El CD "Britten, Walton, Tippett", interpretado por varios artistas y editado por EMI Classics reúne obras emblemáticas de tres grandes compositores británicos del siglo XX: Benjamin Britten, William Walton y Michael Tippett. Esta recopilación destaca una selección estilísticamente diversa que abarca piezas orquestales y corales representativas del ingenio creativo e innovador característico de cada compositor dentro del panorama clásico moderno inglés. Desde las melodías evocadoras propias de Britten hasta las orquestaciones dramáticas típicas en Walton o el ritmo complejo distintivo en las creaciones de Tippett ?el oyente disfrutará aquí tanto clásicos reconocidos como joyas menos difundidas? resultando ideal para melómanos experimentados o quienes desean adentrarse en el repertorio clásico británico contemporáneo.
EMI Classics es uno de los sellos discográficos más importantes del mundo especializado en música clásica con más de cien años dedicados al sector; reconocido internacionalmente por su calidad sonora y sus colaboraciones con destacados intérpretes y orquestas legendarias ha sido clave para preservar grabaciones históricas imprescindibles para futuras generaciones.
Disc 1\n 01 Introduction: Shine out (Anon. 16th century): A Spring Symphony Op. 44 (1986 Digital Remaster) - Sheila Armstrong/Dame Janet Baker/Robert Tear/Andr\n 02 The merry Cuckoo (E Spencer): A Spring Symphony Op. 44 (1986 Digital Remaster) - Sheila Armstrong/Dame Janet Baker/Robert Tear/Andr\n 03 Spring, the sweet Spring (T Nashe): A Spring Symphony Op. 44 (1986 Digital Remaster) - Sheila Armstrong/Dame Janet Baker/Robert Tear/Andr\n 04 The Driving Boy (G Peele and J Clare): A Spring Symphony Op. 44 (1986 Digital Remaster) - Sheila Armstrong/Dame Janet Baker/Robert Tear/Andr\n 05 The Morning Star (J Milton): A Spring Symphony Op. 44 (1986 Digital Remaster) - Sheila Armstrong/Dame Janet Baker/Robert Tear/Andr\n 06 Welcome, Maids of Honour (R Herrick): A Spring Symphony Op. 44 (1986 Digital Remaster) - Sheila Armstrong/Dame Janet Baker/Robert Tear/Andr\n 07 Waters above! (H Vaughan): A Spring Symphony Op. 44 (1986 Digital Remaster) - Sheila Armstrong/Dame Janet Baker/Robert Tear/Andr\n 08 Out of the lawn lie in bad (W H Auden): A Spring Symphony Op. 44 (1986 Digital Remaster) - Sheila Armstrong/Dame Janet Baker/Robert Tear/Andr\n 09 When will my May come (Barnefield): A Spring Symphony Op. 44 (1986 Digital Remaster) - Sheila Armstrong/Dame Janet Baker/Robert Tear/Andr\n 10 Fair and Fair (G Peele): A Spring Symphony Op. 44 (1986 Digital Remaster) - Sheila Armstrong/Dame Janet Baker/Robert Tear/Andr\n 11 Sound the flute! (W Blake): A Spring Symphony Op. 44 (1986 Digital Remaster) - Sheila Armstrong/Dame Janet Baker/Robert Tear/Andr\n 12 Finale: London, to thee I do present (J Beaumont, J Fletcher & anon. 13th century): A Spring Symphony Op. 44 (1986 - Sheila Armstrong/Dame Janet Baker/Robert Tear/Andr\n 13 I. Dawn (Lento e tranquillo): Four Sea Interludes Op. 33a (from Peter Grimes) (1976 Digital Remaster) - London Symphony Orchestra/André Previn\n 14 II. Sunday Morning (Allegro spiritoso): Four Sea Interludes Op. 33a (from Peter Grimes) (1976 Digital Remaster) - London Symphony Orchestra/André Previn\n 15 III. Moonlight (Andante comodo e rubato): Four Sea Interludes Op. 33a (from Peter Grimes) (1976 Digital Remaster) - London Symphony Orchestra/André Previn\n 16 IV. Storm (Presto con fuoco): Four Sea Interludes Op. 33a (from Peter Grimes) (1976 Digital Remaster) - London Symphony Orchestra/André Previn\n Disc 2\n 01 I. Moderato con moto: Violin Concerto Op. 15 (revised version) (1992 Digital Remaster) - Paavo Berglund/Bournemouth Symphony Orchestra/Ida\n 02 II. Vivace - Cadenza -: Violin Concerto Op. 15 (revised version) (1992 Digital Remaster) - Paavo Berglund/Bournemouth Symphony Orchestra/Ida\n 03 III. Passacaglia (Andante lento (un poco meno mosso) - Largamente (lento) - Lento e solenne): Violin Concerto Op. 1 - Paavo Berglund/Bournemouth Symphony Orchestra/Ida\n 04 I. Andante tranquillo: Violin Concerto (revised version) (1992 - Remaster) - Ida Haendel/Bournemouth Symphony Orchestra/Paavo B\n 05 II. Presto capriccioso alla napolitana - Trio (Canzonetta) - Tempo I: Violin Concerto (revised version) (1992 - Remaste - Ida Haendel/Bournemouth Symphony