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Disc 01
 01. "Esquire bounce" 02. "My ideal" 03. "The Man I Love" 04. "Good bait" 05. "Something for you" 06. "Night in Tunisia" 07. "Suddenly it jumped" 08. "Swamp fire" 09. "Chasin' the bass" 10. "More moon" 11. "Not really the blues" 12. "Swingin' till the girls come home" 13. "Bei Mir Bist Du Sch?n" 14. "Cello again" 15. "Ah-Dee-Dong Blues (Oriental Cello Blues)" 16. "Sonny boy" 17. "I'm beginning to see the light" 18. "Too marvellous for words" 19. "Monticello" 20. "In a cello mood" 21. "Blues in the closet" 22. "Tamalpais" 23. "The pendulum at falcon's lair"
Disc 02
01. "Stockholm sweetnin'" 02. "Low and behold" 03. "Burt's pad" 04. "Marcel, the furrier" 05. "Ondine" 06. "Stardust" 07. "East lag" 08. "Rhumblues" 09. "The edge of love" 10. "Sextette" 11. "Cable car" 12. "Tricotism" 13. "Oscar Rides Again" 14. "The Golden Touch" 15. "Jack the bear" 16. "Tamalpais" 17. "Swingin' till the girls come home" 18. "Mood indigo" 19. "Chuckles" 20. "Time On My Hands"
Disc 03
01. "Titoro" 02. "Scorpio" 03. "Oscalypso" 04. "Another One" 05. "Bohemia after dark" 06. "Stardust" 07. "Don't squawk" 08. "Minor seventh heaven" 09. "Kamman's a-comin'" 10. "Tricotism" 11. "OP meets LT" 12. "Bo-Bi My Boy" 13. "Body And Soul" 14. "Tom-kattin'" 15. "Old reliable" 16. "A Lady's Vanity" 17. "Translation"
Disc 04
01. "Nica's Tempo" 02. "Deep passion" 03. "Sunrise - sunset" 04. "Perdido" 05. "Two french fries" 06. "Smoke signal" 07. "Speculation" 08. "The pendulum at falcon's lair" 09. "The gentle art of love" 10. "Not so sleepy" 11. "He's my guy" 12. "Seventh heaven" 13. "Now see how you are" 14. "I remember Clifford" 15. "Aw! Come On" 16. "Somewhere" 17. "Laura" 18. "Little Niles" 19. "Seabreeze"
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| | Number of discs: |
4 |
| | Regioncode: |
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B/2 - Africa, Middle East, Southwest Asia, most of Europe, Australia, New Zealand, and their dependencies; excludes instances that fall under Region C.
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| | Description: | Deluxe four CD set. Oscar Pettiford was undoubtedly the most talented Jazz bassist of the BeBop era. He was also the first musician to adapt the pizzicato bass style to the cello. Pettiford's beautiful intonation and amazing mobility on the contrabass and cello can be heard within the 80 tracks on this set. Pettiford became an all-time king of Jazz, the most talented Jazz bassist of the BeBop era, his mobility on the bass was consistently amazing. His wonderfully propulsive bass playing told a story as only Oscar Pettiford could, but somehow one feels that, like Kenny Clarke, Oscar Pettiford has never truly been given his due. Proper Deluxe.1-1, 1-2: New York, December 4, 1943.
1-3: New York, December 23, 1943.
1-4, 1-5: New York, January 9, 1945.
1-6: New York, January 26, 1945.
1-7: Hollywood, July 9, 1946.
1-8: Hollywood, September 3, 1946.
1-9: New York, March 10, 1949.
1-10: Chicago, May 26, 1949.
1-11: Los Angeles, July 14, 1949.
1-12, 1-13: New York, April 28, 1951.
1-14 to 1-17: New York, October 16, 1952.
1-18 to 2-2: New York, December 29, 1953.
2-3 to 2-8: New York, March 13, 1954.
2-9 to 2-14: New York, September 1954.
2-15 to 2-20: New York, December 17, 1954.
3-1 to 3-9: New York, August 12, 1955.
3-10 to 3-13: New York, January 27, 1956.
3-14 to 3-17: New York, January 30, 1956.
4-1 to 4-5: New York, June 11, 1956.
4-6: New York, June 12, 1956.
4-7 to 4-10: New York, June 19, 1956.
4-11, 4-12: Broadcast, Birdland, New York, May 26, 1957.
4-13 to 4-19: New York, August 23, 1957. | | | No. of tracks: |
80 |
| | Manufacturer No.: |
PROLUXE5002 |
| Product Safety
Responsible Person for the EU:
Membran Media GmbH
Langenhorner Chaussee 602, 22419 Hamburg, DE
gpsr@membran.net | |
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