01. Wilde, David "1. Allegretto comodo - Allegro molto misurato - Tempo 1"
02. Wilde, David "2. Largo - Vivacissimo - Largo"
03. Wilde, David "3. Andante - Sostenuto"
04. Wilde, David "4. Alla marcia - Moderato" Quaderno musicale di Annalibera (1952)
05. Wilde, David "1. Simbolo: Quasi lento"
06. Wilde, David "2. Accenti: Allegro, con fuoco"
07. Wilde, David "3. Contrapunctus primus: mosso, scorrevole"
08. Wilde, David "4. Linee: Tranquillamente mosso"
09. Wilde, David "5. Contrapunctus secundus (canoncontrario motu): Poco allegretto, "alla serenata""
10. Wilde, David "6. Fregi: Molto lento, con espressione parlante"
11. Wilde, David "7. Andantino amoroso e contrapunctus tertius (canon cancrizans)"
12. Wilde, David "8. Ritmi: Allegro"
13. Wilde, David "9. Colore: Affettuoso, cullante"
14. Wilde, David "10. Ombre: Grave"
15. Wilde, David "11. Quartina: Molto lento, fantastico" Quattro liriche di Antonio Machado (für Singstimme und Klavier) Nr. 1-4
16. Hamilton, Susan "Nr. 1: La primavera ha venido"
17. Hamilton, Susan "Nr. 2: Ayer so¤? que ve¡a"
18. Hamilton, Susan "Nr. 3: Se¤on, ya me arrancaste lo que yo más quer¡a"
19. Hamilton, Susan "Nr. 4: La primavera ha venido" Ciaccona, Intermezzo e Adagio (für Violoncello solo)
20. Irvine, Robert "Ciaccona"
21. Irvine, Robert "Intermezzo"
22. Irvine, Robert "Adagio" Goethe-Lieder (für Mezzosopran und 3 Klarinetten)
23. Blamey, Colin "Nr. 1: In tausend Formen magst du dich verstecken"
24. Blamey, Colin "Nr. 2: Die Sonne kommt! Ein Prachterscheinen!"
25. Blamey, Colin "Nr. 3: Lass deinen süssen Rubinenmund"
26. Blamey, Colin "Nr. 4: M?ge Wasser, springend, wallend"
27. Blamey, Colin "Nr. 5: Der Spiegel sagt mir: ich bin sch?n!"
28. Blamey, Colin "Nr. 6: Kaum das ich dich wieder habe"
29. Blamey, Colin "Nr. 7: Ist's m?glich, dass ich, Liebchen, dich kose" Marsia (Ballett) (Auszug)
30. Wilde, David "Angoscioso"
31. Wilde, David "Ostinato"
32. Wilde, David "Sereno"
Number of discs:
1
Description:
Luigi Dallapiccola is one of the most celebrated Italian composers of the twentieth century. This disc features chamber music and songs alongside his complete works for solo piano. Whether drawing on the music of the past to nourish the contrapuntal organization of his own, or concentrating on the opportunities for gentle lyricism afforded by bell-like vocal and instrumental sonorities, Dallapiccola's commitment to traditional expressive nuance has been seen by critics as a powerful aspect of his Italian insistence upon cantabilite - songfulness.