Assume Crash Position

Konono No 1
Assume Crash Position

5,99 EUR
CD
Crammed
veröffentlicht: 02.05.2013
Versandkosten sind gemindert.
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Lieferung nach US in: 25-29 Werktagen (wird bestellt)
Sales Rank: Nr. 457 in Afrika
Nr. 32759 in World Music
Stil: Afrika
Artikel Nr.: 688283484

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Inhalt:

Bemerkungen / Titelliste: MP3 Audio jetzt kostenlos anhören 01. "Wumbanzanga"
MP3 Audio jetzt kostenlos anhören 02. "Thin Legs"
MP3 Audio jetzt kostenlos anhören 03. "Mama na bana"
MP3 Audio jetzt kostenlos anhören 04. "Makembe"
MP3 Audio jetzt kostenlos anhören 05. "Fula fula"
MP3 Audio jetzt kostenlos anhören 06. "Guiyome"
MP3 Audio jetzt kostenlos anhören 07. "Konono wa wa wa"
MP3 Audio jetzt kostenlos anhören 08. "Nakobala lisusu te"
Anzahl der Tonträger: 1
Extra-Infos: Again Recorded In Kinsjasa
Beschreibung:Runningtime: 00:00:00, Art Direction: Hanna Gorjaczkowska, Bass Guitar: Duki Makumbu, Coordinator [Coordination In Kinshasa]: Aharon Matondo, Design [Graphic Design]: McCloud Zicmuse, Drums: Vincent Visi, Management: Michel Winter, Management: Mukalo Production, Mastered By: Alan Ward, Mbira [Bass Likembe]: Antoine Ndombele, Mbira [Likembe]: Makonda Mbuta, Mbira [Likembe], Vocals: Mawangu Makuntima, Mbira [Likembe], Vocals, Percussion: Mawangu Mingiedi, Percussion, Tam-tam: Ndofusu Mbiyavanga, Photography By [All]: Vincent Kenis, Photography By [Group]: Pieter Hugo, Producer, Recorded By, Mixed By: Vincent Kenis, Vocals: Pauline Mbuka Nsiala, Vocals, Mbira [Bass Likembe]: Menga Waku, Guitar: Nzila Mabasukisa, Vocals: Ewing Sima, Written-By: Pauline Mbuka Nsiala, Written-By: Menga Waku, Guitar: Nzila Mabasukisa, Mbira [Bass Likembe]: Mbuyamba Nyunyi, Mbira [Likembe]: Kabongo Tshisense, Mbira [Likembe]: Kalenga Ditu, Vocals: Ewing Sima, Written-By: Mawangu Makuntima, Guitar: Felix Manuaku, Guitar: Vincent Kenis, Vocals: Ewing Sima, Written-By: Mawangu Mingiedi, Written-By: Mawangu Makuntima, Written-By: Menga Waku, Guitar: Nzila Mabasukisa, Vocals: Ewing Sima, Written-By: Mawangu Mingiedi, Written-By: Mawangu Mingiedi, Labelcode 05948532 (craw 60), Made By Sony DADC, Recorded At Ndjili Quartier Nº1, Recorded At Halle De La Gombe, Mixed At Studio XXL, Mastered At Electric City (2), Published By Les Editions De La Bascule, Published By Strictly Confidential (2), Phonographic Copyright (p) Crammed Discs, Copyright (c) Crammed Discs
Herstellernummer: 05948532
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English Steve Lalla - 02.09.2010 
Thirty-two years after Belgian record label owner Vincent Kenis first heard their music, the Democratic Republic of Congo's Konono No. 1 release the f...

English Chris Martins - 29.06.2010 5 von 5 Sternen!
It’s been six years since the world met Konono N°1, the Congolese thumb-piano posse that uses jury-rigged junkyard salvage to amplify its intensely rh...

English Richard Elliott - 10.06.2010 5 von 5 Sternen!
It may be a sign that Konono No. 1 have made their mark on the international musical consciousness that no introduction or attempt to explain the grou...

English Douglas Wolk - 10.06.2010 3 von 5 Sternen!
The earliest circulating recording of Konono No. 1 is "Mungua-Mungua", a half-hour-long live jam that was taped in 1978. Aside from its rudimentary so...

English Bill Meyer - 07.06.2010 
Five years ago, the FatCat label paired the Congolese ensemble Konono No. 1 and the Dead C on a 12? EP. By doing so, they emphasized the group?s noisi...

English Hannah Gregory - 26.05.2010 
The band was founded some forty years ago by Mingiedi, a virtuoso of the likembé, who, upon arriving in the Congolese capital from the Bazombo area on...

English Richard Gehr - 24.05.2010 4 von 5 Sternen!
Four tracks into this Kinshasa institution's second album since the 1960s, founder Mingiedi Mawangu's solo is interrupted by the alarming thud of a br...

English Andrew Perry - 14.05.2010 
Assume Crash Position ...

English Robin Denselow - 13.05.2010 4 von 5 Sternen!
Don't be put off by the title. UNITE may stand for the somewhat solemn and academic-sounding Urban Native Integrated Traditions of Europe, but this is...

English Louis Pattison - 12.05.2010 
The West still has a tendency to evaluate music from Africa in slightly condescending terms – witness how anything rhythmic or percussion-led is so of...