The Last Ship

Sting
The Last Ship

38,27 EUR  31,89 EUR
LP
A & M Records
Date de sortie: 20/09/2013
Les frais d'expédition sont minimisés.
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Livraison à US pendant: 15-19 jours ouvrable (commande en attente)
Classement parmi les ventes: N° 478 en Pop divers
N° 638 en Pop
Style: Pop divers
No d'article.: 1987169717

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Content:

Remarque / Liste des chansons: MP3 Audio maintenant écouter gratuitement 01. "The Last Ship"
MP3 Audio maintenant écouter gratuitement 02. "Dead Man's Boots"
MP3 Audio maintenant écouter gratuitement 03. "And Yet"
MP3 Audio maintenant écouter gratuitement 04. "August Winds"
MP3 Audio maintenant écouter gratuitement 05. "Language Of Birds"
MP3 Audio maintenant écouter gratuitement 06. "Practical Arrangement"
Nombre de disques: 1
Description:Vinyl LP pressing. 2013 album from the British singer/songwriter and former leader of the Police. The album was inspired by Sting's forthcoming play of the same name and explores the central themes of homecoming and self-discovery, drawing upon his memories of growing up in the shadow of the Swan Hunters Shipyard in Wallsend. The Last Ship was produced by Rob Mathes (Sting, Eric Clapton, Elton John, Lou Reed, Carly Simon) and engineered and mixed by Donal Hodgson., Runningtime: 00:00:00, A&R: Martin Kierszenbaum, Acoustic Guitar: Dominic Miller, Acoustic Guitar: Rob Mathes, Acoustic Guitar: Sting, Arranged By [Orchestra], Conductor: Rob Mathes, Art Direction: Drew Hodges, Art Direction: SpotCo, Backing Vocals: Jimmy Nail, Backing Vocals: Jo Lawry, Backing Vocals: Rob Mathes, Bass: Ira Coleman, Bassoon: Gavin McNaughton, Cello: David Daniels, Cello: Martin Loveday, Cello [Principal]: Anthony Pleeth, Clarinet: Jon Carnac, Concertmaster: Thomas Bowes, Contractor [Orchestra, Assistant]: Charlotte Matthews, Contractor [Orchestra]: Isobel Griffiths Ltd., Design [Package]: Drew Hodges, Design [Package]: SpotCo, Drums, Percussion: Joe Bonadio, Electric Guitar: Dominic Miller, Engineer [Additional Engineering], Edited By [Additional Editing]: Lars Fox, Engineer [Assistant]: Angus Cowen, Engineer [Assistant]: Mark Broughton, Engineer [Pro Tools]: Brett Meyer, Engineer [Pro Tools]: Paul Pritchard (2), Engineer [Pro Tools]: Rael Jones, Engineer [Pro Tools]: Rich Rich, Engineer [Pro Tools]: Toby Hulbert, Euphonium: Andy Wood (2), Euphonium: Richard Harris (13), French Horn: Bob Carlisle, French Horn: Chris Komer, French Horn: David Pyatt, French Horn: Michael Thompson (2), French Horn: Nicholas Korth, French Horn: Richard Watkins, Liner Notes: Sting, Management: KSM, Inc., Management: Kathryn Schenker, Management: Nicole VanGiesen, Management: Tracy Bufferd, Mastered By: Scott Hull (2), Melodeon: Julian Sutton, Mixed By [Additional]: Peter Cobbin, Photography By: Frank W. Ockenfels 3, Piano, Keyboards: Rob Mathes, Producer: Rob Mathes, Producer: Sting, Production Manager: Jill Dell'Abate, Recorded By [Additional]: Alex Venguer, Recorded By [Orchestra]: Jonathan Allen, Recorded By [Orchestra]: Peter Cobbin, Recorded By, Mixed By: Donal Hodgson, Soloist: Kathryn Tickell, Soloist: Peter Tickell, Sounds [Clogs]: Rachel Unthank, Technician [Sting's Guitar]: Danny