Disc 01 01. "DREAMING OF THE CRASH" 02. "CORNFIELD CHASE" 03. "DUST" 04. "DAY ONE" 05. "MESSAGE FROM HOME" 06. "STAY" 07. "THE WORMHOLE" 08. "AFRAID OF TIME" 09. "A PLACE AMONG THE STARS" 10. "NO TIME FOR CAUTION"
Disc 02 01. "MURPH" 02. "DETACH" 03. "RUNNING OUT" 04. "TICK-TOCK" 05. "WHERE WE'RE GOING" 06. "DO NOT GO GENTLE INTO THAT GOOD NIGHT"
Cantidades:
2
Informaciones adicionales:
180gr./ Gatefold/ 4p. Booklet/ Hans Zimmer/ Black Vinyl
Descripción:
Double vinyl LP pressing. Original soundtrack to the 2014 motion picture composed by Hanz Zimmer. Interstellar pairs the creative forces of Zimmer and esteemed director Christopher Nolan, who collaborated previously on The Dark Knight film trilogy and Inception. "Chris wanted us to push the limits," offers Zimmer. "Every conversation was about pushing boundaries and exploring new territories. This movie virtually dictates that you put everything on the line and keep the laboratory doors wide open and experiment to the very end. It tested our limits: the limits of what musicians are capable of, the limits of what could be recorded, the limits of everyone's stamina, commitment and invention, and I think we got it.", Runningtime: 00:00:00, Art Direction, Coordinator [Soundtrack Coordination]: Sandeep Sriram, Bass: Mary Scully, Bassoon [1]: Richard Skinner (2), Bassoon [2]: Lorna West, Bassoon [3], Contrabassoon [3]: Rachel Simms, Bassoon [4], Contrabassoon [4]: Gordon Laing, Booking [Air Studios Bookings]: Alison Burton, Cello [First Cellist]: Caroline Dale, Choir: London Voices, Chorus Master [Choirmaster]: Ben Parry, Chorus Master [Choirmaster]: Terry Edwards (2), Clarinet [1]: Nicholas Bucknall, Clarinet [2], Clarinet [High Eb, 2]: Nick Rodwell, Clarinet [3], Bass Clarinet [C Extension, 3]: Martin Robertson, Clarinet [4], Bass Clarinet [C Extension, 4]: Duncan Ashby, Clarinet [5], Contrabass Clarinet [Eb Contrabass Clarinet, 5]: David Fuest, Clarinet [6], Contrabass Clarinet [Bb Contrabass Clarinet, 6]: Alan Andrews, Conductor [Orchestra]: Gavin Greenaway, Conductor [Orchestra]: Richard Harvey (2), Contractor: Isobel Griffiths, Engineer [Additional]: Christian Wenger, Engineer [Additional]: Daniel Kresco, Engineer [Additional]: Seth Waldmann, Engineer [Technical Score Engineer]: Chuck Choi, Engineer [Technical Score Engineer]: Stephanie McNally, Engineer [Technical]: Dan Cole, Engineer [Technical]: Matt Kingdom, Executive-Producer [Executive In Charge Of Music For Paramount Pictures]: Randy Spendlove, Executive-Producer [Executive In Charge Of Music For Warner Bros. Pictures]: Paul Broucek, Executive-Producer [Executive In Charge Of WaterTower Music]: Jason Linn, Executive-Producer [Music Business Affairs Executive]: Lisa Margolis, Flute [1]: Karen Jones (3), Flute [2], Piccolo Flute [2]: Helen Keen, Flute [3], Piccolo Flute [3]: Paul Edmund Davies, Flute [4], Piccolo Flute [4], Alto Flute [4]: Anna Noakes, Flute [5], Alto Flute [5]: Rowland Sutherland, Flute [6], Alto Flute [6]: Siobhan Grealy, French Horn [First]: Richard Watkins, Harp: Skaila Kanga, Liner Notes: Christopher Nolan, Liner Notes: Hans Zimmer, Management [Studio Manager For Remote Control Production]: Shalini Singh, Mixed By [Score Mix Assistant]: John Witt Chapman, Mixed By [Score], Recorded By [Score]: Alan Meyerson, Music By, Composed By, Piano, Synth [Programming]: Hans Zimmer, Music Consultant: Czarina Russell, Music Librarian: Jill Streater, Musical Assistance [Assistant To Hans Zimmer]: Cynthia Park, Musical Assistance [Music Preparation]: Booker White, Oboe [1]: David Theodore, Oboe [2]: Matthew Draper, Oboe [3], Cor Anglais [3]: Jane Marshall, Oboe [4], Cor Anglais [4]: Janey Miller, Orchestra [Leader Of The 1sts]: Thomas Bowes, Orchestra [Leader Of The 2nds]: Roger Garland, Orchestrated By [Orchestrator]: Andrew Kinney, Orchestrated By [Orchestrator]: Carl Rydlund, Orchestrated By [Orchestrator]: Elizabeth Finch, Orchestrated By [Orchestrator]: Kevin Kaska, Orchestrated By [Orchestrator]: Suzette Moriarty, Orchestrated By [Orchestrator]: Walt Fowler, Orchestrated By [Supervising Orchestrator]: Bruce Fowler (3), Organ [At Temple Church Performed By]: Roger Sayer, Other [Booth Reader]: Chris Craker, Other [Booth Reader]: Steve Mazzaro, Other [Digital Instrument Design]: Mark Wherry, Percussion [Tuned]: Frank Ricotti, Photography By [Scoring