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1.1 Luigi Cherubini - Requiem No. 2 in D minor1.2 Wolfgang Amadeus Mozart - Mass in C Major, KV 317 'Krönungsmesse' (1959 Recording)2.1 Wolfgang Amadeus Mozart - Symphony No. 34 in C Major, KV 338*2.2 Wolfgang Amadeus Mozart - Symphony No. 38 in D Major, KV 504 'Prague'*2.3 Wolfgang Amadeus Mozart - Symphony No. 35 in D Major, KV 385 'Haffner'*2.4 Christoph Willibald Gluck - Sinfonia in G Major (Arr. Hans GÁL)3.1 Wolfgang Amadeus Mozart - Bassoon Concerto in B Flat Major, KV 1913.2 Joseph Haydn - Sinfonia Concertante in B Flat Major, H.I: 105*3.3 Domenico Cimarosa - Concerto for Two Flutes in G Major*3.4 Franz Schubert - Symphony No. 3 in D Major, D.200*4.1 Ludwig Van Beethoven - Overture: Egmont, Op. 844.2 Ludwig Van Beethoven - Overture: Leonore III4.3 Ludwig Van Beethoven - Overture: Fidelio, Op. 724.4 Ludwig Van Beethoven - Overture: Coriolan, Op. 624.5 Ludwig Van Beethoven - Overture: Zur Namensfeier, Op. 1154.6 Ludwig Van Beethoven - Overture: Die Weihe Des Hauses, Op. 1245.1 Ludwig Van Beethoven - Symphony No. 3 in E Flat Major, Op. 55 'Eroica'*6.1 Ludwig Van Beethoven - Symphony No. 6 in F Major, Op. 68 'Pastoral'*7.1 Johannes Brahms - Symphony No. 1 in C minor, Op. 68*8.1 Johannes Brahms - Symphony No. 4 in E minor, Op. 988.2 Hector Berlioz - Harold en Italie, Op. 16*9.1 Hector Berlioz - Symphonie Fantastique, Op. 14 (1961 Recording)9.2 Luigi Cherubini - Anacréon: Overture9.3 Daniel Auber - la Muette de Portici, S.16: Overture10.1 Hector Berlioz - la Damnation de Faust, Op. 2411.1 Hector Berlioz - la Damnation de Faust, Op. 2412.1 Charles Gounod - Symphony No. 2 in E Flat Major*12.2 Georges Bizet - Jeux D'enfants, Op. 22*12.3 Claude Debussy - la Mer12.4 Claude Debussy - Danse Sacrée Et Danse Profane13.1 Nikolai Rimsky-Korsakov - Russian Easter Festival Overture, Op. 36*13.2 Nikolai Rimsky-Korsakov - Overture: May Night13.3 Nikolai Rimsky-Korsakov - Le Coq D'or - Suite13.4 Alexander Borodin - in the Steppes of Central Asia13.5 Anatoly Lyadov - Fragment de L'apocalypse - Tableau Symphonique Pour Orchestre, Op. 6613.6 Mikhail Glinka - Overture: Ruslan and Lyudmila14.1 Peter Ilyich Tchaikovsky - Symphony No. 6 in B minor, Op. 74 'Pathétique'*14.2 Peter Ilyich Tchaikovsky - Francesca Da Rimini, Op. 3215.1 Richard Wagner - Lohengrin: Preludes to Acts I ; III15.2 Richard Wagner - Tannhäuser: Overture15.3 Richard Wagner - Tannhäuser: Venusberg Music (Bacchanale)*15.4 Richard Wagner - Siegfried Idyll*16.1 Darius Milhaud - Les Choéphores, Op. 24*16.2 Arthur Honegger - Symphony No. 5 'Di Tre Re'*16.3 Albert Roussel - Bacchus Et Ariane, Op. 43 - Suite No. 217.1 Hector Berlioz - Symphonie Fantastique, Op. 14 (1953 Recording)*17.2 Modest Mussorgsky - Pictures at An Exhibition (Orch. Ravel)*18.1 Franz Berwald - Symphony No. 3 in C Major 'Singulière'*18.2 Franz Berwald - Symphony No. 4 in E Flat Major*19.1 Franz Schubert - Symphony No. 4 in C minor, D.417 'Tragic'*19.2 Joseph Haydn - Die Schöpfung, Hob. XI: 2*20.1 Wolfgang Amadeus Mozart - Mass in C Major, KV 317 'Krönungsmesse' (1954 Recording)*21.1 Charles Gounod - Messe Solennelle de Sainte Cécile |
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| | Beschreibung: | Issued complete for the first time, this limited edition set 21CD set features Igor Markevitch's Deutsche Grammophon legacy from Berlin, Paris, Prague and New York, made between 1953 and 1965. 