Mike Orme - 06.03.2009  Jan St. Werner always seems to use his Lithops moniker as a conceptual clearing house, fleshing out new ideas on record as he hashes out the ever-shif...
|
 |
David Morris - 03.03.2009  Chicago
and London based label Thrill Jockey are on a good streak lately; the vein they’ve struck takes a
cross section straight through independent m...
|
 |
Bernardo Rondeau - 20.02.2009 Mouse on Mars has been quite cantankerous of late. After the hyper-alert extravagance of 2004?s Radical Connector, the duo switched on the jackhammer ...
|
 |
Alex Denney - 13.02.2009 In broad terms, the expertly-marshalled fantasias of krautrockers like Neu! and Can might be seen as advocates for the former camp, striving for the s...
|
 |
David Abravanel - 11.02.2009  When done properly, live collaborations between visual and audio artists are something special, possessed of the irreplaceable energy of a multi-sensu...
|
 |
Conrad Amenta - 07.02.2009  Call it that sense of impoverishment that makes Lithops’ temporary and rare rhythmic slurry a feast of water drank in a desert. Call it true dissonanc...
|
 |
Noah Levine - 05.02.2009  What machines say when they think no one?s aroundIt?s likely that the overt spatial qualities of the compositions collected on this disc from Jan St. ...
|
 |
Mike Newmark - 05.02.2009  Two albums were released in 2006 by Lithops, the solo project of Mouse on Mars’ Jan St. Werner. The first was Queries in June, a collection of singles...
|
 |
Lukas Suveg - 27.01.2009 Upon Googling “Lithops” for more information about Ye Viols!, several results appeared, none of which had anything to do with the album. Apparently, L...
|
 |
|
|
 |