Session Photography]: Jordan Goldberg, Piano [Quartet]: Andy Vinter, Piano [Quartet]: Dave Arch, Piano [Quartet]: John Lenehan, Piano [Quartet]: Simon Chamberlain, Producer [Score Produced By]: Alex Gibson, Producer [Score Produced By]: Christopher Nolan, Producer [Score Produced By]: Hans Zimmer, Producer [Soundtrack Album Produced By]: Chris Craker, Producer [Soundtrack Album Produced By]: Christopher Nolan, Producer [Soundtrack Album Produced By]: Hans Zimmer, Production Manager [Music Production Services]: Steven Kofsky, Programmed By [Sequencer Programming]: Andrew Kawczynski, Programmed By [Sequencer Programming]: Steve Mazzaro, Recorded By [ProTools Recordist At Lyndhurst Hall]: Chris Barrett, Recorded By [ProTools Recordist At Studio 1]: Laurence Anslow, Recorded By [ProTools Recordist At Temple Church]: John Prestage, Recorded By [Score]: Geoff Foster, Sampler [Sampling Team]: Ben Robinson, Sampler [Sampling Team]: Raul Vega (2), Sampler [Sampling Team]: Taurees Habib, Score Editor [Music Editor]: Ryan Rubin, Score Editor [Supervising Music Editor]: Alex Gibson, Sound Designer [Ambient Music Design]: Mario Reinsch, Steel Guitar: Chas Smith, Strings [Quartet]: Bruce White, Strings [Quartet]: Emlyn Singleton, Strings [Quartet]: Rita Manning, Strings [Quartet]: Timothy Gill, Technician [Assistant/Abbey Road Mobile]: John Barrett (2), Technician [Assistant/Abbey Road Mobile]: Jon Alexander (3), Technician [Technical Assistant]: Jacqueline Friedberg, Technician [Technical Assistant]: Leland Cox, Viola [First]: Peter Lale, Violin: Ann Marie Simpson, Written-By [Poem, Uncredited]: Dylan Thomas, Labelcode IMT2848846.1 (MOVATM023, MOVATM023, MOVATM023), Recorded At Air Lyndhurst Hall, Recorded At Temple Church, London, Mixed At Remote Control Productions, Phonographic Copyright (p) WaterTower Music, Copyright (c) WaterTower Music, Copyright (c) Warner Bros. Entertainment Inc., Copyright (c) Paramount Pictures Corporation, Licensed To Sony Music Entertainment, Manufactured By Music On Vinyl B.V., Manufactured For Sony Music Entertainment, Pressed By Record Industry, Published By Warner-Olive Music, LLC, Published By Paramount Allegra Music, Distributed By M
"Interstellar", en formato LP, es una banda sonora impresionante compuesta por Hans Zimmer y editada por el reconocido sello Music On Vinyl. Este álbum plasma toda la profundidad emocional y grandeza cósmica del célebre filme de ciencia ficción dirigido por Christopher Nolan mediante arreglos orquestales fusionados con texturas electrónicas innovadoras que transportan al oyente a través del espacio-tiempo explorando temas como el amor, la supervivencia y la curiosidad humana. Considerado uno de los compositores más influyentes del cine actual ?ganador del Oscar y varios premios Grammy por obras como ?El Rey León?, ?Gladiator?, ?Origen? o ?Duna?? Hans Zimmer ha creado junto a Nolan algunas de las bandas sonoras más icónicas e inolvidables del séptimo arte contemporáneo. El fabricante Music On Vinyl destaca internacionalmente entre coleccionistas y audiófilos gracias a sus ediciones en vinilo cuidadosamente prensadas que garantizan máxima calidad sonora y valor para coleccionistas exigentes.
Bertus Musikvertrieb Bertus Musikvertrieb Akeleibaan 59, 2908 KA Capelle aan den Ijssel, NL service@bertus.com
Especificaciones técnicas
Idioma:
Características
Fecha de lanzamiento (dd/mm/aa)
09/03/2015
Títulos de canciones
Side A
1. Dreaming Of The Crash
2. Cornfield Chase
3. Dust
4. Day One
5. Message From Home
Side B
1. Stay
2. The Wormhole
3. Afraid Of Time
4. A Place Among The Stars
5. No Time For Caution
Side C
1. Murph
2. Detach
Side D
1. Running Out
2. Tick-Tock
3. Where We're Going
4. Do Not Go Gentle Into That Good Night
For the musical score of Christopher Nolan's brilliant film Interstellar, Hans Zimmer chose to explore new ground, employing the use of an organ for, well, a science fiction adventure film! This was ultimately a great decision, and Zimmer has created a masterpiece that is just as original as it is beautiful.
Jürgen F. - 31/05/2016
Toller Soundtrack. die Musik hatte einen großen Anteil daran, daß mich der Film in seinen Bann gezogen hat.
Die Umsetzung auf Vinyl ist als gelungen zu bezeichnen. Zwar sehr leise aufgenommen, aber so sind große
Dynamiksprünge erst möglich. Für Fans des Films zu empfehlen !
