Feat. John King & M. Simpson Aka Dust Bros.(beastie Boy
Description:
Runningtime: 00:00:00, A&R: Mark Kates, Acoustic Guitar, Slide Guitar, Electric Guitar, Vocals, Harmonica [Harmonicas], Bass, Drums, Percussion, Keyboards [Analog], Electric Piano, Clavinet, Organ, Celesta [Celest]: Beck Hansen, Art Direction, Design: Beck Hansen, Art Direction, Design: Robert Fisher (4), Artwork [Collage Images]: Al Hansen, Artwork [Collage Images]: Manuel Ocampo, Artwork [Collage Images]: Zarim Osborn, Coordinator [Project]: Shauna O'Brien, Management: Gold Mountain Entertainment, Management: John Silva (3), Mastered By: Bob Ludwig, Painting [Inlay]: Manuel Ocampo, Performer [The Wizard]: Ross Harris, Photography By [Beck Photos]: Nitin Vadukul, Photography By [Cover Photo]: Joan Ludwig, Producer, Mixed By: Beck Hansen, Producer, Mixed By: The Dust Brothers, Written-By: Beck Hansen, Written-By: John King, Written-By: Mike Simpson, Percussion: Joey Waronker, Vocals [Scream]: Mike Millius, Drums: Joey Waronker, Saxophone: David Brown, Trumpet, Organ: Mike Boito, Drums: Joey Waronker, Producer, Mixed By: Beck Hansen, Producer, Mixed By: Brian Paulson, Producer, Mixed By: Mario Caldato Jr., Organ: Mike Boito, Pedal Steel Guitar: Greg Leisz, Organ: Mike Boito, Percussion: Joey Waronker, Bass: Charlie Haden, Percussion: Joey Waronker, Producer, Mixed By: Rob Schnapf, Producer, Mixed By: Tom Rothrock, Performer [Keychain]: Jon Spencer, Producer: Beck Hansen, Producer: Jon Spencer, Producer: The Dust Brothers, Labelcode 4249082 (GEFD-24908, GEFD-24908), Marketed By Universal Music Australia Limited, Distributed By BMG Australia Limited, Manufactured By Universal Music Australia Limited, Manufactured By MCA Music Entertainment Limited, Phonographic Copyright (p) Geffen Records, Inc., Copyright (c) Geffen Records, Inc., Pressed By SMEA, Published By Cyanide Breathmint Music, Published By BMG Songs, Inc., Published By Dust Brothers Music, Recorded At PCP Labs, Recorded At G-Son Studios, Recorded At The Shop, Recorded At Sunset Sound, Mixed At Conway Studios,
This album I liked when it came out - today when I hear it I do not think so - a crash of styles and tones - it has good moments, but as a musical work it's not compact
Mike Diver - 01/04/2008
While pop acts like Girls Aloud can simplify their methods of communication down to mere funky music nowadays, forsaking the need to learn even the m...
JOHN MULVEY - 16/02/2008
When it was first released, Odelay did not seem built to last. There was no doubting the brilliance of how Beck blended folk, hip-hop and sundry othe...
Zeth Lundy - 08/02/2008
Beck’s 1996 breakthrough album, Odelay, upgraded the stock of the Los Angeles singer-songwriter from one-hit wonder to post-modern absurdist. Be...
JOSH MODELL - 05/02/2008
The good, perhaps obvious, news: Beck's Odelay still holds up remarkably well a dozen years after its release. It's the most fully realized and purely...
Chris Norris - 01/02/2008
Back during the first Tarantino administration (when multi-Âreferencing white boys were running shit), this album turned a one-hit busker w...
Ryan Dombal - 29/01/2008
In Spin's 20 Years of Alternative Music, Beck is called "a generation's consolation prize after the death of Kurt Cobain." Chronologically, ...
ROB SHEFFIELD - 28/01/2008
On his early records, Beck made it all sound so easy, people fell for the idea he wasn't trying very hard. He was happy to play the role of a musical ...
Pop International
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