: Messe (1667) Fêtes doubles majeures () 1-1: Introït: Benedicite Dominum (Missa votiva de Angelis) (3:16) : Kyrie () : Gloria () : Offertoire () : Sanctus () : Communion () : Ite Missa est () : Prélude (Suite) du 3ème Ton (1675) () 1-43: (Prélude) (1:35) 1-44: Fugue (0:57) 1-45: Récit (2:05) 1-46: Cornet (1:28) 1-47: Dialogue à 2 Choeurs (1:07) 1-48: Basse (1:29) 1-49: Cornet (1:19) : Magnificat / Prélude (Suite) du 6ème Ton (1665) () 1-50: Magnifica anima mea (1:19) 1-51: Et exultavit spiritus meus in Deo salutari meo (0:21) 1-52: Qui respexit (1:01) 1-53: Qui fecit mihi magna qui potens est, et sanctum nomen ejus (0:28) 1-54: Et misericordia (1:56) 1-55: Fecit potentiam in brachio suo, dispersit superbos mente cordis sui (0:29) 1-56: Deposuit potentes (1:14) 1-57: Esurientes implevit bonis et divites dimsit inanes (0:33) 1-58: Suscepit Israel (1:03) 1-59: Sicut locutus est ad patres nostros, Abraham (0:30) 1-60: Gloria Patri (1:11) 1-61: Sicut erat in principio, et nunc et semper, et in saecula saeculorum (0:37) 1-62: Amen (1:32) : Prélude (suite) du 1er ton (1675) () 2-1: Prélude (3:02) 2-2: Fugue (1:01) 2-3: Récit (2:26) 2-4: Duo (0:54) 2-5: Echo (3:02) 2-6: Dialogue à 2 Choeurs (2:05) 2-7: Basse (1:09) 2-8: Dialogue de Récits (4:02) 2-9: O, intermerata (4:13) : Te Deum (1667) () 2-10: Te, Deum, laudamus (0:15) 2-11: Te Dominum confitemur (0:48) 2-12: Te, aeternum Patrem (0:22) 2-13: Tibi omnes Angeli (0:50) 2-14: Tibi Cherubim et Seraphim (0:25) 2-15: Sanctus (0:36) 2-16: Sanctus (0:11) 2-17: Sanctus Dominus (0:45) 2-18: Pleni sunt caeli et terra (0:49) 2-19: Te gloriosus (0:49) 2-20: Te, prophetarum (0:20) 2-21: Te martyrum (2:00) 2-22: Te, per orbem tarrarum (0:23) 2-23: Patrem immensae Majestatis (0:42) 2-24: Venerandum tuum verum (0:24) 2-25: Sanctum quotue (0:58) 2-26: Tu, Rex gloriae, Christe (0:13) 2-27: Tu Patris (0:46) 2-28: Tu, ad liberandum (0:33) 2-29: Tu devicto mortis aculeo (1:30) 2-30: Tu, ad dexteram Dei sedes (0:24) 2-31: Judex crederis (1:43) 2-32: Te ergo (0:33) 2-33: Aeterna fac (3:05) 2-34: Salvum fac populum tuum (0:37) 2-35: Et rege eos (0:52) 2-36: Per singulos dies (0:23) 2-37: Et laudamus (2:12) 2-38: Dignare, Domine (0:27) 2-39: Miserere nostri, Domine (1:24) 2-40: Fiat misericordia tua (0:36) 2-41: In te, Domine, speravi (1:13) 2-42: Laetare, mater amabilis (1:46) : Prélude (suite) du 2ème ton (1675) () 2-43: (Prélude) (2:35) 2-44: Fugue (0:54) 2-45: Echo (1:52) 2-46: Basse (1:27) 2-47: Dialogue à 2 Choeurs (2:05) 2-48: Dialogue de Récits (4:01) 2-49: O bone Jesu (3:22) : Hymne "A Solis Ortus Cardine" (1667) () 2-50: A solis ortus cardine (1:51) 2-51: Beatus auctor saeculi (0:58) 2-52: Castae parentis (1:47) 2-53: Domus pudici pectoris (0:56) 2-54: Entitur puerpera (2:01) 2-55: Foeno jacere pertulit (0:58) 2-56: Gaudet chorus coelestium (1:23) 2-57: Amen (0:26)
Number of discs:
2
Description:
Enregistré à l'Abbaye de Saint-Michel-en-Thiérache du 10 au 15 Septembre 2004 pour l'orgue (Keï Koïto) et du 6 au 9 Juin 2005 (Plein Chant
The CD "Messe, Suiten & Motetten" by Kei Koito and the Ensemble Gilles Binchois offers a captivating journey through sacred and secular vocal music from the Renaissance and Baroque periods. This recording showcases masterful interpretations of masses, suites, and motets that highlight both spiritual depth and musical sophistication. The collaboration between renowned organist Kei Koito?celebrated for her expressive artistry on historical instruments?and the acclaimed Ensemble Gilles Binchois brings an authentic sound to these timeless works. Temperaments, as the label behind this release, is known for its dedication to historically informed performances and high-quality productions in early music. With numerous awards for their recordings, Temperaments continues to set standards in classical music publishing.