Tomowa / Müller / Cole / Karajan / WP -Requiem Kv 626 -Deutsche Grammophon Production CD Grooves.land/Playthek

Details / Tracklist:

Requiem d-moll KV 626

01. Tomowa-Sintow, Anna "1. Introitus: Requiem (I. Introitus)"
Requiem d-moll KV 626
II. Kyrie

02. Tomowa-Sintow, Anna "2. Kyrie"
Dies irae

03. Mozart, Wolfgang Amadeus "3. Sequentia: Dies irae (III. Sequenz)"
Tuba mirum

04. Mozart, Wolfgang Amadeus "3. Sequentia: Tuba mirum (III. Sequenz)"
Rex tremendae

05. Mozart, Wolfgang Amadeus "3. Sequentia: Rex tremendae (III. Sequenz)"
Recordare

06. Mozart, Wolfgang Amadeus "3. Sequentia: Recordare (III. Sequenz)"
Confutatis

07. Mozart, Wolfgang Amadeus "3. Sequentia: Confutatis (III. Sequenz)"
Lacrimosa

08. Mozart, Wolfgang Amadeus "3. Sequentia: Lacrimosa (III. Sequenz)"
Domine Jesu

09. Mozart, Wolfgang Amadeus "4. Offertorium: Domine Jesu (IV. Offertorium)"
Hostias

10. Mozart, Wolfgang Amadeus "4. Offertorium: Hostias (IV. Offertorium)"
V. Sanctus

11. Mozart, Wolfgang Amadeus "5. Sanctus"
VI. Benedictus

12. Mozart, Wolfgang Amadeus "6. Benedictus"
VII. Agnus Dei

13. Mozart, Wolfgang Amadeus "7. Agnus Dei"
VIII. Communio

14. Mozart, Wolfgang Amadeus "8.Communio: Lux aeterna"

Number of discs:

Description:

Wolfgang Amadeus Mozart: Requiem, K. 626 - Soloists, the John Alldis Choir and the BBC Symphony Orchestra conducted by Sir Colin Davis. Among all those sacred compositions that deal with the end of life, Mozartâ??s Requiem penetrates oneâ??s heart and soul like no other apocalyptic work. One reason for this is surely the rather mysterious story surrounding its composition, a mixture of truth and legend, which arose during the arduous last months of the ailing Salzburg composer. Although the various developmental stages and the extent to which Mozartâ??s pupils participated in the composition may never be fully clarified, the mystical power of the enigmatic fragments remains constant to this day. Sir Colin Davis lends an immediate relentlessness to the sounds of despair that is already apparent in the tense, pulsating opening bars, and which is taken to the very limits of playability in the climactic "Dies irae". While the swift tempi might appear rather surprising, they serve to dampen any sort of opera-like sentimentality of which many recordings are guilty. The consolatory timbre in the vocal parts make them come across as oases of calm in the prevailing atmosphere of biting cold, fearsome drama, and flickering hope, all of which breathes musical life into this mass for the dead. Recording: September 1967 at Watford Town Hall, London, by Martin Vos Production: Harold Lawrence - TOMOWA-SINTOW/WIENER PHILHARMONIKER/KARAJAN/MOLINARI

Recording: Wien, Musikverein, Grosser Saal, 5/1986 ? 1987 Polydor International GmbH, Hamburg © 1987 Prof. Dr. Volker Scherliess; Dr. Alec Hyatt King; Jean-Claude Poyet Remastering method: Original-Image Bit-Processing Printed in Germany by/Imprimé en RFA par Neef, Wittingen

Manufacturer No.:

4390232

Product Safety