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A Tribute To Motown |
| | Description: | Acoustic Guitar: Ronnie Caryl, Arranged By [Strings]: Scott Stroman, Artwork By: Mike Hosey, Backing Vocals: Connie Jackson, Backing Vocals: Lynne Fiddmont, Backing Vocals: Mathew Collins, Backing Vocals: Nicholas Collins, Backing Vocals: Phil Collins, Baritone Saxophone: Phil Todd, Bass: Bob Babbitt, Bass: Phil Collins, Bassoon: Celeste-Marie Roy, Drums: Phil Collins, Electric Piano: Jason Rebello, Electric Piano: Phil Collins, Engineer: Yvan Bing, Engineer [Assistent]: Thierry Chaunay, Engineer [Assistent]: Thoraya Binzagr, Flute: Phil Todd, Glockenspiel: Phil Collins, Guitar: Eddie Willis, Guitar: Phil Collins, Guitar: Ray Monette, Harp: Phil Collins, Keyboards: Phil Collins, Liner Notes: Lamont Dozier, Mastered By: Kevin Reeves, Mixed By: Phil Collins, Mixed By: Yvan Bing, Organ: Phil Collins, Percussion: Phil Collins, Piano: Jason Rebello, Piano: Phil Collins, Piccolo Flute: Phil Todd, Producer: Phil Collins, Tenor Saxophone: Graeme Blevins, Transcription By [Original Horn Parts], Directed By: John Aram, Transcription By [Original String Parts], Conductor: Scott Stroman, Trombone: John Aram, Trumpet: Guy Barker, Trumpet: Tom Rees-Roberts, Vibraphone: Jason Rebello, Vocals: Phil Collins, Written-By: Edward Holland, Jr., Written-By: Norman Whitfield, Written-By: Holland-Dozier-Holland, Written-By: Henry Cosby, Written-By: Stevie Wonder, Written-By: Sylvia Moy, Written-By: Goffin And King, Written-By: Holland-Dozier-Holland, Written-By: Holland-Dozier-Holland, Written-By: Stevie Wonder, Written-By: Whitfield-Strong, Written-By: Stevie Wonder, Written-By: Syreeta Wright, Written-By: Holland-Dozier-Holland, Written-By: Pete Andreoli, Written-By: Phil Spector, Written-By: Vini Poncia, Written-By: Holland-Dozier-Holland, Written-By: Holland-Dozier-Holland, Written-By: Holland-Dozier-Holland, Written-By: Ivy Jo Hunter, Written-By: Stevie Wonder, Written-By: Marvin Tarplin, Written-By: Robert Rogers, Written-By: Warren Moore, Written-By: William Robinson, Jr., Written-By: Curtis Mayfield, Written-By: Goffin And King, Labelcode 7567892448 (075678924484), Phonographic Copyright (p) Philip Collins Ltd., Copyright (c) Philip Collins Ltd., Licensed To Atlantic Records, Licensed To WEA International Inc., Mixed At Dinemec Studios, Mastered At Universal Mastering Studios, Made By Cinram GmbH | | Sécurité des produits
Personne responsable pour l'UE:
Warner Music
Warner Music Group Germany Holding GmbH
Alter Wandrahm 14, 20457 Hamburg, DE
anfrage@warnermusic.com | |
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Les clients qui ont acheté ce produit ont aussi acheté
 Martin Siberok - 18/11/2010 If you're going to record an album of covers, you'd better be adding something new to the mix. Unfortunately, Phil Collins' collection of 18 Motown cl...
|  | mattybou92 - 20/10/2010  Sound: After giving the album two weeks to really form an impression, I can finally state one: It's lovely, but nothing near excellent. Released in mi...
| | | Ryan Reed - 08/10/2010 Eight years. That’s how long it took Philip David Charles Collins to figure out he needed to “go back”.And he really needed it. Testify, his last fu...
| | Benjamin Boles - 07/10/2010  Phil Collins says he didn’t want to bring anything new to this collection of Motown covers and retro R&B, and he’s definitely succeeded. The productio...
| | Evan Minsker - 28/09/2010  Say what you will about Phil Collins; the man has a reverence for Motown that Michael McDonald only wishes he had. Anybody can cover soul classics, bu...
| | | Donald Gibson - 20/09/2010 While the majority of covers albums by veteran artists in recent years have smacked of a marketing strategy — think of those by Rod Stewart or Barry M...
| | | Julian Marszalek - 17/09/2010 Given the re-appraisal of Phil Collins by numerous hip-hop producers, rappers and er...that arbiter of all things rock'n'roll, Alan McGee, it's more t...
| | Ian Gittins - 13/09/2010  Phil Collins’ first solo album in eight years sees him make the self-indulgent, audacious decision to cover the songs that first inspired him in his t...
| | | David Sheppard - 02/09/2010 Long installed in popular music’s multi-million-selling pariah pantheon, there are fewer easy targets for arrows of critical opprobrium than 59-year-o...
| |  Markus Bellmann - 30/09/2010 Eigentlich hätte die musikalische Karriere von Phil Collins längst beendet sein müssen: Katastrophale Soloalben oder peinlich-prätentiöse Musicalverbr...
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