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Weitere Produkte von Paul Paray / Detroit Symphony Orchestra |
| Bemerkungen / Titelliste: |
: A Midsummer Night?s Dream (25:35)
: Symphony No. 5 In D Minor, Op. 107 'Reformation' (27:56)
2-1: La Tragédie De Salomé, Op. 50 (26:50)
: Salome, Op. 54 (8:29)
: Namouna: Suite No. 1 (19:34)
3-1: Overture: Le Carnaval Romain, Op. 9 (8:19)
3-2: Overture: Le Roi D'Ys (11:07)
3-3: Overture: La Patrie (11:13)
3-4: Overture: Le Corsaire, Op. 21 ()
: Symphony No. 1 In B Flat Major, Op. 38 'Spring' (31:03)
4-5: Manfred, Op. 115 - Overture (10:37)
5-1: Overture: Guillaume Tell (11:09)
5-2: Danse Macabre, Op. 40 (6:54)
5-3: Aufforderung Zum Tanze = Invitation To The Dance, Op. 65 (9:11)
5-4: Mephisto Waltz No. 1 = Dance At The Village Inn, S.110 (10:45)
: Symphony No. 2 In D Major, Op. 43 (39:09)
: Symphony No. 2 In D Major, Op. 36 (31:57)
: Symphony No. 1 in C major, Op. 21 (23:01)
8-1: La Damnation De Faust, Op. 24 - Marche Hongroise (4:41)
8-2: Marche Funèbre D'une Marionette (3:29)
8-3: Marche Héroïque In E Flat Major, Op. 34 (6:37)
8-4: Le Marseillaise (1:08)
8-5: Joyeuse Marche (3:32)
8-6: Suite Algérienne In C Major, Op. 60 - Marche Militaire Française (3:43)
8-7: Les Troyens - Marche Troyenne (4:29)
8-8: Le Prophète - Coronation March (Act IV) (4:17)
9-1: España ? Rhapsody For Orchestra (6:34)
: Suite Pastorale (16:03)
: Le Roi Malgré Lui ()
: Gwendoline ()
: Le Roi Malgré Lui ()
10-1: Prélude à L'après-midi D'un Faune, L.86 (8:24)
: Valses Nobles Et Sentimentales, M.61 (13:36)
: Le Tombeau De Couperin, M.68 (14:51)
: Petite Suite (11:24)
: La Belle Hélène ()
: Orphée Aux Enfers ()
11-3: Les Contes D'Hoffmann ? Suite (5:13)
: Le Cheval De Bronze ()
: Fra Diavolo ()
: Masaniello ()
: Der Fliegende Holländer ()
: Die Meistersinger von Nürnberg: Suite (9:39)
: Die Walküre ()
: Rienzi ()
: Zampa ()
: Les Diamants De La Couronne ()
: Mignon ()
: Raymond ()
: La Dame Blanche ()
: Si J'étais Roi ()
: Symphonie Fantastique, Op. 14 (45:06)
: Symphony No. 9 In E Minor, Op. 95 'From The New World' (34:45)
: Die Schöne Galathée ()
: Pique Dame ()
: Leichte Kavallerie ()
: Dichter Und Bauer ()
: Ein Morgen, Ein Mittag Und Ein Abend In Wien ()
: Boccaccio, Oder Der Prinz Von Palermo ()
: Nocturnes, L.91 (19:41)
: Daphnis Et Chloé: Suite No. 2, M.57b (15:34)
: Symphony In D Minor ()
: Rapsodie Espagnole, M.54 (14:38)
19-5: Alborada Del Gracioso, M.43 (6:33)
19-6: Pavane Pour Une Infante Défunte, M.19 (5:54)
19-7: La Valse, M.72 (11:34)
: Escales (13:45)
: Faust ? Ballet Music (21:10)
: Samson Et Dalila ()
: Carmen Suite No. 2 ()
: Les Troyens ()
: Phèdre ()
: Mignon ()
: The Naked Carmen - Electric Opera ()
: Piano Concerto In G Major, M.83 (20:35)
22-4: Piano Concerto For The Left Hand In D Major, M.82 (Lento ? Andante ? Allegro ? Tempo I) (17:43) |
 | | Anzahl der Tonträger: |
22 |
| | Extra-Infos: |
.. Masters Vol.2 / Detroit Symphony Orchestra |
| | Beschreibung: | LIMITED EDITION - ONE PRESSING ONLY. Under the leadership of Paul Paray, the Detroit Symphony Orchestra quickly cultivated a brilliance of attack, precision of ensemble and moulded sonority. Their signature sound was ideally suited to the dynamic profile of Mercury Living Presence recordings, especially in stereo. This edition of their recordings, remastered from the original sources by Thomas Fine and Wilma Cozart Fine, chronicles the last five years of this partnership (1958-62). This original jackets collection is presented chronologically as when first issued. For a decade in the 50s and early 60s, the Detroit Symphony Orchestra won acclaim as one of the great orchestras of the world under it's music director Paul Paray. Rebuilding the orchestra almost from scratch with the help of Toscanini's former concertmaster Mischa Mischakoff, Paray quickly cultivated a brilliance of attack, a precision of ensemble and moulded sonority in the image of the French orchestras he had led before the Second World War, now boosted by a level of technical finesse which was rivalled only by George Szell in Cleveland and Fritz Reiner in