Papercuts
Fading Parade

When Sub Pop shifted their attention away from the grunge scene that initially made their name, it seemed like a risky decision. However, with the lik...

His own work, however, is a mixed bag. This is his fourth solo record and the follow up to what remains his high watermark, 2009's You Can Have What Y...

There’s something very unassuming about Fading Parade, Papercuts’ fourth album proper, and first for Sub Pop. It’s neither gaudy nor timid, but there’...

Towering floats and performers in exaggerated costumes inch by in between marching bands blasting cover songs that were once played to the point of ov...

If you've never heard of Jason Quever, that might be just the way the San Francisco-based thirtysomething likes it. In interviews, he's prone to say: ...

Papercuts' Jason Quever rarely raises his voice. The Bay Area native's one-man project began as a folkier relative to friends and tourmates Grizzly Be...

Four albums in and Papercuts have found a new home in Sub Pop. And you can safely file this one under dream pop, as reverb-heavy guitars jangle alongs...

Papercuts’ fourth album, Fading Parade, is its first for the venerable record label Sub Pop. You would think that if Jason Quever were ever going to m...

It can be difficult to keep subtlety interesting. On Fading Parade, Papercuts (a.k.a. Jason Robert Quever) hasn’t changed too much, sticking with the ...

Something has gone very wrong with Jason Quever?s Papercuts over the last couple of albums. The tension in pop hallmark Can?t Go Back was between drea...