Proper Michel-Richard Delalande: Symphonies pour les Soupers du Roy CD Classic Elbipolis Baroque Orchestra of Hamburg & Jürgen Gross

Higginbottom
Proper Michel-Richard Delalande: Symphonies pour les Soupers du Roy CD Classic Elbipolis Baroque Orchestra of Hamburg & Jürgen Gross

13,69 EUR
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CD
Challenge Records
Release date: 21/Jan/2015
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Proper Michel-Richard Delalande: Symphonies pour les Soupers du Roy CD Classic Elbipolis Baroque Orchestra of Hamburg & Jürgen Gross  118 visitors
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Sales Rank: #61140 in Other Pop
#90780 in Pop
Style: Other Pop
Product No.: 1899384775

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Details / Tracklist: 1.1 Delalande: Première Caprice, Caprice de Villers-Cotterets
1.2 Premiere Suite
1.3 Troiseme Suite
1.4 Cinquieme Suite
1.5 Grande Piece en G Re Sol
Number of discs: 1
Extra-Infos: .. Soupers Du Roy/ Elbipolis Barockorchester/ Gross
Description:Symphonies Pour Les Soupers Du Roy by Higginbottom, released 21 January 2015. This version of Symphonies Pour Les Soupers Du Roy comes as a 1xCD. - .. SOUPERS DU ROY/ELBIPOLIS BAROCKORCHESTER/GROSS
In these new reconstructions of Delalande's all-too-rare "table music" for the French court of Louis XIV - on CD for the first time - the music is performed in the original five-part textures and on period instruments. Immediately after starting in his post as Superintendent of the House Music in 1689, Delalande began composing instrumental movements. These suites were chiefly intended for the king's suppers which, in reality, were "performances" before an audience. It was an honor to be allowed to watch the king eat, a greater honor to be spoken to during the meal, and a supreme honor to be invited to serve him his food or eat with him. In this context, instrumental music played an important role, it's magnificence reflecting the regent's powerful self-image. Since new works were continually being demanded, this practice resulted, over the course of the years, in an impressive body of works.
No. of tracks: 5
Manufacturer No.: CC72664
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Jung Ho P. - 09/Aug/2019 4 of 5 Stars!
1CD standard Jewel Case With a record of refined performance and clear recording, he taught music to the daughters of Louis XIV, a leading French religious music composer in the early 18th century, had an absolute influence on the chorus of worship at the Versailles Palace, orchestral motets, and composed typical French Baroque works.