'I record so much I forget even my own records!' Markevitch was a prolific recording artist for several labels, principal among them Deutsche Grammophon, HMV/EMI and Philips (Eloquence has also released a new, complementary collection of his Philips legacy). He felt more comfortable in the studio than many of his podium colleagues and viewed recording as the opportunity to bring out aspects of the score which could remain unheard by live audiences. As a polymath, Markevitch turned from composition to conducting after the Second World War, and soon became one of the most in-demand conductors of his day, at home in a vast range of repertoire, equally at home in Classical-era symphonies by Haydn, Mozart and Beethoven, Romantic narratives by Berlioz, Wagner and Tchaikovsky, and contemporary Francophone composers such as Milhaud, Honegger and Roussel, bringing to each of them a sharp attack and acute sensitivity to colour and harmony. Nowadays, many conductors follow Markevitch's lead in refusing to specialise: he was a man ahead of his time, and his analytical mind was well suited to the precision of DG's engineering teams. He worked with many of Europe's finest orchestras, enjoying a productive relationship with the Berlin Philharmonic which resulted in many superb recordings from 1953-55, such as a pioneering album of symphonies by Schumann's Swedish contemporary, Franz Berwald. Late in 1956, an invitation to conduct the successor to Toscanini's NBC Symphony, the Symphony of the Air, resulted in lithe and athletic symphonic Beethoven (No. 3) and Brahms (No. 1). Most of Markevitch's DG legacy, however, was made in Paris, with the Lamoureux Orchestra whose fortunes he revived as chief conductor between 1957 and 1961. This relationship produced fleet and graceful, French-accented Beethoven (Pastoral Symphony and overtures) and Brahms (Symphony No. 4) and a superbly cast Damnation of Faust still widely considered as the finest interpretation of Berlioz's 'dramatic legend' on record. Gounod, Bizet, Auber and Debussy receive no less vividly idiomatic treatment. Markevitch was best known internationally as a fiery interpreter of Russian repertoire, represented here by virtuoso pieces of tone-colour and atmosphere from Lyadov, Rimsky-Korsakov, Borodin and Tchaikovsky, including two specialities, Francesca da Rimini and the 'Pathétique' Symphony. He could also galvanise choruses to heights of dynamic response: DG recorded him in Haydn's Creation, Mozart's Coronation Mass (twice, in Berlin and Paris, both reissued here) and the less familiar D minor Requiem of Cherubini and Gounod's Saint Cecilia Mass. Recorded in Prague with the Czech Philharmonic in the early 1960s, these albums became Markevitch's swansong to DG. Featuring original covers and a new essay by Peter Quantrill, this box includes much material long unavailable on CD., Runningtime: 00:00:00, Art Direction: Raymond Bannerman, Booklet Editor: Adam Freeman (2), Booklet Editor: Bruce Raggatt, Edited By: Eva Keilholz, Edited By: Günter Hermanns, Edited By: Hans-Peter Schweigmann, Edited By: Heinz Reinicke, Edited By: Helmut Elbl, Edited By: Helmut Najda, Edited By: Karl-Heinz Westphal, Edited By: Rolf Peter Schröder, Edited By: Werner Grimme, Engineer [Balance Engineer]: Alfred Steinke, Engineer [Balance Engineer]: Günter Hermanns, Engineer [Balance Engineer]: Harald Baudis, Engineer [Balance Engineer]: Harro-Hell Michna, Engineer [Balance Engineer]: Heinrich Keilholz, Engineer [Balance Engineer]: Heinz Wildhagen, Engineer [Balance Engineer]: Karl-Heinz Westphal, Engineer [Balance Engineer]: Thomas Frost, Engineer [Balance Engineer]: Walter Alfred Wettler, Engineer [Balance Engineer]: Werner Grimme, Engineer [Balance Engineer]: Werner Heidrich (2), Engineer [Balance Engineer]: Werner Wolf, Engineer [Recording Engineer]: Günther Dieckmann, Executive-Producer: Cyrus Meher-Homji, Executive-Producer: Elsa Schiller, Executive-Producer: Günter Hermanns, Executive-Producer: Hans-Peter Schweigmann, Executive-Producer: Otto Gerdes, Executive-Producer [Executive Producer Of This Edition]: Alan Newcombe, Liner Notes: