Moonlight-Waldstein-Storm

Alexei Lubimov
Moonlight-Waldstein-Storm

22,29 EUR
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Alpha
Lanzado en: 29/10/2013
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Rango de ventas: #54603 en Otros de Pop
#62111 en Pop
Estilo: Otros de Pop
Número de artículo: 1898368371

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Accesorios

Contenido:

Comentarios / Titulos de las canciónes: Sonate für Klavier Nr. 14 cis-moll op. 27 Nr. 2 "Mondscheinsonate"
MP3 Audio audición libre 01. "1. Adagio sostenuto"
MP3 Audio audición libre 02. "2. Allegretto"
MP3 Audio audición libre 03. "3. Presto agitato"
Sonate für Klavier Nr. 21 C-Dur op. 53 "Waldstein-Sonate"
MP3 Audio audición libre 04. "1. Allegro con brio"
MP3 Audio audición libre 05. "2. Introduzione: Adagio molto - Attacca F-Dur"
MP3 Audio audición libre 06. "3. Rondo: Allegretto moderato - Prestissimo"
Sonate für Klavier Nr. 17 d-moll op. 31 Nr. 2 "Der Sturm"
MP3 Audio audición libre 07. "1. Largo - Allegro"
MP3 Audio audición libre 08. "2. Adagio"
MP3 Audio audición libre 09. "3. Allegretto"
Cantidades: 1
Descripción:There are projects on which the artistic director of a record label straightaway asks himself a few questions. For example, when it comes to recording Beethoven's three 'greatest hit' sonatas, recorded a multitude of times by the leading pianists. However, a forte-pianist of the calibre of Alexei Lubimov already constitutes one good reason to implement the project, as does the choice of the facsimile of an Erard piano (1802, copy made by Christopher Clarke) of which the original was within Beethoven's reach. Above all, this recording presents a double interest: - the 'cross-disciplinary' thinking that preceded the recording, strictly speaking, and which was an integral part of the project. It brought together Christopher Clarke (builder), Thierry Maniguet and Jean-Claude Battault (curators), Alexei Lu-¼bimov, Catherine Kintzler (musicologist), Karoly Mostis (tuner), and the laboratory of the Cite de la Musique in Paris - the possibility of sharing, in a digibook, this reflection on the instrument, it's technique, the way to play it and the impact that all this has on the interpretation. At no moment does the result of this pluridisciplinary thinking restrain the per-¼former's intentions - on the contrary! It is the source of new energy, both con-¼temporary and highly respectful of the sources' intention., Runningtime: 00:00:00, Composed By: Ludwig van Beethoven, Executive-Producer [Editions]: Pauline Pujol, Fortepiano: Alexei Lubimov, Graphics [Graphisme]: Sarah Lazarevic, Liner Notes [English Translation]: John Tyler Tuttle, Liner Notes [English Translation]: Mary Pardoe, Liner Notes [English Translation]: Vanina Géré, Liner Notes [Essay: 'Good' Use Of Out-Of-Use Pianos]: Stéphane Vaiedelich, Liner Notes [Essay: Dear Player]: Christopher Clarke (2), Liner Notes [Essay: The Copy, The Trial And The Lost Original]: Catherine Kintzler, Liner Notes [Essay: Érard's 'Harpsichord-Shaped' Piano]: Thierry Maniguet, Liner Notes [French Translation]: Dennis Collins (2), Liner Notes [Notes: Cité De La Musique]: Eric De Visscher, Painting, Cover: Johann Erdmann Hummel, Product Manager [Directeur De Production], Photography By: Julien Dubois (3), Recorded By [Prise De Son], Producer [Direction Artistique], Edited By [Montage], Mastered By: Franck Jaffrès, Technician [Fortepiano Builder]: Christopher Clarke (2), Technician [Fortepiano Tuning]: Karoly Mostis, Labelcode ALPP194.2 (Alpha 194), Phonographic Copyright (p) Alpha Productions, Phonographic Copyright (p) Cité de la Musique, Copyright (c) Alpha Productions, Recorded At Amphithéâtre de la Cité de la Musique, Paris, Pressed By Arvato
N° de títulos: 9
N° de fabricante: ALPHA194
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