Louis Lortie -Klavierwerke Vol.4 -Chandos Records CD Grooves.land/Playthek

Comentarios / Titulos de las canciónes:

Walzer Nr. 19 a-moll op. posth.

01. "Allegretto"
Walzer Nr. 14 e-moll op. posth.

02. "Vivace"
Walzer Nr. 15 E-Dur op. posth.

03. "Tempo di valse"
Walzer Nr. 10 h-moll op. posth. 69 Nr. 2

04. "Moderato"
Walzer Es-Dur op. posth.

05. "(ohne Satzbezeichnung)"
Walzer Nr. 11 Ges-Dur op. posth. 70 Nr. 1

06. "Molto vivace - Meno mosso - Tempo 1"
Walzer Nr. 12 f-moll op. posth. 70 Nr. 2

07. "Tempo giusto"
Walzer Nr. 13 Des-Dur op. posth. 70 Nr. 3

08. "Moderato"
Walzer Es-Dur op. posth.

09. "Sostenuto"
Walzer Nr. 1 Es-Dur op. 18 "Grande Valse brillante"

10. "Vivo"
Walzer Nr. 16 As-Dur op. posth.

11. "(ohne Satzbezeichnung) - Trio - Da capo al fine"
Walzer Nr. 2 As-Dur op. 34 Nr. 1 "Valse brillante"

12. "Vivace"
Walzer Nr. 3 a-moll op. 34 Nr. 2 "Grande Valse brillante"

13. "Lento - Sostenuto"
Walzer Nr. 4 F-Dur op. 34 Nr. 3

14. "Vivace"
Walzer Nr. 9 As-Dur op. posth. 69 Nr. 1 "Abschiedswalzer"

15. "Lento"
Walzer Nr. 5 As-Dur op. 42 "Grande Valse"

16. "Vivace"
Nocturne Nr. 1 b-moll op. 9 Nr. 1

17. "Larghetto"
Walzer Nr. 6 Des-Dur op. 64 Nr. 1 "Minutenwalzer"

18. "Molto vivace"
Nocturne Nr. 20 cis-moll op. posth. 72 Nr. 2

19. "Lento con gran espressione - Animato - Adagio - Tempo 1"
Nocturne Nr. 9 H-Dur op. 32 Nr. 1

20. "Andante sostenuto - Adagio"
Walzer Nr. 7 cis-moll op. 64 Nr. 2

21. "Tempo giusto - Pi? mosso - Pi? lento - Pi? mosso - Tempo 1 - Pi? mosso"
Walzer Nr. 8 As-Dur op. 64 Nr. 3

22. "Moderato"
Nocturne Nr. 11 g-moll op. 37 Nr. 1

23. "Lento sostenuto"
Nocturne Nr. 12 G-Dur op. 37 Nr. 2

24. "Andantino - Molto pi? lento - Tempo 1"

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Louis Lortie

Descripción:

This is the fourth volume of Louis Lortie's highly-successful series devoted to Chopin. The recording perfectly illustrates how Chopin elevated the waltz to a genre of musical art, from danses de salon - evocative of a genial milieu - to 'works' with proper opus numbers. Growing up in the 1820's, the composer at first viewed the waltz purely pragmatically, as a means to a social end in the dance salon. But after spending time in Vienna and Paris in the 1830s he decided that a waltz might be worthy of the deeper appreciation accorded a 'work'. From moods of liveliness, in introductory calls to the dance, to more poetical or sentimental sections, the affective achievement in these works is great, whether the mood captured is plaintive (the B minor, A flat major, or F minor ones), evocative of the dance salon (the E major), lilting (the D flat major), reminiscent of a Ländler (the A flat major, the only waltz Chopin composed in 3 / 8 meter), dramatic (the E minor), or brilliant (the G flat major). The nocturnes also trace their origins to the salon. The genre derives from a type of vocal music, akin to the solo romance, but highly popular among amateurs as an opportunity for singing duets., Runningtime: 00:00:00, Labelcode CHN10852.2

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CHAN10852

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