Pulchra es La Violetta

Paulina Van Laarhoven
Pulchra es La Violetta

18,99 EUR
CD
Zefir Records
veröffentlicht: 01.12.2013
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Lieferung nach US in: 18-22 Werktagen (wird bestellt)
Sales Rank: Nr. 196454 in Sonst.Pop
Nr. 182106 in Pop
Stil: Sonst.Pop
Artikel Nr.: 1987160835

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Bemerkungen / Titelliste: 1.1 L'orfeo, Act III: "Sinfonia"
1.2 Motettorum Liber Quartus Ex Canticis Canticorum:" Pulchra Es Amica Mea"
1.3 Los Seys Libros Del Delphin: "Mille Regretz"
1.4 Concerti Ecclesiastici: "Oh Maria Quae Rapis Corda Hominum"
1.5 Cantade Book 2: "Usurpator Tiranno (Cantada a Voce Sola Sopra Il Passacaglia)"
1.6 La Mare de Déu
1.7 Concerti Ecclesiastici: "Oh Maria Quae Rapis Corda Hominum"
1.8 61 Canciones y Villanescas Espirituales: "O Virgen Quando's Miro"
1.9 Intavolatura Di Chitarrone Boek 4: "Kapsberger"
1.10 Madrigalen Book 7: "Tempro la Cetra"
1.11 Concerti Ecclesiastici: "Vox Dilecti Mei (Vocal)"
1.12 Orfeo, Act II: "Mio Ben Decoil Tormente Più ; Passacaglia"
1.13 Concerti Ecclesiastici: "Vox Dilecti Mei (Instr)"
1.14 Orfeo, Act II: "Mio Ben Decoil Tormente Più"
1.15 Ricercari Book I, Op. 14: "Ricercare; Ave Maria"
1.16 Pulchra Es
1.17 Concerti Ecclesiastici: "Ecce Tu Pulchra Es"
1.18 Magnum Opus Musicum: "Tota Pulchra Es"
1.19 L'incoronazione Di Poppea, Act III: "Hor Che Seneca È Morto Amor Riccoro a Te ; Oblivion Soave"
Anzahl der Tonträger: 1
Beschreibung:The Song of Solomon translates from the Hebrew Sjier hasjiriem as 'The most beautiful song'. The songs woven through with eroticism, praise an idealised love between man and woman. Who is that lady, a wild lily in the valley, with eyes as doves, sick with love, whose lips drip with honey? And who is the man whose love is sweeter than wine, sleeping between her breasts as a gazelle, a bundle of myrrh? A more allegorical explanation might interpret the love between a man and a woman as representing God's love for Israel, mankind, etc. And may also be seen as an ode to the beauty of women, to Mary, the Virgin, the Mother of God like in the song Tota pulchra es: You are completely pure, Mary, and the stain of original sin is not within you. Your clothing is white like snow, and your face is like the sun. You are the glory of Jerusalem, you are the joy of Israel, you are the honoured of our people. Little is known about the Italian Franciscan monk Giacomo Finetti. His year of birth and death are unclear. Archival records tell us that he was working at the choir of the Duomo in Iesi around 1605 and 1606, and at the Chiesa del Santissimo Sacramento in Ancona from 1609 to 1612. After that he left for Venice, where he was appointed as organist of the Basilica di Santa Maria Gloriosa dei Frari. In the motets, dialogues and vesper psalms, including O Maria quae rapis corda hominum, from his collection Concerti ecclesiastici, printed in Antwerp in 1621, Finetti manages to depict the words in music using so-called imitation techniques. Finetti's music has been rescued from obscurity. It was found in the Bereson Library in Villa I Tatti, The Harvard University Center for Italian Renaissance Studies in Florence. Like on their previous album Io son ferito, Paulina van Laarhoven and her ensemble La Violetta once again demonstrate that in it's power of expression and emotion, the viola da gamba is equal to the human voice. Mary as the Mother of God, Mary as virgin, Mary as beauty, Immaculate Mary, Mary as Star of the Sea, Mary as Our Lady of Perpetual Help. Over the centuries in various countries her name and image may have changed, but Mary as mother will always remain: an ode to the woman who ensures security, protection and above all, love., Bass Viol: Catherine Bahn, Bass Viol: Heidi Gröger, Bass Viol, Viola da Gamba: Joshua Cheatham, Cornett: Doron David Sherwin, Design: Paloma Rodriguez Carrington, Ensemble: La Violetta, Harp: Maria Christina Cleary, Mezzo-soprano Vocals: Luciana Cueto, Music Director: Jakko Van Der Heijden, Photography By: Henri Berlize, Recorded By, Mixed By, Mastered By, Edited By: Concertstudio, Soprano Vocals: Anna Maria Antonius Wierød, Theorbo: Karl Nyhlin, Vihuela: Mike Fentross, Viol: Paulina Van Laarhoven, Composed By: Claudio Monteverdi, Composed By: Giovanni Pierluigi da Palestrina, Composed By: Josquin Des Prés, Composed By: Luis de Narváez, Composed By: Giacomo Finetti, Composed By: Giovanni Felice Sances, Composed By: Traditional, Composed By: Giacomo Finetti, Composed By: Francisco Guerrero, Composed By: Giovanni Girolamo Kapsberger, Composed By: Claudio Monteverdi, Composed By: Giacomo Finetti, Arranged By: Doron David Sherwin, Composed By: Luigi Rossi, Composed By: Giacomo Finetti, Arranged By: Doron David Sherwin, Composed By: Luigi Rossi, Composed By: Giovanni Battista Conforti, Composed By: Doron David Sherwin, Composed By: Giacomo Finetti, Composed By: Roland de Lassus, Composed By: Claudio Monteverdi, Labelcode ZEFI5638232607.2 (ZEF 9635), Phonographic Copyright (p) Zefir Records, Copyright (c) Zefir Records, Recorded At Zeeuwse Concertzaal, Middelburg
Anzahl der Titel: 19
Herstellernummer: ZEF9635
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