Alex Hibbert - 21/Oct/2010  Despite the decent production, having an allegiance to crafting the sort of barbed menace Echo and his crew might have dreamt up if their genesis had ...
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Max Ritter - 20/Oct/2010  The lo-fi art-punking Crocodiles are perhaps one of the most notable bands coming from an oddly flourishing San Diego music scene. They join a group o...
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David M. Goldstein - 04/Oct/2010  I’m going to spare you any superfluous angles and just cut to the chase here: if you like yourself some Jesus & Mary Chain, Spiritualized, or Primal S...
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Dylan Siniscalchi - 29/Sep/2010  Man if the Jesus and Mary Chain only knew the impact they would have after those drug-addled, hyper short sets throughout the UK in the 1980s. Their f...
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Nathan Kamal - 28/Sep/2010  The second album from noise-pop duo Crocodiles opens with a slow, trembling hum; it's both anticipatory and ominous, swiftly turning into feedback, sy...
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Jordon Chiarelli - 27/Sep/2010 Buy at iTunesWhen Crocodiles made their debut last year with the release of Summer of Hate, amid praise from other critics and bloggers, Rolling Stone...
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Christopher Anthony - 22/Sep/2010  What is the best way for a fuzzed out noise-pop band to get noticed on their sophomore outing The answer is easy - get a well known producer like Jam...
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Richie Brown - 21/Sep/2010 Getting James Ford of Simian Mobile Disco on the mixing desk has raised Crocodiles from the early shoegaze sound of their debut LP ‘Summer of Hate’ – ...
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Sean O'Neal - 21/Sep/2010  On their second album, San Diego’s Crocodiles remain devotees of the smeary school of noise-pop, once more paying homage to—or blatantly stealing from...
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Maria Schurr - 17/Sep/2010  In his book I Shot a Man in Reno, music journalist Graeme Thomson documents the history of death in popular music, focusing on how popular artists dea...
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