Orchestra/Paavo B\n 06 III. Vivace: Violin Concerto (revised version) (1992 - Remaster) - Ida Haendel/Bournemouth Symphony Orchestra/Paavo B\n Disc 3\n 01 I. Introduction (Andante maestoso): Suite for violin and piano Op. 6 - Alexander Barantschik/John Alley\n 02 II. March (Allegro alla marcia): Suite for violin and piano Op. 6 - Alexander Barantschik/John Alley\n 03 III. Moto perpetuo (Allegro molto e con fuoco): Suite for violin and piano Op. 6 - Alexander Barantschik/John Alley\n 04 IV. Lullaby (Lento tranquillo): Suite for violin and piano Op. 6 - Alexander Barantschik/John Alley\n 05 V. Waltz (Alla valse: vivace e rubato): Suite for violin and piano Op. 6 - Alexander Barantschik/John Alley\n 06 Elegy for solo viola (1930) - Paul Silverthorne\n 07 I. Dialogo (Allegro): Cello Sonata in C Op. 65 - Moray Welsh/John Lenehan\n 08 II. Scherzo-pizzicato (Allegretto): Cello Sonata in C Op. 65 - Moray Welsh/John Lenehan\n 09 III. Elegia (Lento): Cello Sonata in C Op. 65 - Moray Welsh/John Lenehan\n 10 IV. Marcia (Energico): Cello Sonata in C Op. 65 - Moray Welsh/John Lenehan\n 11 V. Moto perpetuo (Presto): Cello Sonata in C Op. 65 - Moray Welsh/John Lenehan\n 12 1. Pan (Senza misura): Six Metamorphoses after Ovid Op. 49 - Roy Carter\n 13 2. Phaeton (Vivace ritmico): Six Metamorphoses after Ovid Op. 49 - Roy Carter\n 14 3. Niobe (Andante): Six Metamorphoses after Ovid Op. 49 - Roy Carter\n 15 4. Bacchus (Allegro pesante): Six Metamorphoses after Ovid Op. 49 - Roy Carter\n 16 5. Narcissus (Lento piacevole): Six Metamorphoses after Ovid Op. 49 - Roy Carter\n 17 6. Arethusa (Largamente): Six Metamorphoses after Ovid Op. 49 - Roy Carter\n Disc 4\n 01 I. Allegramente: Piano Quartet - Janice Graham/Paul Silverthorne/Moray Welsh/Israel\n 02 II. Allegro scherzando: Piano Quartet - Janice Graham/Paul Silverthorne/Moray Welsh/Israel\n 03 III. Andante tranquillo: Piano Quartet - Janice Graham/Paul Silverthorne/Moray Welsh/Israel\n 04 IV. Allegro molto: Piano Quartet - Janice Graham/Paul Silverthorne/Moray Welsh/Israel\n 05 I. Allegro tranquillo: Violin Sonata - Janice Graham/John Alley\n 06 II. Variazioni: Violin Sonata - Janice Graham/John Alley\n 07 1. Allegro: Five Bagatelles for guitar - Tom Kerstens\n 08 2. Lento: Five Bagatelles for guitar - Tom Kerstens\n 09 3. Alla Cubana: Five Bagatelles for guitar - Tom Kerstens\n 10 4. [Lento]: Five Bagatelles for guitar - Tom Kerstens\n 11 5. Con slancio: Five Bagatelles for guitar - Tom Kerstens\n Disc 5\n 01 I. Allegro: Divertimento on 'Sellinger's Round' - Academy of St Martin-in-the-Fields/Sir Neville Mar\n 02 II. A Lament (Andante espressivo): Divertimento on 'Sellinger's Round' - Academy of St Martin-in-the-Fields/Sir Neville Mar\n 03 III. Presto: Divertimento on 'Sellinger's Round' - Academy of St Martin-in-the-Fields/Sir Neville Mar\n 04 IV. Adagio: Divertimento on 'Sellinger's Round' - Academy of St Martin-in-the-Fields/Sir Neville Mar\n 05 V. Allegro assai: Divertimento on 'Sellinger's Round' - Academy of St Martin-in-the-Fields/Sir Neville Mar\n 06 I. Prelude (Maestoso): Little Music for string orchestra - Academy of St Martin-in-the-Fields/Sir Neville Mar\n 07 II. Fugue (Allegro moderato (a tempo doppio più mosso)): Little Music for string orchestra - Academy of St Martin-in-the-Fields/Sir Neville Mar\n 08 III. Air (Andante espressivo): Little Music for string orchestra - Academy of St Martin-in-the-Fields/Sir Neville Mar\n 09 IV. Finale (Vivace): Little Music for string orchestra - Academy of St Martin-in-the-Fields/Sir Neville Mar\n 10 I. Allegro molto moderato: Sonata for Four Horns - Michael Thompson Horn Quartet\n 11 II. Allegro giocoso: Sonata for Four Horns - Michael Thompson Horn Quartet\n 12 III. Lento cantabile tranquillo in stile notturno: Sonata for Four Horns - Michael Thompson Horn Quartet\n 13 IV. Allegro molto e vigoroso: Sonata for Four Horns - Michael Thompson Horn Quartet\n 14 I. Allegro con brio: Concerto for Double String Orchestra - Academy of St Martin-in-the-Fields/Sir Neville Mar\n 15 II. Adagio cantabile: Concerto for Double String Orchestra - Academy of St Martin-in-the-Fields/Sir Neville Mar\n 16 III. Allegro molto: Concerto for Double String Orchestra - Academy of St Martin-in-the-Fields/Sir Neville Mar
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