Complete Pathe Recordings

Jimmy Lytell
Complete Pathe Recordings

15,89 EUR
CD
Jazz Oracle
Release date: 19/Feb/2013
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Delivery to US in: 18-22 workdays (ordered)
Sales Rank: #16031 in Other Modern Jazz
#43620 in Jazz
Style: Other Modern Jazz
Product No.: 1898279385

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Content:

Details / Tracklist: 1.1 Down Town Fling
1.2 Buggy Blues
1.3 Old Folk's Shuffle
1.4 Red House Blues
1.5 Messin' Around
1.6 Messin' Around
1.7 Coney Island Washboard
1.8 Alexander's Ragtime Band
1.9 Pardon the Glove
1.10 Pardon the Glove
1.11 Zulu Wail
1.12 Zulu Wail [Alternate] [Alternate Take]
1.13 Fakir's Rhythm
1.14 Headin' for Harlem
1.15 Sugar
1.16 Why Be Blue
1.17 Stockholm Stomp
1.18 Missouri Squabble
1.19 Missouri Squabble [Alternate] [Alternate Take]
1.20 Missouri Squabble [Alternate #2] [Alternate Take]
1.21 Davenport Blues
1.22 Davenport Blues [Alternate] [Alternate Take]
1.23 Sweet Emmalina
1.24 Sweet Emmalina [Alternate] [Alternate Take]
1.25 Yellow Dog Blues
Number of discs: 1
Description:Between 1926 and 1928 Jimmy Lytell recorded some eighteen solo titles for Pathe, usually accompanied by piano and banjo or guitar. They show steady development, keeping pace with the increasingly sophisticated harmonic and melodic vocabulary of the time, while remaining curiously inert rhythmically. His phrasing is quite foursquare, tidy patterns that always conform to the two - and four-bar phrases of the songs and invariably land on the downbeat of a bar. It's effect is comparable, perhaps, to that of a prose passage constructed entirely of declarative sentences in subject-predicate-object order. There are moments when the ear longs for a subordinate clause, alternation of phrase lengths, anything asymmetrical. No one at Pathe could have expected that these records would have scholars like Richard Sudhalter waxing eloquent nearly 75 years later. Nor were they created as limited editions for collectors. Like almost everything else from the Twenties that we now enshrine in discographies and on our shelves as genuine "Jazz," Jimmy Lytell's clarinet solos were musical inventory, produced because Pathe calculated that the records might sell.
1, 2: New York, c. February 8, 1926. 3, 4: New York, c. November 20, 1926. 5-7: New York, January 1927. 8-10: New York, March 1927. 11-13: New York, June 1927. 14, 15: New York, October 1927. 16, 17: New York, c. December 1927. 18-22: New York, February 1928. 23-25: New York, June 1928.
Producer: Colin Bray
No. of tracks: 25
Manufacturer No.: BDW8069
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