Noriko Ogawa -Klavierwerke vol.3: Vexations -BIS SACD+CD Grooves.land/Playthek

Bemerkungen / Titelliste:

Vexations

01. "Vexation 1"

02. "Vexations 2-6"

03. "Vexations 7-11"

04. "Vexations 12-16"

05. "Vexations 17-21"

06. "Vexations 22-26"

07. "Vexations 27-31"

08. "Vexations 32-36"

09. "Vexations 37-41"

10. "Vexations 42-46"

11. "Vexations 47-51"

12. "Vexations 52-56"

13. "Vexations 57-61"

14. "Vexations 62-66"

15. "Vexations 67-71"

16. "Vexations 72-76"

17. "Vexations 77-81"

18. "Vexations 82-86"

19. "Vexations 87-91"

20. "Vexations 92-96"

21. "Vexations 97-101"

22. "Vexations 102-106"

23. "Vexations 107-111"

24. "Vexations 112-116"

25. "Vexations 117-121"

26. "Vexations 122-126"

27. "Vexations 127-131"

28. "Vexations 132-136"

29. "Vexations 137-141"

30. "Vexation 142"

Anzahl der Tonträger:

Extra-Infos:

Noriko Ogawa Plays On An 1890 Erard Piano

Beschreibung:

Of all the enigmas that surround Erik Satie and his music, Vexations is probably the most enigmatic. A 'theme' in the bass, with two different harmonizations, to be played - according to an ambiguous note on the composer's autograph - 840 times. That is at least how it has been interpreted since the first public performance, which lasted more than 18 hours and was organized by the composer John Cage in 1963. When Satie wrote Vexations is uncertain, and although it is usually assumed to be intended for a keyboard instrument, that is also impossible to confirm. There are no known performances of it in the composer's lifetime, and the single-page manuscript was only discovered after Satie's death. The many question marks surrounding the piece have made it a cult classic, and live performances - by a single pianist or several performers taking turns - are events that still attract attention, even if only a few in the audience sit out a complete performance. As part of her acclaimed Satie cycle, Noriko Ogawa now offers a bite-sized taste (142 repeats, 80 minutes long) of the 'Vexation experience', with a twist - as she explains in the liner notes she has chosen to perform Vexations in a manner that may seem controversial to purists: 'Satie's work is itself a challenge to conventional performing tradition, so why not challenge him?', Runningtime: 00:00:00, Composed By: Erik Satie, Executive-Producer: Robert Suff, Layout: Andrew Barnett, Liner Notes: Jean-Pascal Vachon, Liner Notes: Noriko Ogawa, Liner Notes [English Translation]: Andrew Barnett, Liner Notes [German Translation]: Horst A. Scholz, Photography By: Richard Cannon (2), Piano [Érard 1890]: Noriko Ogawa, Producer, Engineer, Edited By, Mixed By: Marion Schwebel, Technician [Piano]: Takahiro Natori, Labelcode BIS2325SACD (BIS-2325 SACD), Phonographic Copyright (p) BIS Records AB, Copyright (c) BIS Records AB, Recorded At Tokyo College of Music, Made By DADC

Herstellernummer:

BISSACD-2325

Details zur Produktsicherheit