Bemerkungen / Titelliste: |
Triosonate für Orgel Nr. 1 Es-Dur BWV 525 01. "1. Allegro" 02. "2. Adagio" 03. "3. Allegro" Triosonate für Orgel Nr. 2 c-moll BWV 526 04. "1. Vivace" 05. "2. Largo" 06. "3. Allegro" Triosonate für Orgel Nr. 3 d-moll BWV 527 07. "1. Andante" 08. "2. Adagio e dolce" 09. "3. Vivace" Triosonate für Orgel Nr. 4 e-moll BWV 528 10. "1. Adagio - Vivace" 11. "2. Andante" 12. "3. Un poco allegro" Triosonate für Orgel Nr. 5 C-Dur BWV 529 13. "1. Allegro" 14. "2. Largo" 15. "3. Allegro" Triosonate für Orgel Nr. 6 G-Dur BWV 530 16. "1. Vivace" 17. "2. Lente" 18. "3. Allegro"
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Anzahl der Tonträger: |
1 |
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Extra-Infos: |
David Ponsford/ David Hill |
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Beschreibung: | David Ponsford writes: "My justification for arranging these works for two harpsichords derives from the preface to François Couperin's L'apothéose de Lully (1725) in which he describes the manner in which he often played trio sonatas on two harpsichords: Trios... can be played on two harpsichords... I play them with my family and pupils with very happy success, namely, by playing the first treble part and the bass on one of the harpsichords; and the second treble part and the same bass on the other harpsichord tuned to the same pitch. Now, it is highly unlikely that Couperin knew Bach's Organ Trio Sonatas, but one of Couperin's musical missions was to render equal status to Italian and French styles, and many of his trio movements are written in Italian style. Likewise, Bach's trio sonatas are thoroughly Italian in style. Hence, for me, the experiment of arranging Bach's Organ Trio Sonatas (BWV 525-530) was too tempting to resist. Furthermore, with two harpsichords whose compasses extend down to bottom FF, a fifth lower than the organ, opportunities are presented for playing the bass down an octave, at both 8-foot and 16-foot pitches, and both the harpsichordists' right hands have the potential to fill in some continuo chords when opportunities arise. The result is a transformation of these famous trio sonatas, giving them a character that is neither better nor worse than interpretations on the organ, but very different and no less exciting.", Runningtime: 00:00:00, Arranged By, Liner Notes, Edited By: David Ponsford, Composed By: Johann Sebastian Bach, Edited By, Engineer: Paul Arden-Taylor, Harpsichord: David Hill, Harpsichord: David Ponsford, Labelcode NMBA6403.2 (NI 6403), Phonographic Copyright (p) Wyastone Estate Limited, Copyright (c) Wyastone Estate Limited, Made By Nimbus Records |
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Herstellernummer: |
NI6403 |
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Details zur Produktsicherheit
Verantwortliche Person für die EU:
Wyastone Estate Limited Wyastone Leys, NP25 3SR Monmouth, UK sales@wyastone.co.uk |
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