01. (keine Angaben) "Vorspann" Stiffelio (Oper in 3 Akten) (Auszug) 02. Andguladze, George "Sinfonia" 03. Andguladze, George "Oh santo libro, oh dell'eterno Vero (1. Akt)" 04. Andguladze, George "Di qua varcando sul primo albore" 05. Andguladze, George "Colla cenere disperso" 06. Andguladze, George "Viva Stiffelio! - A te, Stiffelio, un canto" 07. Andguladze, George "Non ha per me un accento" 08. Andguladze, George "Vidi dovunque gemere" 09. Andguladze, George "Ah, v'appare in fronte scritto" 10. Andguladze, George "Tosto ei disse! - A te ascenda, o Dio clemente" 11. Andguladze, George "Verr?! Dovr? risponder!" 12. Andguladze, George "Dite che il fallo a tergere" 13. Andguladze, George "Ed io pure in faccia agli uomini" 14. Andguladze, George "Basti adesso - Or meco venite" 15. Andguladze, George "M'evitan" 16. Andguladze, George "Plaudiam! Di Stiffelio s'allegri il soggiorno!" 17. Andguladze, George "Cugino, pensate al sermone?" 18. Andguladze, George "Oh, qual m'invade ed agita" 19. Andguladze, George "Nol volete? - Chi ti salva, sciagurato" 20. Andguladze, George "Oh cielo! Dove son io ! (2. Akt)" 21. Andguladze, George "Ah, dagli scanni eterei" 22. Andguladze, George "Lina, Lina! - Perder dunque voi volete" 23. Andguladze, George "Io resto - Scegli - Un duello?" 24. Andguladze, George "Ah no! E impossibile!" 25. Andguladze, George "Dessa non ?, comprendilo - Non punirmi, Signor, nel tuo furore" 26. Andguladze, George "Ei fugge! E in questo foglio (3. Akt)" 27. Andguladze, George "Lina, pensai che in un angelo" 28. Andguladze, George "Ah s, finisca - Oh gioia inesprimibile" 29. Andguladze, George "Dite ai fratei che al tempio" 30. Andguladze, George "Opposto ? il calle che in avvenire" 31. Andguladze, George "Non allo sposo volgomi - Ah s, voliamo al tempio" 32. Andguladze, George "Non punirmi, Signor, nel tuo furore" 33. Andguladze, George "Stiffelio? - Eccomi" 34. (keine Angaben) "Applaus" 35. (keine Angaben) "Abspann"
Number of discs:
1
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Extra-Infos:
Parma 2012
Description:
When the wife of a Protestant preacher is an adulterer, problems are inevitable from the outset of Verdi's Stiffelio. Even today the finale seems astonishingly bold: superficially it deals with forgiveness and reconciliation, but the orchestral writing is in such striking contrast that Verdi appears to toll the death knell of the protagonists' marriage.
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