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01. "Cannonball" 02. "Still In Love" 03. "No Inbetween" 04. "Better Days" 05. "Brother Where You Bound" 06. "Ever Open Door"
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 | Number of discs: |
1 |
 | Description: | Brother Where You Bound by Supertramp, released 10 April 2003, includes the following tracks: "No Inbetween", "Brother Where You Bound" and more.
This version of Brother Where You Bound comes as a 1xCD. - Recorded and mixed at:
Ocean Way Recording, Hollywood, California;
The Backyard Studio, Encino, California.
Drums supplied by Ludwig Industries.
Piano tuning and voicing by Jim Wilson's L.A. Piano Service.
Thanks to John Gatta and Doug Buttlerman of the Yamaha Corporation.
David Gilmour appears courtesy of Columbia Records.
Supertramp Productions administered by Sue Davies.
To Ian Lloyd-Bisley, John Capek, Geoff Farr, Paul W. Glass, David Gilmour, Gregg Harrison and Phil Taylor: Thank You.
Mastered from the original analog master tapes at Sterling Sound, New York, 2002.
© 1985 Silver Cab Music, Controlled and Administered by Almo Music Corp (ASCAP).
? 1985 © 2002 A&M Records, U.S.A.
Distributed by Universal Music & Video Distribution Corp.
"Brother Where You Bound (Remastered)" is a captivating CD release by the legendary British rock band Supertramp, brought to you by A & M Records. This remastered edition breathes new life into the band's 1985 album, featuring enhanced sound quality and renewed clarity that allows listeners to experience every nuance of Supertramp's progressive rock artistry. The album stands out for its ambitious title track?a sprawling epic over sixteen minutes long?alongside other memorable songs like "Cannonball" and "Still in Love." Supertramp, formed in 1969, achieved global fame with hits such as "The Logical Song," "Breakfast in America," and "Dreamer." Their unique blend of pop sensibility and sophisticated musicianship has earned them millions of fans worldwide and numerous platinum albums. A & M Records, established in 1962, is renowned for nurturing iconic artists across genres; their commitment to high-quality releases makes this remaster a must-have for collectors and music lovers alike. |  | Producer: |
Supertramp |
 | No. of tracks: |
6 |
 | Manufacturer No.: |
4933542 |
 | Product Safety
Responsible Person for the EU:
Universal Music GmbH Mühlenstrasse 25, 10243 Berlin, DE productsafety@umusic.com |  |
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HYUNG RAE K. - 01/Nov/2020  Cannonball and Brother Were You Bound are great songs. Pretty neat that David Gilmour and Scott Gorham collaborated on Brother Were You Bound song.
|  | Yuriy P. - 16/Apr/2020  It happened in 1982. The musicians of Supertramp, in which Roger Hodgson was still creative, were preparing a program for the album "... Famous Last Words". The 10-minute Demo "Brother Where You Bound" was considered as a potential track for this record, but after some discussion it was decided not to include this song in the track list. For the simple reason that it did not fit into the concept of the future album.
And in 1983, R. Hodgson dropped out of the group, going on a solo creative voyage. This event drove Supertramр out of balance for a long time - the loss was too tangible. It is so palpable that even a year and a half later for studio work on the next LP, Rick Davis, the undisputed authority on the team, was forced to convene dozens of serious musicians to help.
At this point, I thought about how to go further, continuing this review. It would be possible to devote all of it directly to music and limit it to this, it is worth it. Or to speculate about what events accompanied the creation and release of the album, remembering that in any case it will inevitably have to be evaluated. You can, of course, try to combine these two tasks without getting out of a reasonable framework. I'll try, maybe I can handle it.
So, rejected two years ago, a blank called "Brother Where You Bound" became the core link, the basic element of the Supertramp's new album. And the idea laid down in that track was developed, taking shape in the concept for the entire program. The attentive listener in this now 16-minute epos should hear a lot of curiosity. First thing is something that is barely perceptible "Pinkfloyd". And not only because the guitar parts in this issue were performed by David Gilmore (along with Scott Goreham, Thin Lizzy guitarist), which in itself explains something. This is also the theme of the Cold War that was touched upon in this composition, which Pink Floyd often “beat” in their works. It’s as if a compositional composition composed of separate melodic fragments with changing rhythms, successive improvisational segments of guitarists, saxophonist J. Helliuel and, of course, Rick Davis keyboards in all their variety, which is also characteristic of PF of that time (just remember their album “The Final Cut ", 1983). This and the abundance of various sound and noise effects in the spirit of the same Pink Floyd.
But here is what else was noticed and noted by musicologists and critics in various publications. In this variety of styles, a mishmash of pace and rhythm, these people heard interspersed dance tunes. I confess that for thirty years, that from time to time I have been listening to this "supertramp" work, something like this has never occurred to me. Journalists and critics see this trend, which, in their opinion, appeared on the 1982 disc "... Famous Last Words". I will not comment on this.
By the way, the premiere of the album "Brother ..." was organized for several dozen selected representatives of the media, who were chartered on a special flight on the Orient Express on the route Paris - Venice, where they also showed a 20-minute video dedicated to all these respected people title track.
Feedback from what was heard and seen was extremely positive, it was emphasized that such works (I recall, it was the mid-80s) are definitely lacking. Particularly noted were the “crystalline sound”, the strong performances of the invited musicians and the complexity of the compositions. Gourmet music, but not only. The group was praised that it had made a bold and somewhere innovative decision to perform the program of the album in "prog-pop-rock" sound, where rhythmic and dance motifs were clearly traced, and that this was not bad. And what is likely to upset and upset old Supertramp fans, but will inevitably attract new ones to this music.
|  | Igor V. - 20/Sep/2019  Surprisingly, many consider Supertramp as a progressive rock band. In fact, this group is playing an intelligent pop rock with some influence from art and prog-rock. On this album, this influence is expressed in the duration of the compositions and the psychedelic guitar playing of David Gilmore (Pink Floyd).
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