Quatrochi, Tenor Trombone: Michael Davis, Tenor Trombone: Richard Edwards (2), Trumpet: Jeff Kievit, Trumpet: John Barclay, Trumpet: Kate Moore, Trumpet: Tom Rees-Roberts, Trumpet: Tony Kadleck, Tuba: Marcus Rojas, Tuba: Owen Slade, Viola: Andrew Parker (2), Viola: Bruce White, Viola [Principal]: Peter Lale, Violin: Boguslaw Kostecki, Violin: Cathy Thompson, Violin: Chris Tombling, Violin: Debbie Widdup, Violin: Gaby Lester, Violin: Mark Berrow, Violin: Rita Manning, Violin: Steve Morris, Violin: Warren Zielinski, Violin [Principal Second Violin]: Emlyn Singleton, Violin, Mandolin: Peter Tickell, Violin, Northumbrian Pipes: Kathryn Tickell, Vocals: Jimmy Nail, Vocals [Duet Vocals]: Becky Unthank, Vocals [Group Vocals]: The Wilson Family, Vocals, Bells [Orchestral Bells], Cymbal: Sting, Written-By: Sting, Written-By: Sting, Written-By: Sting, Written-By: Sting, Written-By: Rob Mathes, Written-By: Sting, Written-By: Rob Mathes, Written-By: Sting, Written-By: Sting, Written-By: Dominic Miller, Written-By: Ira Coleman, Written-By: Jo Lawry, Written-By: Kathryn Tickell, Written-By: Peter Tickell, Written-By: Rob Mathes, Written-By: Sting, Featuring: Jimmy Nail, Written-By: Jimmy Nail, Written-By: Julian Sutton, Written-By: Kathryn Tickell, Written-By: Peter Tickell, Written-By: Sting, Written-By: Rob Mathes, Written-By: Sting, Featuring: Becky Unthank, Written-By: Sting, Written-By: Sting, Labelcode ISCB001874101.1 (3744812, 3744812), Phonographic Copyright (p) A&M Records, Copyright (c) A&M Records, Record Company UMG Recordings, Inc., Marketed By Universal International Music B.V., Recorded At MSR Studios, Recorded At Steerpike Studio, Recorded At Abbey Road Studios, Recorded At The Beach, Recorded At Downtown Music Studios, Mixed At MSR Studios, Mixed At Steerpike Studio, Mixed At Abbey Road Studios, Mixed At The Beach, Mixed At Downtown Music Studios, Mastered At Masterdisk, Lacquer Cut At Abbey Road Studios, Designed At SpotCo, Publ
"The Last Ship" est un LP captivant du légendaire artiste Sting édité par le célèbre label A & M Records. Cet album s?inspire de l?enfance de Sting à Wallsend en Angleterre et raconte avec émotion la vie des communautés ouvrières confrontées au changement et à la perte dans les chantiers navals locaux. La musique mêle influences folk et arrangements orchestraux pour offrir une expérience immersive empreinte de nostalgie et d?espoir face à l?adversité. Artiste incontournable de sa génération aussi bien en solo qu?avec son groupe The Police (multiples Grammy Awards et millions d?albums vendus), Sting continue d?imposer sa marque sur la scène internationale. Le label A & M Records se distingue par son éclectisme artistique et son soutien aux grands noms comme The Police ou encore Janet Jackson.
N° de titres: 12
N° de fabricant: 3744812
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English HYUNG RAE K. - 08/11/2020 4 sur 5 étoiles!
The Last Ship tells the tale of a British shipyard in the '80s, one laid low by changing times, so there's naturally an elegiac undertow to Sting's originals, a sensibility underscored by his decision to ground nearly all these songs in the folk of the British Isles. Dockworkers in the '80s may not have been singing folk songs, but the genre is elastic.