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| Remarque / Liste des chansons: |
 01. "Neon beanbag" 02. "Three women" 03. "One finger symphony" 04. "Chemical chords" 05. "The ecstatic static" 06. "Valley hi!" 07. "Silver sands" 08. "Pop molecule" 09. "Self portrait with "electric brain"" 10. "Nou vous demandons pardon" 11. "Cellulose sunshine" 12. "Facial dream of a thing" 13. "Daisy click clack" 14. "Vortical Phonotheque" 15. "The nth degree" 16. "Magne-music"
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 | | Nombre de disques: |
1 |
| | Description: | Arranged By: Sean O'Hagan, Artwork [Art]: Julian House, Bass: Simon Johns, Brass: Dave Liddell, Brass: Steve Hamilton, Drums, Electronic Drums [Drum Machines], Electronics: Andy Ramsay, French Horn: Joe Walters, Guitar, Bass, Drums [Occ. Drums]: Tim Gane, Keyboards, Vibraphone [Vibes], Electronics, Drums [Occ. Drums]: Joe Watson, Mastered By: Bo Kondren, Mastered By [Assistance]: Hans Schaaf, Mixed By: The Groop (2), Recorded By, Mixed By: Joe Watson, Strings: Laura Melhuish, Strings: Marcus Holdaway, Strings: Sally Herbert, Vocals: Laetitia Sadier, Written-By: Laetitia Sadier, Written-By: Tim Gane, Labelcode BQTU91952.2 (CADD2815CD), Recorded At Instant Zero, Mixed At Instant Zero, Recorded At Press Play (2), Mastered At Calyx Mastering, Phonographic Copyright (p) Duophonic Ultra High Frequency Disks, Copyright (c) Duophonic Ultra High Frequency Disks, Licensed To 4AD"Chemical Chords" est un album captivant du groupe anglo-français influent Stereolab et paraît ici au format CD. Depuis le début des années 90, la formation se distingue par sa fusion singulière de pop avant-gardiste, de krautrock et d?influences électroniques qui ont marqué la scène alternative internationale. Sorti initialement en 2008, l?album offre des compositions luxuriantes aux mélodies sophistiquées et rythmes hypnotiques : une signature sonore à la fois rétro et résolument moderne propre à Stereolab. « Chemical Chords » est considéré comme l?un de leurs opus les plus accessibles tout en restant exigeant ; il met particulièrement en valeur la voix aérienne de Laetitia Sadier ainsi que les talents novateurs de producteur de Tim Gane. Avec des disques acclamés tels que « Emperor Tomato Ketchup » ou « Dots and Loops », le groupe s?est imposé comme une référence incontournable dans l?univers musical contemporain.
Ce disque est édité par les prestigieux labels 4AD/Beggars Group/Indigo ? réputés pour leur engagement envers des artistes novateurs tous styles confondus et leur rôle majeur dans le développement mondial de la musique indépendante depuis plusieurs décennies. | | | N° de titres: |
16 |
| | N° de fabricant: |
05919522 |
| Sécurité des produits
Personne responsable pour l'UE:
Beggars UK Ltd.
375 Media GmbH
Schachthofstraße 36a, 21079 Hamburg, DE
https://375media.com/ | |
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Les clients qui ont acheté ce produit ont aussi acheté
 Joe Davenport - 19/08/2008 I’ve always found Stereolab to be terrifically frustrating. Take the first track “Neon Beanbag” on Chemical Chords, for example. The song would’ve bee...
|  | Anthony Carew - 19/08/2008  It’s not an easy trick that Stereolab turn, time and again: making records that’re distinct without ever truly diverting from their singular...
| | | Andy Battaglia - 19/08/2008 Part of the fun of following Stereolab over the years has been following the declarations of mastermind Tim Gane, who has an uncanny ability to plant ...
| | | Joshua Alston - 19/08/2008 The most striking element of Chemical Chords is its brevity. It's been
ages since Stereolab made an album without a dragged-out, drone-y centerpiece
o...
| | Douglas Wolk - 19/08/2008  Seventeen years and a dozen-plus albums into their career, Stereolab have their formula down: Tim Gane assembles boppy little grooves out of the raw m...
| | | Derek Walmsley - 18/08/2008 It's strange to remember how fresh a breath of air the post-rock of bands like Tortoise and, in the UK, Stereolab seemed in the early 1990s. Alternati...
| | | Cole Stryker - 18/08/2008 I won’t pretend to have grown up with Stereolab (I was six when they released their debut), but since I discovered them in high school, they have evok...
| | | Jessica Letkemann - 15/08/2008 In the six years since singer Mary Hansen's death, Stereolab has mildly oscillated from the up grooviness of 2004's "Margerine Eclipse" toward dulcet ...
| | | Adrian P. - 15/08/2008 To continually reprimand Stereolab for being formulaic and repetitious is perhaps missing the point of the creative relationship between co-founding s...
| | | Jon Dale - 11/08/2008 Has it really been 17 years and 11 albums for Stereolab I can still remember the thrill of seeing/hearing their second single, ?Super-Electric,? than...
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