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Otros productos de Amanaz |
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Disc 01
 01. "Amanaz" 02. "I am very far" 03. "Sunday morning" 04. "Khala my friend" 05. "History of man" 06. "Nsuka lwendo" 07. "Africa" 08. "Green apple" 09. "Making the scene" 10. "Easy street" 11. "Big enough" 12. "Kale"
Disc 02
01. "(Reverb Mix)" 02. "I am very far (Reverb Mix)" 03. "Sunday morning (Reverb Mix)" 04. "Khala my friend (Reverb Mix)" 05. "History of man (Reverb Mix)" 06. "Nsuka lwendo (Reverb Mix)" 07. "Africa (Reverb Mix)" 08. "Green apple (Reverb Mix)" 09. "Making the scene (Reverb Mix)" 10. "Easy street (Reverb Mix)" 11. "Big enough (Reverb Mix)" 12. "Kale (Reverb Mix)"
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0 ¿Que es eso?
Please note our information regarding region codes:
DVDs and Blu-Rays often are country encoded and do not play worldwide. Please check whether your player is compatible with the area code of the item.
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Blu-Ray Code - Area
free/0 - Informal term meaning "worldwide".
A/1 - United States and their dependencies, East Asia, and Southeast Asia; excludes instances that fall under Region C.
B/2 - Africa, Middle East, Southwest Asia, most of Europe, Australia, New Zealand, and their dependencies; excludes instances that fall under Region C.
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=1975 Album For Zambian Psych-rock 5-piece= |
| | Descripción: | Issued in 1975, this is the articulation of Zambia's Zamrock ethos. While other albums - Rikki Ililonga's Zambia, WITCH's Lazy Bones!! - are competitors, it's hard to best this album as it covers each major quadrant of the Zamrock whole: it came from the mines; it's musicians were anti-colonial freed it envelops Zambian folk music traditions, and it rocks - hard. Amanaz were serious, and they made a serious stab at an album. They titled their album Africa, according to original band member Keith Kabwe, "becauseof how it was shared and how it's inhabitants were butchered and enslaved, it's resources stolen... all the atrocities slave drivers committed. " Thus, their "Kale," a blues sung in Nyanja, that traced the continent's arc from slavery to Zambia's independence closes the album. Kabwe and rhythm guitarist John Kanyepa have a winsome softness to their vocals, which sit politely aside the feral growl of drummer Watson Baldwin Lungu, bassist Jerry Mausala and bandleader/lead guitarist Isaac Mpofu. Africa's vibe ranges from anxious ("Amanaz") to escapist ("Easy Street") to straight-up pissed-off. On the "History of Man," his voice whiskey-burned, his distorted guitar buzzing like swarming hornets, Mpofu indicts his species. There's a darkness to Africa not found on any other Zamrock records, and a melancholy drifts throughout, specifically on Mpofu's more restrained "Khala My Friend," which stands as an effective, bleak situation for the Zambian everyman, the average citizen of a struggling, new nation, who might have hadrelatives in conflict-torn countries on the horizon, who might have been struggling to find his next meal, who might have seen a bleaker future than his president promised. Then there's the clear Velvet Underground-influence on the nostalgic "Sunday Morning," which, as Kabwe recalls, was the first song written for the album, back in 1968, when Velvet Undergound and Nico was a new release - and the underground funk of "Making The Scene. " The album also tackles traditional Zambian music and early-'60s rock - punctuated, of course by Kanyepa's wah-wah and Mpofu's fuzz guitars. But every time Amanaz get too deep, too violent, they come back with an accessible song and woo their listener back to the groove. "Green Apple" is a civil song, featuring Kanyepa's sighing guitar. It is a perfectly arranged album, from the dichotomy of Mpofu's and Kanyepa's lead and rhythm guitars, to the vocal harmonies, to the rhythm section's sense of space and time, which allows Africa's funk to build. Inexplicably, Africa was given two separate mixes and two separate presses: one version is dry, with the vocals and drums mixed loud, the other slathered in reverb, with the vocals and drums disappearing into the mix, and with the guitar solos mixed much louder. We've presented them both here as they each have their appeal: it's up to the listener to pick the one he or she prefers. This is a highpoint of the Zamrock scene and we hope that this can be seen as it's definitive reissue., Runningtime: 00:00:00, Arranged By: Isaac Mpofu, Arranged By [Production]: Billie David Nyati, Art Direction: Errol F. Richardson, Bass Guitar: Jerry Mausala, Compilation Producer, Liner Notes: Eothen Alapatt, Drums: Watson Lungu, Lead Guitar, Rhythm Guitar: Isaac Mpofu, Lead Guitar, Rhythm Guitar: John Kanyepa, Lead Vocals: Isaac Mpofu, Lead Vocals: Keith Kabwe, Lead Vocals: Watson Lungu, Maracas, Tambourine: Keith Kabwe, Music Director: Edward Godfrey Khuzwayo, Producer: Amanaz, Recorded By: Geoffrey Kachusha Mulenga, Recorded By: Grayson Phiri, Remastered By: Dave Cooley, Vocals: Jerry Mausala, Vocals: John Kanyepa, Vocals: Keith Kabwe, Vocals: Watson Lungu, Labelcode NAG5123.2 (NA 5123), Distributed By Traffic Entertainment Group, Recorded At Malachite Film Studios, Remastered At Elysian Masters | | | N° de títulos: |
24 |
| | N° de fabricante: |
NA5123CD |
| Seguridad del producto
Persona responsable para la UE:
Lounge Records / Legere Recordings
c/o BROKEN SILENCE
Stadtdeich 27, 20097 Hamburg, DE
helmut@lounge-records.de | |
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