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Weitere Produkte von Populäre Mechanik |
| Bemerkungen / Titelliste: |
 01. "Gleisdreieck" 02. "An die Hoffnung" 03. "Scharfer Schnitt No. 1" 04. "Für ein paar Deutschmarks mehr" 05. "Wiedereingegliedert" 06. "Oranienbar" 07. "Sauer im Regen" 08. "Gib dem Affen Zucker" 09. "Schlag die Weissen mit dem roten Keil No. 1" 10. "Als sie ertrunken war" 11. "Smog" 12. "Fabrik" 13. "Fabrik (Slight Return)"
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 | | Anzahl der Tonträger: |
1 |
| | Beschreibung: | Bureau B presents the third release in it's Kollektion series, a volume highlighting the music of Populeñre Mechanik, the 1980s post-punk/jazz project of Ton Steine Scherben founder Wolfgang Seidel. Seidel describes the development of Populeñre Mechanik after his departure from Ton Steine Scherben: "The music of Ton Steine Scherben soon lost it's fascination for me, so before long I quit the band. I was far more intrigued by the music performance club Zodiak Free Arts Lab run by Beuys student Conrad Schnitzler. The Zodiak had one white room and an empty black room, the latter used for concerts. And what concerts they were! a poster announced: 'Totally free music. Everyone plays. Anyone plays. Everyone can do it.'... I teamed up with Schnitzler, but there was no room for a drum kit in his little studio. Instead, I started playing around with synthesizers and transposed the rhythms I had played on drums, prompting Schnitzler to nickname me 'Sequenza.' As the years passed by, however, I started to miss the drums, so in the late 1970s I replied to a small ad and found a few musicians roughly the same age as me. Our stories were similar, having begun with rock music in the 1960s. We were not the kind of folk who wallowed in nostalgia, having grown disenchanted with the direction rock had taken. Rock was clearly developing into a soundtrack for squares. Punk was far more attractive to us. It reminded US of the 1960s, rather to the annoyance of the punks. Still, we maintained a certain distance. We shared punk's dislike of the way rock and roll had developed, but beer-fuelled nihilism was not our style. Devo and XTC were the kind of bands we really got excited about. And there were also jazz musicians who wanted away from the entertainment circuit for sophisticates. These two ingredients blended into the music of Populeñre Mechanik... The band's strategy for resisting assimilation into any scene was the creation of a cassette label - allowing US to release our music quickly and cheaply. With a 4-track tape recorder and a healthy appetite for experimentation, we jammed endlessly ages before selecting the most interesting recordings." This collection, curated by Palais Schaumburg founder Holger Hiller, includes tracks from two Populeñre Mechanik cassettes from the early 1980s, never before available on CD or vinyl. The accompanying booklet includes Hiller's interview with Seidel, in which they discuss the function of rock and pop music over the past 45 years., Runningtime: 00:00:00, Artwork: Christian Küpker, Bass: Heiner Klinger, Bass, Vocals: Hartmut Anker, Compiled By: Holger Hiller, Drums, Vibraphone, Piano: Wolfgang Seidel, Guest, Bass: Hilde Iffländer, Guest, Guitar: Wolfgang Widder, Guest, Synth: Conrad Schnitzler, Guest, Vocals: Regine Suhring, Guitar: Peter Kurt, Guitar: Ulli Oertel, Guitar, Synth, Vocals: Roland Morlock, Interviewer: Holger Hiller, Liner Notes [Translation]: Gareth Davies (7), Liner Notes, Interviewee: Wolfgang Seidel, Mastered By: Willem Makkee, Saxophone, Vocals: Dorothee Offermann, Trombone, Vocals: Manfred 'Muldi' Böttcher, Lyrics By [Uncredited]: Friedrich Hölderlin, Labelcode BURB186.2 (BB186 / 991862), Manufactured By Optimal Media GmbH, Phonographic Copyright (p) Bureau B, Copyright (c) Bureau B | | | Anzahl der Titel: |
13 |
| | Herstellernummer: |
05991862 |
| Details zur Produktsicherheit
Verantwortliche Person für die EU:
Tapete Musik e.K.
Stahltwiete 10, 22761 Hamburg, DE
http://www.tapeterecords.de/ | |
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