Your search:
No selection
Filter results:
|
Other products from Gardiner / Monteverdi Choir / + |
| Details / Tracklist: |
Disc 01
Brandenburgisches Konzert Nr. 3 G-Dur BWV 1048 01. English Baroque Soloists "1. Allegro" 02. English Baroque Soloists "2. Adagio" 03. English Baroque Soloists "3. Allegro"
Erwünschtes Freudenlicht BWV 184 (Kantate) 04. English Baroque Soloists "Rezitativ: Erwünschtes Freudenlicht" 05. English Baroque Soloists "Aria: Gesegnete Christen, glückselige Herde" 06. English Baroque Soloists "Rezitativ: So freuet euch, ihr auserwählten Seelen!" 07. English Baroque Soloists "Aria: Glück und Segen sind bereit" 08. English Baroque Soloists "Choral: Herr, ich hoff je" 09. English Baroque Soloists "Chor: Guter Hirte, Trost er Deinen"
Er rufet seinen Schafen mit Namen BWV 175 (Kantate) 10. English Baroque Soloists "Rezitativ: Er rufet seinen Schafen mit Namen" 11. English Baroque Soloists "Aria: Komm, leite mich" 12. English Baroque Soloists "Rezitativ: Wo find ich dich?" 13. English Baroque Soloists "Aria: Es dünekt mich, ich seh dich kommen" 14. English Baroque Soloists "Rezitativ: Sie vernahmen aber nicht" 15. English Baroque Soloists "Aria: Öffnet euch, ihr beiden Ohren" 16. English Baroque Soloists "Choral: Nun, werter Geist, ich folg dir"
Disc 02
Höchsterwünschtes Freudenfest BWV 194 (Kantate) 01. English Baroque Soloists "Chor: Höchsterwünschtes Freudenfest" 02. English Baroque Soloists "Rezitativ: Unendlich großer Gott" 03. English Baroque Soloists "Aria: Was des Höchsten Glanz erfüllet" 04. English Baroque Soloists "Rezitativ: Wie könnte dir, du höchstes Angesicht" 05. English Baroque Soloists "Aria: Hilf, Gott, dass es uns gelingt" 06. English Baroque Soloists "Choral: Heil'ger Geist ins Himmels Throne"
Es ist ein trotzig und verzagt Ding BWV 176 (Kantate) 07. English Baroque Soloists "Chor: Es ist ein trotzig und verzagt Ding" 08. English Baroque Soloists "Rezitativ: Ich meine, recht verzagt" 09. English Baroque Soloists "Aria: Dein sonst hell beliebter Schein" 10. English Baroque Soloists "Rezitativ: So wundre dich, o Meister, nicht" 11. English Baroque Soloists "Aria: Ermuntert euch, furchtsam und schüchterne Sinne" 12. English Baroque Soloists "Choral: Auf dass wir also allzugleich"
O heilges Geist- und Wasserbad BWV 165 (Kantate) 13. Agnew, Paul "Aria: O heil'ges Geist- und Wasserbad" 14. Agnew, Paul "Rezitativ: Die sündige Geburt verdammter Adamserben" 15. Agnew, Paul "Aria: Jesu, der aus großer Liebe" 16. Agnew, Paul "Rezitativ: Ich habe ja, mein Seelenbräutigam" 17. Agnew, Paul "Aria: Jesu, meines Todes Tod" 18. Agnew, Paul "Choral: Sein Wort, sein Tauf, sein Nachtmahl"
Gelobet sei der Herr, mein Gott BWV 129 (Kantate) 19. English Baroque Soloists "Chor: Gelobet sei der Herr" 20. English Baroque Soloists "Aria: Gelobet sei der Herr" 21. English Baroque Soloists "Aria: Gelobet sei der Herr" 22. English Baroque Soloists "Aria: Gelobet sei der Herr" 23. English Baroque Soloists "Choral: Dem wir das Heilig itzt"
|
 | | Number of discs: |
2 |
| | Extra-Infos: |
Monteverdi Choir/ English Baroque Soloists |
| | Description: | Bach Cantatas 27: Blythburgh/Kirkwall - For Whit Tuesday & Trinity Sunday by John Eliot Gardiner & Monteverdi Choir, released 9 January 2008.
This version of Bach Cantatas 27: Blythburgh/Kirkwall - For Whit Tuesday & Trinity Sunday comes as a 2xCD. - .. 1048/184/175/194This release combines cantatas for Whit Tuesday and Trinity Sunday. Brandenburg Concerto No.3 precedes the two surviving Cantatas for Whit Tuesday. Pressed for time at the end of a busy Whit weekend during his first year in Leipzig, Bach based BWV 184 Erwünschtes Freudenlicht (1724) on a hasty revision of a lost Köthen secular cantata. One might momentarily mistake the second movement of this cantata as the origin of the celebrated duet from Lakmé, before considering the long odds of Delibes ever having clapped eyes on this obscure piece. The pastoral mood continues a year later in BWV 175 Er rufet seinen Schafen mit Namen (1725). This is a more elaborate work, the eighth of the nine consecutive texts Bach set by Christiane Mariane von Ziegler.
Recorded in St Magnus Cathedral, Kirkwall after one of the more dramatic journeys on the Bach Cantata Pilgrimage, the first cantata for Trinity Sunday, BWV 165 O heil'ges Geist- und Wasserbad, was composed in 1715 in Weimar. It is a true sermon-in-music, based on the Gospel account of Jesus' night-time conversation with Nicodemus on the subject of 'new life'. A grand French-style overture heralds the start of BWV 194 Höchsterwünschtes Freudenfest. The cantata seems to have begun life as a secular Köthen piece some time between 1717 and 1723, and was then adapted for the dedication of the new organ at Störmthal (2 November 1723). The programme ends with the genial and uplifting work, BWV 129 Gelobet sei der Herr, mein Gott. | | | No. of tracks: |
7 |
| | Manufacturer No.: |
SDG 138 |
| Product Safety
Responsible Person for the EU:
helikon harmonia mundi GmbH
Zippelhaus 5a, 20457 Hamburg, DE
HMGermany@pias.com | |
|
There are currently no product reviews.
|  |
|
|
|
|
Pop International
253.120
![Brothers After War - Brothers After War [US-Version, Regio 1/A]](https://img.grooves.land/images/superd/989/550/mqudgpwz.j11)
![Green & Gold - Green & Gold [US-Version, Regio 1/A]](https://img.grooves.land/images/superd/255/550/mqudgp7r.j11)
![Domino Revival - Domino Revival [US-Version, Regio 1/A]](https://img.grooves.land/images/superd/958/550/mqudgpw1.j11)