Pittsburgh and Chicago. The DSO/Paray sound was ideally suited to the dynamic profile of Mercury Living Presence recordings, especially in stereo, and the label captured them in repertoire which initially focused on Paray's strengths in French and German music, with albums of Beethoven, Mendelssohn, Chausson and Ravel which stand the test of time. However, Paray was known as a universalist, at home in any repertoire except modernism. The stereo recordings in this set, made between 1958 and his final season as music director ending in 1962, including thrilling accounts of Dvorak's 'New World' and Sibelius's Second symphonies, as well as an explosive album of Suppé overtures. Paray had been friends and colleagues with several of the French composers featured here such as Ravel, Florent Schmitt and Jacques Ibert. Their music naturally responds to the lightness of touch, subtly restrained rubato and unsentimental phrasing which Paray brought to everything he conducted. The substantial bonus is a first-ever CD release for 'The Naked Carmen', a rock opera devised and arranged by John Corigliano and David Hess from Bizet's score, as played by the Detroit musicians and Paray with the addition of modern elements such as guitars and a rhythm section. The set concludes with Paray's sole recording for Deutsche Grammophon, a coupling of the Ravel piano concertos made in Paris with Monique Haas. Recordings in this new set have been remastered from the original sources by Thomas Fine, son of the Mercury producer Wilma Cozart Fine and the label's chief engineer Robert Fine. They are presented in this original jacket collection as they were first issued and accompanied by a richly illustrated booklet which contains essays on the sessions by Thomas Fine and on the DSO/Paray partnership by Peter Quantrill., Runningtime: 00:00:00, A&R [A & R Director]: Joseph R. Bott, Bass Guitar: Joe Macho, Cello: Edgardo Sodero, Cello: George Ricci, Cello: Harvey Shapiro, Classical Guitar: Jay Berliner, Conductor: Paul Paray, Coordinator [Production Coordination]: Melissa Bryan (2), Edited By [Editor]: Günther Dieckmann, Electric Guitar: Vinnie Bell, Engineer [Associate Engineer]: Robert Eberenz, Engineer [Balance Engineer]: Heinz Wildhagen, Engineer [Chief Engineer]: Robert Fine, Engineer [Recording Engineer]: Bob Fava, Engineer [Recording Engineer]: Helmut Najda, Engineer [Recording Engineer]: Neal Ceppos, Engineer [Recording Engineer]: Robert Fine, Executive-Producer [Production Supervisor]: M. Scott Mampe, Harp: Gloria Agostini, Horn: Jim Buffington, Horn: Joe De Angelis, Liner Notes: Peter Quantrill, Mixed By [Mixing Engineer]: Neal Ceppos, Orchestra: Detroit Symphony Orchestra, Percussion: Buddy Saltzman, Piano: Ron Frangipane, Producer: David Hess, Producer: John Corigliano, Producer [Recording Director]: Wilma Cozart, Producer [Recording Producer]: Hans Weber, Producer [Recording Producer]: Wilma Cozart, Producer [Vocals For Melba Moore]: Jim Fragale, Recording Supervisor: Eduard Van Niel, Recording Supervisor [Musical Supervisor]: David Hall (10), Recording Supervisor [Musical Supervisor]: Harold Lawrence, Recording Supervisor [Musical Supervisor]: Robert Fine, Rhythm Guitar: Charles Macey, Trombone: Alan Raph, Trumpet: Al De Risi, Trumpet: Burt Collins, Trumpet: James Sedlar, Trumpet: Marky Markowitz, Tuba: Don Butterfield, Viola: Alfred Brown, Viola: Cal Fleisig, Viola: Emanuel Vardi, Viola: Harold Coletta, Viola: Theodore Israel, Violin: Emanuel Green, Violin: Gene Orloff, Violin: Henri Aubert, Violin: Joe Malin, Violin: Julius Brand, Violin: Julius Held, Violin: Mac Ceppos, Violin: Matthew Raimondi, Violin: Peter Buonconsiglio, Violin: Sanford Allen, Woodwind: Joe Soldo, Woodwind: Phil Bodner, Woodwind: Romeo Penque, Woodwind: Wally Kane, Composed By: Felix Mendelssohn-Bartholdy, Composed By: Felix Mendelssohn-Bartholdy, Composed By: Florent Schmitt, Composed By: Richard Strauss, Composed By: Édouard Lalo, Composed By: Hector Berlioz, Composed By: Édouard Lalo, Composed By: Georges Bizet, Composed By: Hector Berlioz, Composed By: Robert