Stylus Fantasticus Und Die Kunst Der Variation

Luca Guglielmi
Stylus Fantasticus Und Die Kunst Der Variation

20,19 EUR
CD
Accent
Lanzado en: 31/01/2012
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Rango de ventas: #39298 en Otros de Pop
#114678 en Pop
Estilo: Otros de Pop
Número de artículo: 1896944381

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Comentarios / Titulos de las canciónes: MP3 Audio audición libre 01. "Aria detta la frescobalada"
MP3 Audio audición libre 02. "Toccata 7"
MP3 Audio audición libre 03. "Toccata 9"
MP3 Audio audición libre 04. "L'aria di follia"
MP3 Audio audición libre 05. "Ancidetemi pur d'Archadelt passagiato"
MP3 Audio audición libre 06. "Toccata 7"
Balletto, Corrente e Passachagli
MP3 Audio audición libre 07. "Balletto"
MP3 Audio audición libre 08. "Corrente"
MP3 Audio audición libre 09. "Passachagli"
MP3 Audio audición libre 10. "Toccata 5"
MP3 Audio audición libre 11. "Toccata 4"
MP3 Audio audición libre 12. "Canziona 4"
MP3 Audio audición libre 13. "Capriccio di durezze"
MP3 Audio audición libre 14. "Toccata avanti 2: Recercar"
MP3 Audio audición libre 15. "Recercar cromatico post il credo"
MP3 Audio audición libre 16. "Toccata per le levatione"
MP3 Audio audición libre 17. "Bergamasca"
Cantidades: 1
Descripción:If you were to set up a pantheon of musical history, Girolamo Frescobaldi as likely (1583-1643) entitled without doubt one of the most prominent places. The recording of the Italian harpsichordist and organist Luca Guglielmi illustrates very clearly two very distinctive aspects of musical aesthetics Frescobaldi: on the one hand, the free form models in which is revealed the seemingly inexhaustible ingenuity of the composer, on the other hand the art of counterpoint, thematic and metric-rhythmic variation, as they can be found in his partitas suites, dances and Capricci for keyboard instruments. In his mature period (from about 1624) to Frescobaldi's main focus of variation and it's various aspects appears to have turned. His special preference was given to the mixing of different forms and modes of composition, where he constantly explores new ways of combining. For his recording Guglielmi uses the excellent copy of an anonymous Italian harpsichord from the 17th century and was built in 1750 by Giacomo Filippo Landesio organ of the Church Parish in Piedmont Luserna San Giovanni., Runningtime: 00:00:00, Labelcode ACR24226.2
N° de títulos: 17
N° de fabricante: ACC24226
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