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01. "Contempora 11" 02. "Contempora 09" 03. "Tanze im Regen" 04. "Con 3.3" 05. "Conrad & Sohn 02" 06. "Conrad & Sohn 01" 07. "21.8.86" 08. "Fata Morgana" 09. "Contempora 04" 10. "Contempora 07" 11. "Das Tier" 12. "Contempora 13" 13. "Copacabana" 14. "Tape 5" 15. "Komm mit nach Berlin" 16. "19.8.86"
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 | Number of discs: |
1 |
 | Description: | Things come full circle. In 1976 Thomas Fehlmann arrives in Hamburg to study art at the Hamburg University of Fine Arts. In 1979 he attends a guest lecture by Conrad Schnitzler, who demonstrates how the extended definition of art established by Joseph Beuys can be applied to music. This proves to be a crucial element in Fehlmann's decision to become a musician. And now, in 2015, over 35 years later, Fehlmann has compiled the fifth installment in Bureau B's Kollektion series, arranging, in uniquely harmonious fashion, 16 pieces from the early 1980s by the man who broadened his horizons, Conrad Schnitzler. The gateway to Schnitzler's sonic cosmos has been flung wide open. Conrad Schnitzler (1937-2011), composer and concept artist, was one of the most important representatives of Germany's electronic music avant-garde. A student of Joseph Beuys, he founded Berlin's legendary Zodiak Free Arts Lab, a subculture club, in 1967/'68, was a member of Tangerine Dream (together with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius), and released countless solo albums. Thomas Fehlmann rose to prominence in the seminal band Palais Schaumburg with Holger Hiller. Their debut album in 1981 was a milestone in German post-punk music. In 1988 Fehlmann founded the Teutonic Beats label and in 1990 he became a member of The Orb. He has played an important role in Berlin's electronic and club scenes ever since, as a musician, producer, remixer, and DJ. Thomas Fehlmann on this Kollektion: I have strung together various pieces from Conrad Schnitzler's white period - the CON series - in a seamless arrangement which creates it's own state of dramatic tension. The tracks retain their original form and tempo. This is not a study in montage. I have restricted myself to picking the right moment to move from one piece to the next, cross-fading. Okay, I did edit one track... I was looking for a form which would condense Conrad Schnitzler's versatility, his inventiveness and wit into a single journey. The new running order adds a certain friction to the aura of each as new connections are made. My choices were musical, not chronological, bathing these works from the early 1980s in new sensuous light. It is quite remarkable to see how intensely the sparks still fly. Preparing this collection closes an elementary circle in my life, without which I may have followed a completely different path."Kollektion 05" is a CD release by the pioneering German electronic musician Conrad Schnitzler, issued by Bureau B / Indigo. This collection showcases Schnitzler's innovative approach to sound design and experimental music, featuring tracks that span various phases of his prolific career. Known as one of the founding members of Tangerine Dream and Kluster, Schnitzler was instrumental in shaping the landscape of avant-garde electronic music from the 1970s onwards. His work has influenced countless artists across genres with its bold exploration of synthesizers and unconventional structures. Bureau B / Indigo is renowned for their dedication to reissuing classic works from influential artists in krautrock, electronic, and experimental fields, ensuring these groundbreaking sounds reach new generations. |  | No. of tracks: |
16 |
 | Manufacturer No.: |
05992602 |
 | Product Safety
Responsible Person for the EU:
Tapete Musik e.K. Stahltwiete 10, 22761 Hamburg, DE http://www.tapeterecords.de/ |  |
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