| Bemerkungen / Titelliste: |
Premi?re Lecon de T?n?bres 01. Caroline Mutel "Incipit Lamentatio - Aleph" 02. Caroline Mutel "Beth" 03. Caroline Mutel "Gimel" 04. Caroline Mutel "Daleth" 05. Caroline Mutel "Heth" 06. Caroline Mutel "Jerusalem, convertere" 07. S?bastien d'H?rin "Pavane en fa di?se mineur" Deuxi?me Lecon de T?n?bres 08. Karine Deshayes "Vau" 09. Karine Deshayes "Zain" 10. Karine Deshayes "Heth" 11. Karine Deshayes "Teth" 12. Karine Deshayes "Jerusalem, convertere" 13. Martin Bauer "Pompe fun?bre" Troisi?me Lecon de T?n?bres 14. Caroline Mutel "Jod" 15. Caroline Mutel "Caph" 16. Caroline Mutel "Lamed" 17. Caroline Mutel "Mem" 18. Caroline Mutel "Nun" 19. Caroline Mutel "Jerusalem, convertere" 20. Martin Bauer "Les Carillons de Paris"
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| Anzahl der Tonträger: |
1 |
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| Extra-Infos: |
Les Nouveaux Caracteres/ Karine Deshayes/ Caroline Mutel |
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| Beschreibung: | A marvelous celebration of long-standing musical partnerships in one of the pinnacles of the sacred vocal art from the French Baroque comes with a new recording of the Leçons de ténèbres by François Couperin from Les Nouveaux Caractères, directed from the keyboard by Sébastien d'Hérin. This Glossa release features the French vocal pairing of the ensemble's co-founder, soprano Caroline Mutel and mezzo Karine Deshayes, an active participant in many of the recordings devoted to the ongoing renaissance of French nineteenth-century music to add to her bel canto skills, yet who still retains her love and technique for the Baroque. Indeed, when the ensemble was founded, one of the first fellow artists to agree to perform with them was Deshayes, and a concert in Versailles, dating back over a decade, saw Deshayes, Mutel and d'Hérin join forces for these three Leçons de ténèbres. From the mid-seventeenth century onwards the monadic leçons de ténèbres spread from Italy into France, and the genre was taken up by François Couperin, a leading advocate of the union of the two national styles. His surviving composition in this genre dates from 1714 and provide the singers with powerful opportunities to reflect the moving and harrowing texts taken from the Lamentations of Jeremiah, no more so than in the demanding duetting in the Troisième Leçon. Instrumental and vocal music feature highly in Les Nouveaux Caractères' programmes even if, in recent years, it has focused on Baroque opera - a Glossa Purcell Fairy-Queen, Leclair, Colin de Blamont, Campra, Rousseau, and a Glossa Rameau Les Surprises de l'Amour. This new recording adds instrumental music from Couperin and his uncle Louis to grace the vocal pearls., Runningtime: 00:00:00, Cello: Hager Hanana, Composed By: François Couperin, Design: Rosa Tendero, Engineer, Producer: Ken Yoshida (2), Ensemble: Les Nouveaux Caractères, Executive-Producer: Carlos Céster, Harpsichord, Directed By: Sébastien d'Hérin, Organ: Kazuya Gunji, Soprano Vocals: Caroline Mutel, Soprano Vocals: Karine Deshayes, Viola da Gamba: Martin Bauer (2), Composed By: Louis Couperin, Composed By: Louis Couperin, Viola da Gamba: Louise Bouedo, Labelcode GSA922703.2 (GCD 922703), Phonographic Copyright (p) Note 1 Music GmbH, Copyright (c) Note 1 Music GmbH, Recorded At Chapelle De La Trinité, Lyon |
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| Herstellernummer: |
GCD922703 |
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Details zur Produktsicherheit
Verantwortliche Person für die EU:
Glossa Note 1 Music GmbH Bergheimer Str. 126, 69115 Heidelberg, DE info@note1-music.com |
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