Peter Quantrill, Producer [Recording Producer]: Hans Ritter, Producer [Recording Producer]: Hans Weber, Producer [Recording Producer]: Heinz Reinicke, Producer [Recording Producer]: Karl-Heinz Schneider, Producer [Recording Producer]: Klaus Fischer-Dieskau, Producer [Recording Producer]: Thomas Frost, Producer [Recording Producer]: Wolfgang Lohse, Product Manager: Cassandra Paz, Chorus: Czech Philharmonic Chorus, Chorus Master: Josef Veselka, Composed By: Luigi Cherubini, Orchestra: The Czech Philharmonic Orchestra, Bass Vocals: Michel Roux, Choir: Choeurs Elisabeth Brasseur, Composed By: Wolfgang Amadeus Mozart, Contralto Vocals: Oralia Dominguez, Orchestra: Orchestre Des Concerts Lamoureux, Soprano Vocals: Maria Stader, Tenor Vocals: Ernst Haefliger, Composed By: Wolfgang Amadeus Mozart, Orchestra: Berliner Philharmoniker, Composed By: Wolfgang Amadeus Mozart, Orchestra: Berliner Philharmoniker, Composed By: Wolfgang Amadeus Mozart, Orchestra: Orchestre Des Concerts Lamoureux, Arranged By: Hans Gal, Composed By: Christoph Willibald Gluck, Orchestra: Orchestre Des Concerts Lamoureux, Bassoon: Maurice Allard, Composed By: Wolfgang Amadeus Mozart, Orchestra: Orchestre Des Concerts Lamoureux, Bassoon: Raymond Droulez, Cello: André Rémond, Composed By: Joseph Haydn, Oboe: Emile Mayousse, Orchestra: Orchestre Des Concerts Lamoureux, Violin: Georges Ales, Composed By: Domenico Cimarosa, Flute: Aurèle Nicolet, Flute: Fritz Demmler, Orchestra: Berliner Philharmoniker, Composed By: Franz Schubert, Orchestra: Berliner Philharmoniker, Composed By: Ludwig van Beethoven, Orchestra: Orchestre Des Concerts Lamoureux, Composed By: Ludwig van Beethoven, Orchestra: Orchestre Des Concerts Lamoureux, Composed By: Ludwig van Beethoven, Orchestra: Orchestre Des Concerts Lamoureux, Composed By: Ludwig van Beethoven, Orchestra: Orchestre Des Concerts Lamoureux, Composed By: Ludwig van Beethoven, Orchestra: Orchestre Des Concerts Lamoureux, Composed By: Ludwig van Beethoven, Orchestra: Orchestre Des Concerts Lamoureux, Composed By: Ludwig van Beethoven, Orchestra: Symphony Of The Air, Composed By: Ludwig van Beethoven, Orchestra: Orchestre Des Concerts Lamoureux, Composed By: Johannes Brahms, Orchestra: Symphony Of The Air, Composed By: Johannes Brahms, Orchestra: Orchestre Des Concerts Lamoureux, Composed By: Hector Berlioz, Orchestra: Berliner Philharmoniker, Viola: Heinz Kirchner, Composed By: Hector Berlioz, Orchestra: Orchestre Des Concerts Lamoureux, Composed By: Luigi Cherubini, Orchestra: Orchestre Des Concerts Lamoureux, Composed By: Daniel-Francois-Esprit Auber, Orchestra: Orchestre Des Concerts Lamoureux, Baritone Vocals [Méphistophélès]: Michel Roux, Bass Vocals [Brander]: Pierre Mollet, Chorus: Choeurs Elisabeth Brasseur, Chorus: Maîtrise de la R.T.F., Composed By: Hector Berlioz, Libretto By: Almire Gandonnière, Libretto By: Hector Berlioz, Mezzo-soprano Vocals [Marguerite]: Consuelo Rubio, Orchestra: Orchestre Des Concerts Lamoureux, Tenor Vocals [Faust]: Richard Verreau, Composed By: Charles Gounod, Orchestra: Orchestre Des Concerts Lamoureux, Composed By: Georges Bizet, Orchestra: Orchestre Des Concerts Lamoureux, Composed By: Claude Debussy, Orchestra: Orchestre Des Concerts Lamoureux, Composed By: Claude Debussy, Harp: Suzanne Cotelle, Orchestra: Orchestre Des Concerts Lamoureux, Composed By: Nikolai Rimsky-Korsakov, Orchestra: Orchestre Des Concerts Lamoureux, Composed By: Nikolai Rimsky-Korsakov, Orchestra: Orchestre Des Concerts Lamoureux, Arranged By: Alexander Glazunov, Arranged By: Maximilian Steinberg, Composed By: Nikolai Rimsky-Korsakov, Orchestra: Orchestre Des Concerts Lamoureux, Composed By: Alexander Borodin, Orchestra: Orchestre Des Concerts Lamoureux, Composed By: Anatoly Liadov, Orchestra: Orchestre