre a tuo danno' (Beleso)" 14. "Act I, Scene IV: 'Se sol l'armi' (Sardanapalo)" 15. "Act I, Scene IV: 'Oh perch?, perch? quel core' (Mirra, Beleso)" 16. "Act I, Scene IV: 'Che far pensi?' (Beleso, Sardanapalo, Mirra)" 17. "Act I, Scene IV: 'Diletta vergine' (Sardanapalo, Beleso, Mirra)" 18. "Act I, Scene IV: Allegro deciso"
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 | Beschreibung: | Sardanapalo, who prefers wine and concubines to politics and warfare, and Mazeppa, who dies with glory, having endured pain and humiliation: dramatic literary models, impressively set to music by Franz Liszt. Written at the same time, these works represent Liszt's ideas striving to unite literature and music, on the one hand modernising Italian opera and on the other advancing towards the symphonic poem in his orchestral writing. The Sardanapalo manuscript comprises the first act. For 170 years the material lay dormant in the Goethe and Schiller archive in Weimar: it was only in 2017 that David Trippett deciphered, edited and orchestrated the manuscript at the University of Cambridge. Kirill Karabits conducts the Weimar Staatskapelle: Liszt's orchestra in the city in which he composed the opera. Audite continues it's series of the great Weimar Kapellmeister-composers., Runningtime: 00:00:00, Art Direction, Design: AB?Design, Chorus Master [Einstudierung]: Marianna Voza, Co-producer: DeutschlandRadio, Composed By: Franz Liszt, Conductor: Kirill Karabits, Cover: Eugène Delacroix, Engineer [Engineers]: Clemens Deller, Engineer [Engineers]: Lukas Kowalski (2), Engineer [Sound And Editing], Edited By: Justus Beyer, Liner Notes: David Trippett (2), Liner Notes [Deutsche Bearbeitung]: Wolfgang Rathert, Orchestra: Staatskapelle Weimar, Photography By [Airam Hernández P. 13]: Jacques Beaud, Photography By [Airam Hernández P. 27]: Coke Riera, Photography By [Joyce El-Khoury]: Fay Fox, Photography By [Kirill Karabits]: Denis Manokha, Photography By [Manuscript Page]: Klassik Stiftung Weimar, Photography By [Oleksandr Pushniak]: Karin Cooper, Photography By [Staatskapelle Weimar]: Felix Broede, Producer [Deutschlandfunk Kultur]: Stefan Lang (3), Producer [Recording Producer], Executive-Producer: Ludger Böckenhoff, Bass-Baritone Vocals: Oleksandr Pushniak, Chorus: Damen Des Opernchores Des Deutschen Nationaltheaters Weimar, Score Editor [Editiert], Orchestrated By [Orchestriert]: David Trippett (2), Soprano Vocals: Joyce El-Khoury, Tenor Vocals: Airam Hernández, Labelcode AUDT97764.2 (audite 97.764), Phonographic Copyright (p) DeutschlandRadio, Phonographic Copyright (p) Ludger Böckenhoff, Copyright (c) DeutschlandRadio, Copyright (c) Ludger Böckenhoff, Recorded At Congress Centrum Neue Weimarhalle, Glass Mastered At Arvato |  | Herstellernummer: |
ADT97764 |
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Verantwortliche Person für die EU:
Audite audite Musikproduktion Hülsenweg 7, 32760 Detmold, DE info@audite.de |  |
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