Schumann, Composed By: Robert Schumann, Composed By: Gioacchino Rossini, Composed By: Camille Saint-Saëns, Arranged By: Hector Berlioz, Composed By: Carl Maria von Weber, Composed By: Franz Liszt, Composed By: Jean Sibelius, Composed By: Ludwig van Beethoven, Composed By: Ludwig van Beethoven, Composed By: Hector Berlioz, Composed By: Charles Gounod, Composed By: Camille Saint-Saëns, Composed By: Rouget de Lisle, Composed By: Emmanuel Chabrier, Composed By: Camille Saint-Saëns, Composed By: Hector Berlioz, Composed By: Giacomo Meyerbeer, Composed By: Emmanuel Chabrier, Composed By: Emmanuel Chabrier, Composed By: Emmanuel Chabrier, Composed By: Emmanuel Chabrier, Composed By: Emmanuel Chabrier, Composed By: Claude Debussy, Composed By: Maurice Ravel, Composed By: Maurice Ravel, Composed By: Claude Debussy, Orchestrated By: Henri Büsser, Composed By: Jacques Offenbach, Composed By: Jacques Offenbach, Composed By: Jacques Offenbach, Composed By: Daniel-Francois-Esprit Auber, Composed By: Daniel-Francois-Esprit Auber, Composed By: Daniel-Francois-Esprit Auber, Composed By: Richard Wagner, Composed By: Richard Wagner, Composed By: Richard Wagner, Composed By: Richard Wagner, Composed By: Ferdinand Hérold, Composed By: Daniel-Francois-Esprit Auber, Composed By: Ambroise Thomas, Composed By: Ambroise Thomas, Composed By: François-Adrien Boieldieu, Composed By: Adolphe C. Adam, Composed By: Hector Berlioz, Composed By: Antonín Dvo?ák, Composed By: Franz von Suppé, Composed By: Franz von Suppé, Composed By: Franz von Suppé, Composed By: Franz von Suppé, Composed By: Franz von Suppé, Composed By: Franz von Suppé, Composed By: Claude Debussy, Composed By: Maurice Ravel, Composed By: César Franck, Composed By: Maurice Ravel, Composed By: Maurice Ravel, Composed By: Maurice Ravel, Composed By: Maurice Ravel, Composed By: Jacques Ibert, Composed By: Charles Gounod, Composed By: Camille Saint-Saëns, Composed By: Georges Bizet, Composed By: Hector Berlioz, Composed By: Jules Massenet, Composed By: Ambroise Thomas, Arranged By: David Hess, Arranged By: John Corigliano, Composed By [Adapted From]: Georges Bizet, Written-By: David Hess, Written-By: John Corigliano, Composed By: Maurice Ravel, Orchestra: Orchestre National De France, Piano: Monique Haas, Composed By: Maurice Ravel, Orchestra: Orchestre National De France, Piano: Monique Haas, Labelcode ELOA4843318.2 (484 3318), Marketed By Universal Classics & Jazz, Phonographic Copyright (p) Universal Music Australia Pty Ltd, Phonographic Copyright (p) Universal International Music B.V., Phonographic Copyright (p) Deutsche Grammophon GmbH, Copyright (c) Universal Music Australia Pty Ltd, Recorded At Old Orchestra Hall, Detroit, Recorded At Henry And Edsel Ford Auditorium, Recorded At Cass Technical High School Auditorium, Detroit, Recorded At Radio France, Glass Mastered At Technicolor, Australia"Die Mercury-Master vol.2: 1958-1962" ist eine herausragende CD-Veröffentlichung mit dem legendären Dirigenten Paul Paray und dem Detroit Symphony Orchestra vom renommierten Label Australian Eloquence. Diese Sammlung präsentiert einige der gefeiertsten Aufnahmen aus Parays Zeit mit dem Orchester während ihrer Glanzzeit bei Mercury Living Presence. Paul Paray war bekannt für seine Präzision und Klarheit sowie seine lebendigen Interpretationen; unter seiner Leitung erlangte das Detroit Symphony Orchestra internationalen Ruhm in den späten 1950er und frühen 1960er Jahren. Besonders seine Einspielungen französischer Werke von Komponisten wie Saint-Saëns, Ravel oder Debussy gelten als Meilensteine der Orchestergeschichte auf Tonträgern. Das Label Australian Eloquence steht für sorgfältige Remasterings klassischer Meisterwerke und macht historische Aufnahmen neuen Generationen zugänglich ? stets unter Bewahrung ihres ursprünglichen Klangs. | | | Herstellernummer: |
ELQ4843318 |
| Details zur Produktsicherheit
Verantwortliche Person für die EU:
Importeur: Klassik Center
Dr. Rainer Kahleyss
Glöcknerpfad 47, 34134 Kassel, DE
info@classicdisc.de | |
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