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| Comentarios / Titulos de las canciónes: |
 01. "For Tomorrow" 02. "Advert"
03. "Colin Zeal"
04. "Pressure On Julian"
05. "Star Shaped" 06. "Blue Jeans"
07. "Chemical World (Includes Hidden Track 'Intermission')"
08. "Sunday Sunday"
09. "Oily Water"
10. "Miss America"
11. "Villa Rosie"
12. "Coping"
13. "Turn It Up"
14. "Resigned (Includes Hidden Track 'Commercial Break')"
15. "Commercial Break"
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| | Cantidades: |
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| | Descripción: | Acoustic Guitar: Graham Coxon, Backing Vocals: Graham Coxon, Bass Guitar: Alex James (2), Composed By: Alex James (2), Composed By: Damon Albarn, Composed By: Dave Rowntree, Composed By: Graham Coxon, Design: Stylorouge, Drums: Dave Rowntree, Electric Guitar: Graham Coxon, Engineer: John Smith (4), Painting [Blur Painting]: Paul Stephens (3), Painting [Mallard Painting]: Paul Gribble, Producer: Blur, Producer: John Smith (4), Producer: Stephen Street, Tambourine: Graham Coxon, Vocals: Damon Albarn, Words By: Damon Albarn, Backing Vocals [Uncredited]: Mae McKenna, Backing Vocals [Uncredited]: Miriam Stockley, Cello: Ivan McCready, Organ [Solina], Bells [Sleigh]: Damon Albarn, Strings: The Duke Quartet, Timpani: Dave Rowntree, Viola: Helen Kamminga, Viola: John Metcalfe, Violin: Louisa Fuller, Violin: Rick Koster, Electronic Drums [Drumbox], Handclaps: Stephen Street, Synthesizer [Casio Sk1], Voice [Shopping Tannoy]: Damon Albarn, Handclaps: Alex James (2), Handclaps: Dave Rowntree, Synthesizer [S1000]: Stephen Street, Effects [Black & Decker]: Graham Coxon, Effects [Typewriter Bell]: Stephen Street, Oboe, Cor Anglais, Saxophone [Soprano]: Kate St. John, Synthesizer [Moog]: Graham Coxon, Melodica, Piano: Damon Albarn, Piano: Damon Albarn, Cornet: Paul Spong, Guitar [Slide]: Graham Coxon, Horns: The Kick Horns, Mixed By: Simon Weinstock, Organ [Bingo]: Damon Albarn, Producer: Steve Lovell, Saxophone [Baritone & Alto]: Simon Clarke (2), Saxophone [Tenor]: Tim Sanders, Trombone: Neil Sidwell, Trumpet: Roddy Lorimer, Mixed By: Stephen Street, Noises [Background Noise], Percussion: Graham Coxon, Other [The Plough Bloomsbury]: Dave, Keyboards: Damon Albarn, Mixed By: Simon Weinstock, Producer: Steve Lovell, Synthesizer [Jupiter 8, Moog]: Damon Albarn, Handclaps: Stephen Street, Triangle: Graham Coxon, Guitar [Slide]: Graham Coxon, Melodica: Damon Albarn, Piano: Damon Albarn, Labelcode PRW894426.2 (0777 7 89442 2 5, FOOD CD 9, FOODCD 9), Phonographic Copyright (p) Food Records, Copyright (c) Food Ltd., Licensed To EMI Records Ltd., Marketed By Parlophone, Manufactured By EMI Records Ltd., Glass Mastered At EMI Swindon"Modern Life Is Rubbish" es el aclamado segundo álbum de estudio del grupo británico Blur, lanzado en formato CD por Parlophone Label Group (PLG) en 1993. Este disco marcó un punto de inflexión para la banda al alejarse de su sonido inicial y sentar las bases del movimiento britpop que dominaría los años noventa. Con canciones destacadas como ?For Tomorrow?, ?Chemical World? y ?Sunday Sunday?, el álbum combina aguda crítica social con melodías pegadizas y arreglos innovadores. Fundados en Londres en 1988, Blur alcanzaron rápidamente fama internacional gracias a su mezcla única entre el rock alternativo y el pop; han cosechado numerosos éxitos con temas como ?Girls & Boys? o ?Song 2?. Por su parte, Parlophone Label Group (PLG) es una discográfica reconocida mundialmente por apoyar artistas vanguardistas e impulsar tendencias musicales clave dentro del panorama contemporáneo. | | | N° de títulos: |
42 |
| | N° de fabricante: |
7777894422 |
| Seguridad del producto
Persona responsable para la UE:
Warner Music
Warner Music Group Germany Holding GmbH
Alter Wandrahm 14, 20457 Hamburg, DE
anfrage@warnermusic.com | |
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 Eugene S. - 02/09/2024  The second studio album by the English alternative rock band Blur, released in May 1993. Modern Life Is Rubbish is regarded as one of the defining releases of the Britpop scene, and its chart-topping follow-ups—Parklife and The Great Escape—saw Blur emerge as one of Britain's leading pop acts.
|  | | Azmi H. - 10/12/2021 Modern Life is Rubbish is for me, the finest Blur album. With this album they matured from the 'Madchester' to a credible identity of their own. From For Tomorrow to The Universal, the album gives an insight into their Stadium and Festival filling future.
| | ET B. - 20/07/2020  Overall I couldn't but help feel a bit underwhelmed by Modern Life Is Rubbish. While there are some good tracks ("For Tomorrow", "Colin Zeal", "Chemical World", for example), they are interspersed with often quite dull ones, especially when compared with their album from the following year ("Parklife"). Give it a listen if you like Blur, otherwise go and listen to Parklife if you haven't already.
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Pop International
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