Des Concerts Lamoureux, Composed By: Mikhail Ivanovich Glinka, Orchestra: Orchestre Des Concerts Lamoureux, Composed By: Pyotr Ilyich Tchaikovsky, Orchestra: Berliner Philharmoniker, Composed By: Richard Wagner, Orchestra: Orchestre Des Concerts Lamoureux, Composed By: Richard Wagner, Orchestra: Orchestre Des Concerts Lamoureux, Composed By: Richard Wagner, Orchestra: Orchestre Des Concerts Lamoureux, Composed By: Richard Wagner, Orchestra: Berliner Philharmoniker, Composed By: Richard Wagner, Orchestra: Berliner Philharmoniker, Composed By: Richard Wagner, Orchestra: Berliner Philharmoniker, Baritone Vocals [Oreste]: Heinz Rehfuss, Choir: Ch?ur De L'Université De Paris-Sorbonne, Chorus Master: Georges Gitton, Composed By: Darius Milhaud, Mezzo-soprano Vocals [Electre]: Hélène Bouvier, Orchestra: Orchestre Des Concerts Lamoureux, Soprano Vocals: Geneviève Moizan, Text By: Paul Claudel, Voice Actor [Recitante = Speaker]: Claude Nollier, Composed By: Arthur Honegger, Orchestra: Orchestre Des Concerts Lamoureux, Composed By: Albert Roussel, Orchestra: Orchestre Des Concerts Lamoureux, Composed By: Hector Berlioz, Orchestra: Berliner Philharmoniker, Composed By: Modest Mussorgsky, Orchestra: Berliner Philharmoniker, Orchestrated By: Maurice Ravel, Composed By: Franz Berwald, Orchestra: Berliner Philharmoniker, Composed By: Franz Berwald, Orchestra: Berliner Philharmoniker, Composed By: Franz Schubert, Orchestra: Berliner Philharmoniker, Bass Vocals: Kim Borg, Choir: Chor Der St. Hedwigs-Kathedrale Berlin, Composed By: Joseph Haydn, Orchestra: Berliner Philharmoniker, Orchestra: Berliner Philharmoniker, Soprano Vocals: Irmgard Seefried, Tenor Vocals: Richard Holm, Choir: Chor Der St. Hedwigs-Kathedrale Berlin, Composed By: Wolfgang Amadeus Mozart, Contralto Vocals: Sieglinde Wagner, Orchestra: Berliner Philharmoniker, Soprano Vocals: Maria Stader, Tenor Vocals: Helmut Krebs, Composed By: Charles Gounod, Interviewee: Igor Markevitch, Interviewer: Martin Bookspan, Labelcode ELOA4841659.2 (484 1659), Marketed By Universal Classics & Jazz, Phonographic Copyright (p) Universal Music Australia Pty Ltd, Copyright (c) Universal Music Australia Pty Ltd, Made By Technicolor, Australia, Recorded At Salle de la Mutualité, Paris, Recorded At Rudolfinum, Recorded At Jesus-Christus-Kirche, Berlin, Recorded At Théâtre des Champs-Élysées, Recorded At Salle Pleyel, Recorded At Polydor Studio Paris, Recorded At Fine Recording Studios"Markevitch: das Deutsche Grammophon-Erbe" ist eine herausragende CD-Veröffentlichung mit dem legendären Dirigenten Igor Markevitch sowie renommierten Ensembles wie den Berliner Philharmonikern und dem Orchestre Lamoureux. Diese Sammlung präsentiert einige von Markevitchs bedeutendsten Aufnahmen für die Deutsche Grammophon und hebt seinen einzigartigen Interpretationsstil sowie seine musikalische Tiefe hervor. Das Repertoire umfasst Schlüsselwerke der Klassik und Romantik und überzeugt durch technische Brillanz und emotionale Ausdruckskraft. Der Hersteller Australian Eloquence steht für hochwertige Wiederveröffentlichungen klassischer Aufnahmen ? diese historischen Darbietungen werden in exzellenter Klangqualität und mit informativen Booklets präsentiert. Igor Markevitch war nicht nur als Dirigent berühmt, sondern auch als Komponist tätig; er arbeitete mit führenden Orchestern weltweit zusammen und prägte die Musik des 20. Jahrhunderts nachhaltig durch seine innovativen Interpretationen. | | | Anzahl der Titel: |
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| | Herstellernummer: |
ELQ4841659 |
| Details zur Produktsicherheit
Verantwortliche Person für die EU:
Importeur: Klassik Center
Dr. Rainer Kahleyss
Glöcknerpfad 47, 34134 Kassel, DE
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