03. ""Für Alina" (für Klavier) (1976)" Englische Suite Nr. 2 a-moll BWV 807
04. "1. Pr?lude"
05. "2. Allemande"
06. "3. Courante"
07. "4. Sarabande"
08. "5. Bourr?e 1 - Bourr?e 2"
09. "6. Gigue" Diary 3 (für Klavier) (2004)
10. "Nr. 1 Chant of Stones"
11. "Nr. 2 Wind, Water and Shadow"
12. "G-Song (bearb. für Klavier von Markus Horn) (1980)" Au gr? des ondes (6 kleine Stücke für Klavier) (1946) (Auszug)
13. "Hommage ? Bach" Das Wohltemperierte Klavier I BWV 846-869 (24 Pr?ludien und Fugen) (Auszug)
14. "Pr?ludium d-moll BWV 851"
15. "Fuge d-moll BWV 851" Pr?ludien und Fugen op. 87 Nr. 1-24 (1950) (Auszug)
16. "Nr. 24 Prelude d-moll"
17. "Nr. 24 Fugue d-moll"
Nombre de disques:
1
Description:
Alexandra Sostmann traces the delicate ramifications in the history of piano music. Despite the historical distances, the choices makes clear that music and interpretation are dependent upon one another and that, together, they can reveal similarities between baroque and contemporary music. Magnificent Baroque as well as 'new' Piano Music by Bach, Gubaidulina, Part, Xiaoyong Chen (Premiere Recording), Terry Riley (Transcription for Piano - Premiere Recording), Dutilleux and Shostakovich., Runningtime: 00:00:00, Labelcode TYX13036.2