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1.1 Io 6:031.2 Sinope 6:532.1 Atlas 6:372.2 Nix 3:393.1 Moon 5:043.2 Ymir 4:274.1 Ijiraq 5:224.2 Algol 4:164.3 Dysnomia 4:14 |
 | | Nombre de disques: |
2 |
| | Description: | Double LP version. Includes download code. Channeled madness -- the sound Dawn of Midi spent years shaping culminates in their most mesmerizing work yet. With Dysnomia, the Brooklyn-based group abandons improvisation in favor of composition, utilizing sophisticated rhythmic structures from North- and West-African folk traditions to weave a sonic tapestry of trance-inducing grooves. "We didn't want to create anything cerebral," says pianist Amino Belyamani, "we wanted something visceral, something that would awaken our instinctive dance impulses." The manner by which a trio of solely acoustic instruments ends up sounding like electronic music has to do with the unconventional ways the group play their instruments on Dysnomia. The record comes to life in the trio's critically acclaimed live shows, a test of endurance and trust that involves performing their hand-looped acoustic minimalism note for note, just as the compositions were recorded. Dawn of Midi's sets are as energetic and rhythmic as a seamlessly mixed DJ set, mesmerizing fans in the same way the group's favorite experimental and electronic acts have for decades. The album was recorded to two-inch tape at Waterfront Studios in Hudson, New York, a former church that was purchased and transformed into an analog recording playground by the great engineer Henry Hirsch. Rusty Santos then mixed the album to make sure it would hit as hard as the group's favorite electronic albums do in spite of being entirely acoustic. "We wanted to make a record that sounded both musically futuristic and sonically vintage," explains bassist Aakaash Israni, "and since the album never saw a proper international release, it is very exciting to see what might happen when more people are exposed to it. And to be aligned with Erased Tapes, whose enthusiasm for the music they release has done a lot for exposing unique instrumental and electronic music, makes it that much more interesting." Swiss artist Fabian Oefner created the cover image by placing paint on a spinning drill bit and firing it at a canvas, then capturing it with high-speed photography. Formed in 2007, the band happened upon their name after drummer Qasim Naqvi casually uttered the phrase in reference to the improvised music the trio was making at the time; they had no idea that years later they would make an album like Dysnomia that would make their name appear fateful., Runningtime: 00:00:00, Bass: Aakaash Israni, Design: Bernd Kuchenbeiser, Drums: Qasim Naqvi, Engineer [Assistant]: Rachel Alina, Mastered By: Simon Davey, Mixed By: Rusty Santos, Photography By [Cover Photo]: Fabian Oefner, Piano: Amino Belyamani, Recorded By: Henry Hirsch, Written-By: Aakaash Israni, Written-By: Amino Belyamani, Labelcode ERAT68.1 (ERATP068LP), Phonographic Copyright (p) Erased Tapes Records Ltd., Published By Erased Tapes Music, Mastered At The Exchange"Dysnomia" est le LP acclamé de Dawn Of Midi publié chez Erased Tapes/Indigo. Cet album révolutionnaire brouille les frontières entre le jazz acoustique et le minimalisme électronique pour offrir un paysage sonore envoûtant et immersif du début à la fin. Chaque morceau s?enchaîne avec fluidité grâce à des rythmes complexes et des variations mélodiques subtiles qui évoquent autant la précision classique que l?innovation contemporaine du groupe.
Dawn Of Midi est un trio américain composé du pianiste Amino Belyamani, du contrebassiste Aakaash Israni et du batteur Qasim Naqvi. Réputés pour leurs compositions méticuleuses et leurs performances scéniques fascinantes dans le monde entier, ils ont reçu une reconnaissance critique majeure ; "Dysnomia", leur ?uvre phare à ce jour se distingue par son originalité et sa maîtrise technique exceptionnelle.
Le label Erased Tapes/Indigo est reconnu pour soutenir les artistes innovants aux confins de la musique expérimentale moderne : il rassemble certains des compositeurs contemporains les plus influents ainsi que des figures majeures de l?électronique ambiante ou de la pop avant-gardiste ? faisant d?Erased Tapes un acteur incontournable de la création musicale sans limites stylistiques. | | | N° de titres: |
9 |
| | N° de fabricant: |
05110531 |
| Sécurité des produits
Personne responsable pour l'UE:
Erased Tapes Records Ltd.
375 Media GmbH
Schachthofstraße 36a, 21079 Hamburg, DE
https://375media.com/ | |
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